Terror Down Below: 47 METERS DOWN (2017) Review

After being dumped by her boyfriend claiming she’s too “boring”, Lisa (Mandy Moore) invites her sister Kate (Claire Holt) along with her, hoping to prove to him that she can be fun. The two are then invited to go cage diving with some very large sharks. Upon descent, their cage drops to the ocean floor. Eventually the sisters find they’re not safe inside the cage as their oxygen runs low, and they aren’t safe outside because of the sharks. It’s a race against time as the sisters fight to survive.

After the success of The Shallows, 47 Meters Down was pulled from it’s straight to DVD and digital release (it was very close to its release date), and the new plan was to release it in theaters. I’m really happy about this move, because this is one shark movie that deserves to be seen in a theatrical setting. At the same time however, while the sharks are a huge threat, even more so, the ocean itself is a threat. The film is so well-done and suspenseful with how it’s directed and filmed. It also uses the setting to its advantage. The film succeeds at making us feel trapped with these characters in this small space, and we feel our breaths growing as short as theirs because of how much we’re holding it. This occurs as the intensity builds. The intensity in question all starts and can be felt right when we see the girls climbing into the cage. Most of the film is completely underwater and it brilliantly makes us feel like we are there. The way cinematography captures the surroundings and as well as what could be hiding in the dark waters is nerve-wracking and really makes you hold your breath. This is only worse when the shark scenes come about. The sharks are used the perfect amount without using the same tropes and tricks over and over. This only further causes you to be on edge, and it contains some extremely well-done jump scares. In terms of characters, they feel pretty genuine, smart, and relatable. Lisa is the more reserved character and the first to really panic, but she also has a solid character arc watching her having to get over her fears and panic in order to survive. Kate is the more adventurous and brave one trying to be there for her sister. But what’s interesting is how at certain points, their roles seem to flip and they equally need to help each other. Some of the actions they commit may not be the smartest from an outer perspective, but situation-wise, these decisions come off as necessary because of the dire circumstances. Mandy Moore does really well with her performance and really sells her character’s fear and gradual changes. Of the two though Claire Holt turns in the strongest as we see her balancing bravery and fear along with her strength and concern for Moore’s character. The pair however are very believable as sisters and have strong chemistry to really help you care for and root for them.

47 Meters Down is a hard-core heart-pounding thriller that really does have you gasping for breath. This is more than a shark film, it is a hardcore survival film where the stakes are off the charts. Thanks to brilliant direction and cinematography, you are trapped with these two characters and really feel the terror and tension rising.

–Cody Landman

Picking Favorites: Top 5 Male Performances in Horror

The horror genre in my opinion is so underrated in terms of recognition for performances and in some cases the films in general. The Oscars always seem to turn the other cheek towards them, with the exception of a few iconic ones (Misery, Silences of the Lambs, etc.). Besides dramas, I honestly think horror offers the more stronger performances of other genres. The actors and actresses have to convey so much emotion and sometimes really get into the psyche of the characters they play and channel the hell out of them. This isn’t the case for every horror movie of course, but a person can’t deny that there’s a lot of effort to be put into these performances. This is my personal list of my five favorite male and female performances in horror. Some of them are the obvious and iconic performances, and some are performances that definitely deserve to become iconic and ranked with them.

Anthony Hopkins as Hannibal Lecter in Silence of the Lambs
Right from the moment we see Anthony Hopkins appear on-screen, you immediately feel a sense of terror and his villainy. The way he stands there anticipating Clarice’s arrival and his greeting. It’s something that shouldn’t be threatening, but the physical way Hopkins portrays Lecter is chilling, and when we get to his dialogue and emotionless expression and the ease of how he speaks, that adds even more to the performance. What really sells Hopkins performance for me every time are his eyes. They burn holes into the viewer and you can see the evil in them. That is a trait that most actors who play villains can’t accomplish. Especially one in which he doesn’t completely act psychotic. He can be sitting there looking at Clarice and the viewer, calm as can be, and you do see the evil in those eyes looking back at you.

2) Kevin Spacey as John Doe in Seven

For such a small amount of screentime, Kevin Spacey leaves one hell of a mark on the film and viewer. Towards the end of the movie when the killer known as John Doe appears and we see Spacey covered in blood, calm as can be, that alone instantly sends you the chills. The rest of the film as Spacey acting as calm as can be, speaking his lines with no emotion and the lines themselves are creep enough. When the field scene comes and Spacey gives his monologue to Brad Pitt leading to the reveal of the box, Spacey is horrifying. This is a role I feel most actors couldn’t accomplish the way Spacey does it. The emotionless, empty, uncomfortably calm performance as this serial killer, along with the reveal in the climax leaves you feeling shaken and disturbed. Without Kevin Spacey’s performance as John Doe, I really don’t think the film’s ending would have had the same impact.

3) John Goodman as Howard in 10 Cloverfield Lane

One of the more recent performances I feel deserves to go down in horror history is John Goodman in 10 Cloverfield Lane. What’s so brilliant about Goodman’s performance here is just how uncomfortable he can make the viewer as well as the characters in the film. There are so many instances where his character Howard can come off as reasonably normal and collected, but in an instant he can change into this monster. Even in scenes where you aren’t even sure of what Howard is going to do next. You think he’s going to completely go crazy, or if he may just shrug it off. But even in silence and without moving, Goodman has a way of bringing in how deranged his character is. In one scene where he lunges at Mary Elizabeth Winstead’s character and has her trapped against the wall, you can feel just as intimidated and freaked as she is. This performance is one that I really feel Goodman deserved a chance at the Oscar for because of how into character Goodman gets and leaves you guessing of where his character is going to go as well as scaring you and making you so uncomfortable.

4) Daniel Kaluuya as Chris in Get Out
The most recent performance (and a non-villain one) I think should be recognized in horror history as one where we have the most relatable leading male in a long time. Kaluuya plays Chris as this very down-to-earth and super likable guy. He’s meeting his girlfriend’s parents for the first time and you can tell how nervous he is. This is displayed really relatable as well. But when shit hits the fan during this visit, Kaluuya perfectly shows how uncomfortable Chris is with everything and shows his paranoia. But at the same time, he’s capturing Chris at how he’s trying to keep his cool and not completely lose his head, but also knows he needs to get the hell out of there. Apart from this we see the tortured side of his character when aspects of his past is brought up and Kaluuya just lets out all the emotions his character has been building up. This is such an authentic performance in so many ways, and one that you don’t see too often in horror. We see so many characters that we laugh at and say “oh that’s so me!” but with Kaluuya’s portrayal of Chris, you think, this is a real person acting and thinking like a real person. That is just how much his performance is one worth remembering.

5) Christian Bale as Patrick Bateman in American Psycho
What sets this actor and character apart from the others is that, while the others have more subtle performances that make them incredible, this one is off-the-wall, in your face excellent. Sure, Bale has a few subtly moments in his performance, but when he shows Bateman in full psycho mode, you are immediately freaked out by this guy. And it’s not angry psycho, as most know, but a guy who thinks killing people is just your average routine. And you can see how much he gets a kick out of and has fun with is murders. Bale does all of this so perfectly and disappears into character so well that, like the others, you’re not seeing them as actors, you’re seeing him as Patrick Bateman.

–Cody Landman

Picking Favorites: Top 5 Female Performances in Horror

The horror genre in my opinion is so underrated in terms of recognition for performances and in some cases the films in general. The Oscars always seem to turn the other cheek towards them, with the exception of a few iconic ones (Misery, Silences of the Lambs, etc.). Besides dramas, I honestly think horror offers the more stronger performances of other genres. The actors and actresses have to convey so much emotion and sometimes really get into the psyche of the characters they play and channel the hell out of them. This isn’t the case for every horror movie of course, but a person can’t deny that there’s a lot of effort to be put into these performances. This is my personal list of my five favorite male and female performances in horror. Some of them are the obvious and iconic performances, and some are performances that definitely deserve to become iconic and ranked with them.

1) Isabelle Fuhrman as Esther in Orphan
With child performances, they can be hit or miss. The performances can be way too “cute” or they can be downright annoying. But with Fuhrman’s performance, it’s mind-blowing how a child turn in such an adult and deranged performance. This another actress who can make you feel unease with subtlety in her performance, and most of it is subtle. With just a look, or how close and in your face she gets in this movie, it’s enough to bring the chills. And when she finally goes full on psycho, you are just in shock of how this little girl is bringing out this psychotic little bitch. Like where the hell does it come from? Fuhrman’s performance is honestly, for me, what makes Orphan such a great movie.

2) Rebecca De Mornay as Mother in Mother’s Day (2010)
Here is yet another performance that, like Goodman’s character in 10CL, is one in which you have no idea what to feel around this character initially. De Mornay first appears as this woman who seems friendly enough, but just has some fucked up kids. And she makes you feel a bit more comfortable despite the chaos that just happened. But her performances takes a gradual turn as you see just how deranged she actually is. She goes full on psycho at the end, and she’s fantastic there, but she’s at her best when she’s punishing or killing these characters for breaking her roles. And the way De Mornay acts like these punishments are justified and reasonable with so much calm and ease is excellent. She makes you fear her calm side more than her full on crazy side.

3) Leah Pipes as Jessica in Sorority Row
This performance is much more different than most because it’s not the villain, nor is it a hero. Leah Pipes plays the queen bee bitch character Jessica so profoundly that she deserves to be in this list. Pipes perfectly balances this line between where you know you’re supposed to hate her character, but yet you fricken love her. Much of Jessica’s character involves many wise-cracks or using her bitch-face. And my god, Pipes nails this. Her comedic timing is so on-point and she perfectly uses bitch face to her advantage. She tackles this character so well, makes you laugh, and often time cheer because of how bad ass she can be that (if you’re like me) you are rooting for her the whole time as opposed to the main lead. And what Pipes brings here is that you know you’re supposed to hate her, and she does make you do that, but she also brings to the table elements where you just can’t help but love the hell out of her. Most actress with this performance would either go one way or the other. But Pipes was a special actress to capture both sides.

4) Neve Campbell as Sidney in the Scream series
It would be unfair to critique Campbell based on just the first film alone. To get a full grasp on Sidney and how Campbell portrays her, you have to look at the series as a whole. In the first film we see Campbell portray Sidney as this pretty tortured girl who had seen her mother murdered. Not only this but also the pressure she feels from Billy. Campbell captures this really well, but there’s more to Sidney than just a tortured character. She has some realism to her character, she’s not Mary Sue nice like Laurie Strode, but she’s a good person who is not afraid to be a bitch when she has to (insert Sidney punching Gale). Even in the moments where we do see Campbell kicking the killer’s ass, you still her conveying the emotional turmoil that Sidney is feeling. This is just the first film. For the rest of the film, we still see the emotional damage that Sidney has, and once again Campbell shows this well, but doesn’t overdo it to where we get annoyed. Campbell shows Sidney’s struggle to try find normalcy in her life but also how she’s haunted and not sure who to trust. When you look at the whole series, you see Neve Campbell showing Sidney’s rise to strength and overcoming all of this emotional barriers she faces and by the forth film she comes character who is willing to chase down her demons instead of running.

5) Rachel McAdams as Lisa in Red Eye
This is one performance I feel is as under-looked as the film itself. McAdams shows Lisa as this workaholic who tries to keep her cool under dire circumstances, but you can also see in her performance how much stress she feels. When Lisa finds herself in the biggest dire circumstance where not only her life, but the life of several others are on the line, this is when McAdams shows her chops big time. The fear and helplessness McAdams shows is pretty heartbreaking and you are waiting for her to reach that moment for her to rise. There are moments sprinkled out where you see Lisa’s cunning and bravery rising in McAdams’ performance, but also her fears are keeping her back. It’s in the final act when McAdams shows Lisa’s courage and anger kick in and we are rooting for her the whole time during the cat and mouse game she plays with Cillian Murphy’s character, and finally when they are in a face to face battle. By the end you are pumped for her character after her ordeal. But then in the very last scene, you know that Lisa has had enough after her ordeal and throwing her calm and collected self out the window by delivering the most epic final line in a movie ever to a couple of characters who totally had it coming. Like Campbell’s portrayal of Sidney, McAdams shows Lisa’s journey into finding strength in herself and overcoming her fears.

–Cody Landman

Picking Favorites: Top 5 Favorite Twist Endings


More often than not, most twist endings these days are pretty predictable or they are carbon copies of other twists. Hell some twists aren’t even twists a lot of the time, but that can also be subjective. However, there are still plenty of twist endings in horror films that can leave you jaw-dropped or immediately want to go pack and pick up on clues you may have missed. And then there are some twists that may be predictable but they’re still enjoyable twists nonetheless. Here are a few of my personal favorites.

1) Saw
Never before have I been so shocked at a film’s ending. And never before have I seen a movie with an audiences who went crazy when it happened, not to mention literally at the very end. The whole time we are thinking the character Zepp is the villain known as Jigsaw. And we have reason to believe this. But what we don’t have reason to believe is that the dead man in the middle of the floor between our two leads is the real Jigsaw and has been listening to and often controlling them the whole time. I can still recall how I felt when the iconic music begins to play as Adam starts the tape and you see John Kramer/Jigsaw rising up and we see Adam’s shocked and horrified expression as he then gets locked in his dark prison to rot. The scene itself is so well done is so many aspect that amplifies the shock of it.

2) Cry_Wolf
This is a film that I find extremely underrated (but that’s another story). Throughout the film we see these young friends playing a prank on the school that a killer is on campus. But coincidentally, the killer they’ve created is brought to life and preying on the group. This is another film that I found myself completely caught off-guard (to an extent). We are given a first twist revealing that the killer wasn’t real, it was all a prank played on the main character Owen, but also a few pranks made on each other within the group. However, this prank results in the death of one of the characters and the main guy is held responsible. We think this is the end of the movie, but we get another twist, and we find out this whole thing was a plot set up by one of the other characters to ensure the death of the deceased character. The main guy figures this out, but the true villain of the story says they’ll get away with it because no one will believe him (he has a track record of lying and troublemaking), leaving the lead screwed. The initial twist is a little predictable, and while it’s still interesting, it wouldn’t have been much of a satisfying conclusion. However, the final twist, I did not have a clue about, it blew my mind. As a result, this make the first twist more enjoyable than it would have been on its own.

3) The Skeleton Key
When this film’s climax approached, I had a vivid idea of what going to happen. I knew the house wasn’t haunted and that the elderly woman Violet (played by Gena Rowlands) was the true villain and was trying to take over Caroline (Kate Hudson), whom has been staying with her to care for her husband. And that the realtor Luke (Peter Sarsgaard) was in on the plot. But the two final shockers I didn’t expect at all. It’s revealed that Violet and Luke aren’t who they seem to be. It turns out their bodies are possessed by the slaves in the story Violet told earlier to Caroline. The couple have been using Hoodoo to transfer their souls into younger bodies in order to have everlasting life (starting with the two children of the family they worked for). Caroline believes she has the ability to defeat this evil and for a moment we think she has. But when she awakes the next morning after being knocked out, it’s revealed the transfer was complete. Caroline is now in the body of Violet, and the slave woman now inhabits Caroline. It’s also revealed that Violet’s husband Ben’s body has been the vessel for Luke’s soul the whole time and Ben was never actual ill from a stroke. It ends with the slave couple (now in Caroline and Luke’s bodies) basking in their glory as the real Caroline and Luke are hauled away in their elderly bodies (obviously to meet death much sooner than they may have anticipated, cause you know, they’re old now). This is a very bleak and dark ending, but the twists involved are so damn good and it leaves you thinking back on all the clues that were right there, and one that you pay closer attention to when you re-watch it.

4) The Uninvited
This film’s twist ending I admit can be really predicted. I didn’t particularly expect it, but despite its predictability I think it’s a great twist to an already pretty dark and engaging story. The lead character Anna comes to realize that her sister Alex has been dead the whole time since she arrived home after being in a mental hospital (and has been in her head the whole time). To add to the twist, Alex (and the girls’ mom) died due to Anna’s actions (accidentally) after trying to kill her father and his mistress. All of this was blocked out of her mind. And the mistress the two sisters are suspecting of killing their mother is actually a decent woman and this whole thing was made up in Anna’s mind due to her hatred of the woman, mixed of course with the fact that Anna is crazy as hell. By the time Anna realizes this, she has already killed the mistress (believing Alex killed her). This is quite a bit too and seems pretty complex, but I still found it a mind-blowing, and also pretty heartbreaking twist. Especially seeing the close bond she has with her sister (the chemistry between Emily Browning and Arielle Kebbel was fantastic) only to find out she died. To make this reveal sequence even better, the performances by Browning, Kebbel, and their father (played by David Strathairn) make it even more affecting.

5) Happy Birthday to Me
This cult classic has hands down the best twist ending of its time. I saw this about 5 years ago or so for the first time after hearing a friend of mine talking a lot about it. Our lead character spends much of the movie believing she has been committing the murders of her classmates. By the end of the movie she’s accepted this. When her father arrives home he sees the dining table surrounded by the dead bodies of the classmates. He then sees in horror as his daughter comes out, now completely crazy. After she kills her father, the REAL lead girl awake from the table. She sees her doppelganger/twin in front of her. She realizes she’s not crazy but still not sure what is happening. Add another twist by revealing this psycho killer is not her twin as the killer pulls off their (rather quite perfect) mask of the main girl and it’s revealed that it’s one of her friends who has faked their death and is seeking revenge (they’re not twins but half-sisters and blaming the main girl for her problems). The films itself isn’t exactly one of my favorite horror movies (it is quite good though), but here again, a twist(s) I sure as hell didn’t see coming, and they are one right after another, just never leaving you time to let your mind catch up. So by the end of the movie you’re thinking “what the f**k?!”

–Cody Landman

Slasher Studios’ IRRATIONAL FEAR Celebrates Official Picture Wrap

Two years ago, I wrote a treatment and opening scene for a little horror film entitled Irrational Fear. Yesterday was a picture wrap on the film and it has been honestly one of the very best experiences of my entire life. Thank you to our beyond talented cast and crew as well as everyone who supported the project from the very first page. You guys haven’t seen anything yet. Get ready for the bloodiest, craziest, Slasher Studios film yet!

-Kevin Sommerfield

Make sure to like the official Irrational Fear Facebook page for updates on the final film:

Want to stock up on some more Slasher Studios slashers? We’ve got a killer selection below:

Don’t Go to the Reunion Blu-ray Special Features:

Hand numbered (out of 200) limited edition
Filmmakers commentary
Cast & crew interviews
Don’t Go to the Reunion audio “reunion”
International Video Review
Promo video and trailers
Dismembering Christmas trailer
All three Slasher Studios short films in HD

Don’t Go to the Reunion

Don’t Go to the Reunion DVD Special Features:

Audio Commentary with the filmmakers
Teaser Trailer
Blooper Reel
“Class of 2004” Yearbook
Audition Reels
Slasher Studios shorts (Teddy, Popularity Killer, Blood Brothers)

Don’t Go to the Reunion

Dismembering Christmas DVD Special Features:

Audio commentary with Actor/Director Austin Bosley
Audio commentary with Writer/Producer Kevin Sommerfield
Behind-the-scenes documentary with exclusive clips
Fly on the Set: Making Of Dismembering Christmas
Interview with Writer/Producer Kevin Sommerfield
Teaser & Theatrical Trailer


DVD Options


Buy Both DGTTR and Dismembering Christmas on DVD, Save $5. Special features:

Audio Commentary with the filmmakers
Teaser Trailers
Blooper Reels
“Class of 2004” Yearbook – Don’t Go to the Reunion
Audition Reels – Don’t Go to the Reunion
Slasher Studios shorts (Teddy, Popularity Killer, Blood Brothers)
Behind-the-Scenes – The Making of Dismembering Christmas

DVD Combo Pack


Limited edition Dismembering Christmas VHS:
Collectible Clamshell White Case
Limited Run of 50 Copies
Hand Numbered
Featuring the Artwork of Jeffrey Quick
Includes Mini Dismembering Christmas Poster

Dismembering Christmas VHS Options


Limited Edition Dismembering Christmas Shirt:

Featuring Exclusive Art by Garreth Gibson
Limited Run of 100 Shirts
High Quality Screen Printed on Soft Anvil Shirts
Bright, Bloody & Festive Christmas Colors



11×17 Dismembering Christmas Poster:

Featuring Artwork by Austin Hinderliter
Limited Blu-Ray Box Art Design
High Quality Card Stock Ready For Framing
Only Available At Slasher Studios

Dismembering Christmas

Limited edition Vixen of Vengeance DVD:
Featuring 3 commentary tracks: Writer/Director Patrick Pena explains how he made his feature debut for under $1000, and how you can do it too. This informative commentary track explains how you can make your no budget masterpiece.

Patrick is joined for a fun cast commentary by stars Michelle Mullins, Pete Garlock and Brandon Nyte!

Patrick attempts to deliver a commentary track, while drunk.

The Vixen of Vengeance


All films are available to rent or purchase via digital download on Amazon and Gumroad. Note: our Gumroad store is the only way to rent or buy Dismembering Christmas in HD.

$10 Slasher Studios DVD & T-Shirt Sale Ends May 31st

Summer is just around the corner but the slashing never stops here at Slasher Studios! For a limited time only, all dvds & t-shirts are just $10 (regularly $15) with a free Slasher Studios poster! This Slasher Studios sale won’t last long so support some indie horror and pick up yours today. International slasher fans..we ship worldwide and all dvds are region free!


We are also clearing out the very last of our limited edition Dismembering Christmas shirts with a huge blow out sale. From now until June 13th, all t-shirts are currently only $10 instead of the regular price of $20. We only have sizes Small, Medium, and XL left so get yours while you can! Show off your slasher pride today!



Food For Thought: RAW (2017) Review

Justine is starting her freshman year at veterinary school, along with her older sister Alex. The two girls grew up with strict parents who raised them as vegans. During the freshman hazing, Justine is forced to taste raw meat, and as a result of this she develops a strong craving for more.

This French horror film is the latest entry into the cannibal horror subgenre. Apart from its great amount of praise, I’ve also read of different reports where people at screenings have vomited or passed out, and some theaters even gave out barf bags. For me personally, I didn’t find this really that incredibly gross. Previous films such as Bite and even Green Inferno (which I didn’t care for or find that gross) had more gross-out moments. There definitely were some uncomfortable moments and cringe-worthy scenes in Raw, but nothing dramatic enough to make you want to puke or pass out. But in all honesty, this movie doesn’t need super gross out moments to be as great as it was. Sure it can be nasty due to the subject matter, but this works perfectly as a psychological horror. The horror of it all stems from seeing Justine as this quiet and shy freshman, and then we see her becoming more and more deranged and pretty terrifying. You could even say that we see her becoming less and less human and into more of this deadly predator. Not only is she becoming cannibalistic, but she’s also awakening her sexuality, leading to some extremely erotic behavior blended in with the horror.

To help boost the horror, the terrific cinematography can often times be beautiful and then quickly turn to nightmare in nature in how scenes are film and the imagery provided (and we can definitely thank the director Julia Ducournau for her great vision). But it’s the incredible performance of Garance Marillier as Justine who brings the horror to life. Marillier’s whole performance is just so flawless in how she captures the innocence of Justine in the beginning and shows her gradual change to madness. She captures the cravings Justine is feeling in facial expressions and even better physical performances. Some of my favorite moments however are when she really gives it all she has to show Justine’s animalistic side. Plain and simple, it’s Marillier’s performance that brings us the true horror of the film in Justine descent to madness. Ella Rumpf also provides a solid performances as Justine’s sister who gives a performance where we are unsure whether we should trust or even like her. Rabah Nait Oufella is easily the most likable character as Justine’s roommate Adrien. He brings a huge amount of likability to the role in how he looks out for Justine, but also how he is becoming fearful of her as she becomes more crazed.

If you are going to watch Raw thinking it’s going to be a huge gore-fest because of it being a cannibal movie, you’ll probably be disappointed. But I would still highly encourage you to watch it because of the true horror lying in its story, direction, imagery, and especially the performance of our lead. There are still some good gore scenes and cringe worthy moments though. This is easily one of the best horror films of the year.

–Cody Landman

IRRATIONAL FEAR Artwork Contest Ends Soon

In just three weeks, Slasher Studios will begin filming our third slasher feature IRRATIONAL FEAR. In the past, we received over 100 poster art submissions for our first two slashers, Don’t Go to the Reunion & Dismembering Christmas. Now we want YOU to create the ULTIMATE Irrational Fear poster! You have until May 31st to submit your best Irrational Fear poster art. This summer, we will let the fans decide which poster they like best with the winners announced shortly thereafter. The winners will receive their artwork on either the DVD, Blu-Ray, or VHS release of the film. Send your submissions to [email protected] Make your best FEAR count!

Make sure to like the official FB page for updates on the film:

Dead Space: ALIEN: COVENANT (2017) Review

A ship carrying thousands of colonials is on its way to a new planet for them to inhabit veers off course after receiving a strange signal. They discover a new planet that appears already inhabited but also devoid of life. When they uncover the truth of this planet they find their lives in great danger.

Let me start off by saying that I personally really liked the predecessor to this film Prometheus. Many hated it because it wasn’t “Alien enough.” I can understand this. But after seeing Alien: Covenant, it made me like Prometheus a whole lot more. If anyone who hated Prometheus sees this movie and says it’s better, I will be truly baffled. The trailer for this movie made it seems like this would be a true Alien film. Not the case at all. Yes we have our beloved Xenomophs and our new aliens called the Neomorphs. The Neomoprhs have a mere 7 minutes of screentime in just the one sitting half way through the film. And it’s only an hour and half into the movie when we get any Alien-related action. And even then it’s not used in a treating way because it’s so fast-paced. That right there mostly sums up the only good part of the movie. The whole first hour and half goes by so slowly and it’s beyond boring with its pointless philosophical exposition. Prometheus had this, sure, but it also used it sparingly and had it’s thrilling moments in between.

By the time we get to good Alien stuff, as mentioned, it’s too rushed to really enjoy and bask in. All of the good horror stuff you see in the trailer doesn’t happen until within the last half hour of the movie. Apart from the boring exposition we are stuck with the most uninteresting and boring characters ever, and the character who show the smallest bit of personality are left behind on the ship while the others explore the area, and one dies early on. If we are supposed to see Katherine Waterston as a Ripley type character, that’s a huge joke, her character is so boring and pathetic, and all Waterston does is walk around moping because her husband (a pointless cameo by James Franco) dies right when we meet these characters, and gets even more mopey when she doesn’t get her or no one listens to her. Apart from Waterston, the acting by the rest of the cast is decent for the most part. The more stronger performances come from Michael Fassbender playing dual roles as the returning character David from Prometheus, and the new cyborg Walter. Billy Crudup plays the ship’s captain, and while Crudup does fine with the role as the tortured captain who is trying to do what’s best for his crew (failing miserably), he could have upped the emotional level a bit. Carmen Ejogo also turns in one of the stronger performances (and also was my personal favorite character) as Crudup’s wife. She’s essentially the brainy scientist of the crew and acts as Crudup’s moral compass, and she really is the only moralistic one who puts her life on the line to help others. Danny McBride is worth noting here, although I wasn’t crazy about the performance, but for his first major serious role he does pretty good here, but he also doesn’t get enough to do.

Covenant also suffers from some of the most awkward scenes ever created. One featuring David teaching Walter how to play a handmade flute (featuring even more awkward dialogue involving fingering, holes, and blowing), the other scene involving a kiss between the two Fassbenders, and just a pointless and out of place shower half-sex scene. The whole movie just has some pretty bad dialogue. In all honesty, the only interesting moments involve David recalling the events between Prometheus and Covenant, and the small amount of Alien action we do get. And I won’t give anything away, but we find out the creation of the Xenomorphs, and quite frankly, it sucks, and makes you wish they had never even bothered to share this information. Sadly this (for me) is the worst entry in the series. But while I didn’t like it at all, there some things I did like. I noted the certain performances and characters, and the alien stuff, but there is also the (as per usual) gorgeous cinematography and some great set pieces.

Alien: Covenant really just suffers from a terrible script. It’s all over the place and has no real direction of what it’s trying to be. It tries and fails poorly to be a Prometheus sequel and an Alien prequel. And quite frankly this had no business using Alien in the title because there isn’t nothing Alien about this in tone or feel, and the small and rushed bit of Alien stuff we get isn’t satisfying enough. Prometheus at least didn’t try to be anything it wasn’t unlike this movie. Had there been Xeno and alien action sprinkled throughout as the trailers seemed to imply this could have been much better than it actually was.

–Cody Landman

IRRATIONAL FEAR Killer Bonus Rewards End May 31st

May 31st is the final day to receive some killer bonus rewards and get your name in our IRRATIONAL FEAR credits! Did you miss out on our IRRATIONAL FEAR arter? We have expanded several of the perk rewards here on Slasher Studios. Every single dollar raised will go directly into the filming of IRRATIONAL FEAR. Support indie horror and pick up some killer rewards!

Everyone has something they are afraid of that they know cannot possibly hurt them. With our third horror feature we ask..what if these fears could kill them? Slasher Studios is teaming up with LA Horror to bring you a slasher style feature that is unlike anything Slasher Studios has ever done before. Titled IRRATIONAL FEAR, the film centers around six therapy patients are brought together at a secluded cabin to confront their strangest fears. Little do they know, these fears will certainly be the death for some of them. Who will make it out alive?

Filming begins June 12th!

Donate $10 (or more): Receive a special link to view the film early & social media shout out!
Donate $25 (or more): Special link to view the film early, social media shout out, & your name in the credits!
Donate $30 (or more): All of the above & IRRATIONAL FEAR on DVD.
Donate $40 (or more): All of the above with IRRATIONAL FEAR on Limited Edition Blu-Ray instead of DVD.
Donate $75 (or more): All of the above (DVD or Bluray) & Slasher Studios two previous films on DVD.

If you are international, please add $10 to donation amount to cover shipping on physical reward items.