A Slashing Surprise: SNEEKWEEK (2016) Review


First off I want to apologize for the extreme delay of this review. Two weeks ago I watched the Dutch horror/slasher “Sneekweek (2016)” in theaters with my sister. I was anticipating the release of this movie for a long time. Mainly because Dutch slashers are a rarity these days and only a handful of them are being made every decade. The trailer for Sneekweek looked promising and exciting, but at the same time it felt like I had just seen the entire movie. With no high expectations I went on to see it and I have to say that it was SO MUCH better than I expected! As it turns out the trailer didn’t reveal many important plot points and the fate of some characters. It’s I Know What You Did Last Summer meets Scream in the best possible way and that results in an awesome whodunit.

The cast is super good looking and the actors do the best they can with the material they’re given. The standouts to me were: Carolien Spoor, Jord Knotter, Holly Brood, Marly van der Velden, Sanne Langelaar, David Lucieer and Jelle De Jong. I love how bad-ass the characters were, to the point where they had to fight hard for survival. The kills were graphic and surprisingly innovative. The murder weapons that were used in the movie are really inventive. Sneekweek has a running time close to 2 hours – which is a little longer than usual for slashers, but you can clearly see that it worked as a mood setter and I honestly wasn’t bored for a second throughout the movie. This movie features quite some winks and homages to Scream and I Know What You Did Last Summer and it’s evident that the director is very passionate about the genre. This movie scores high on the laughs and scares. The murder mystery is well crafted and at some point every character could’ve been the killer. The soundtrack is stylish and features lots of popular songs. The camerawork and cinematography in this movie are nothing but superb. The final act is exciting and satisfying at the same time and that’s when the shit literally hits the fan with the twists and turns. This movie doesn’t hold back on the (male) nudity, which is always a good thing with these type of movies.

Most critics panned Sneekweek and I was expecting nothing more than a campy guilty pleasure, but I was in awe by how much I ended up loving it! Is it perfect? No. Does it require a lot of thinking? No. Did I have a fun time while watching it? HELL YES! It easily became my favorite Dutch slasher and I suggest every horror/slasher fan to seek it out give it a view, but be sure to keep your expectations low. Hope to see it in theaters one more time before I purchase the Blu-ray. I could watch it over and over again. A future classic!

–Ferdi Akkulak

Slasher Studios Exclusive: DISMEMBERING CHRISTMAS VHS Now Shipping

Dismembering Christmas VHS

We have some exciting news, Dismembering Christmas friends. Our limited edition VHS release has shipped and they are ready for a good slasher home. Only 50 of these beautiful, white box hardshell VHS tapes are being released and once they are gone, they are gone forever. Pick up your VHS below before they are gone forever. Also available in combo packs featuring a DVD of the film or a DVD & soundtrack. Pick up yours today!

Note: If you would like to request a custom number on your VHS (each one is hand printed), leave a note with your paypal payment. We cannot guarantee any numbers but we will do our best!

Dismembering Christmas VHS Options

Slasher Studios Horror Podcast: Instagram Horror Challenge (The Final Chapter)


On this week’s Slasher Studios Horror Podcast, we went over the final ten days of our Slasher Studios Instagram Horror Challenge so make sure to listen to an archive through the link below. It’s a bloody good time and thank you to everyonw who was a part of it!!

Follow us: https://www.instagram.com/slasherstudios/

To listen to an archive: Slasher Studios Horror Podcast: Instagram Horror Challenge (The Final Chapter)

Creating a Killer: Motives In Horror Movies


In most slasher films there is always that moment in the end when the killer and their motive is revealed. From there comes a very lengthy, dialogue-filled scene between the killer and the final victim. As an audience we sit and wait for them to shut up and get on to the big fight between our final girl/guy and the killer. But then there are also times when you ask yourself why after almost 90 minutes, the killer finally has the main target in their clutches, and instead of finally killing them, they talk their ear off, giving the victim the chance to escape. This leads me to the question of whether Scream actually got it right in its discussion of motives. Was Billy right when he said it’s a lot scarier when there isn’t a motive? Or do the “incidental” motives that Randy speaks of earlier in the film something that adds to it? Keep in mind that films mentioned here are not necessarily bad, this is purely on the topic of motives.


Throughout the history of slasher films, there have been numerous ones that do have a motive and some that don’t. With Friday the 13th, Nightmare on Elm Street, Happy Birthday To Me, I Know What You Did Last Summer, Urban Legend, Scream, etc. These films all had killers who had a particular motive for why they are on this killing spree. More often than not, the motive for killers in slashers are always due to revenge. This fact in itself makes motives very tiring and adds nothing new. Even Halloween, which initially had no motive for Michael’s killings, changed in the sequels and gave Michael a motivation to kill, even though to the series’ credit, the motive here was different. I believe that this motive is used most often is because it helps incorporate the twist of who the killer is. And granted sometimes it works, I’m not going to lie, I didn’t see the identity of the killer in Urban Legend coming at all, same with a lot of the reveals in Scream. They were most definitely shocking, but they were all seeking revenge in some form. When there isn’t the revenge motive, there is also the motives that are just plain stupid. Examples being Urban Legends: Final Cut, Sorority Row (even though I loved this one), Bloody Homecoming where the killer wants to take credit for another person’s film project, the killer is doing it “for his girlfriend”, or the much older gym coach wants revenge for the death of the student she was screwing (yes, it’s revenge but it is still stupid). With all of this said, motives can make or break the final act, or even slow it down.


If there isn’t a motive to the killer, we just have a straight-up psychopath. Such psychopaths are mentioned in Scream like Norman Bates, no clear cut motive here because he was just a psycho, or Hannibal Lecter, no real motive here either. As mentioned above, the original Halloween didn’t have a motive for Michael Myers, he simply returned home and began stalking these young women. Black Christmas is also a perfect example with Billy murdering the unsuspecting sorority sisters for no real reason. Even the delightfully bad Slumber Party Massacre featured a killer who had no motive for his killings. Some could say that even Jason in the Friday the 13th sequels had no real motive after murdering Alice in the opening of 2. The idea of a psychopath stalking people and murdering them is chilling and makes you very wary and wanting to lock up your house. But does this also leave the viewer wanting more? I have no doubt in my mind that there are people who will get pissy if a killer doesn’t have a motive and they think “that’s it”? Or maybe it could just seem repetitive for some. Even as I wrote those examples, it was semi-amusing that I was writing the same thing for each title. They’re just a psychopath.


Now of course this is all going to depend on the viewer and what they prefer to see in a slasher film and what effects them. But looking at the bigger picture, the question remains, is it scarier or more appealing to have a motive and the killer is someone they know, or scarier to have a person unknown to them stalking and killing people around them? Both can also have their flaws, but is there a concrete and agreeable answer as to which is much more terrifying?

–Cody Landman

Season of Slashing Special: FREE DISMEMBERING CHRISTMAS Poster With Any Purchase


For the month of February we’ve decided to celebrate the love here at Slasher Studios! What does that mean for the slasher fans? We are giving away a free 11×17 Dismembering Christmas to everyone who orders through the Slasher Studios website this month! Want your movie or poster signed? Simply leave a note along with your paypal order and we could be happy to sign them for you. Have a killer month everyone!!

To purchase Dismembering Christmas:
VHSART - Edited

Dismembering Christmas VHS Options

DVD cover

Dismembering Christmas DVD


Dismembering Christmas Blu-Ray

Don’t forget to also pick up a Dismembering Christmas Limited Edition Tee!

Artwork by the awesome Garreth Gibson Illustrations.


Slasher Studios SUPER Sale! Free Horror DVDs & Blurays With Purchase


It’s the new year and that means it’s time for some slashing good deals! From now until February 1st, purchase $20 or more from the Slasher Studios store and receive a FREE mystery horror dvd with your purchase or purchase $30 or more and receive a FREE mystery bluray. This is only good while supplies last so don’t delay! Simply click on the Slasher Studios store graphic below and start some slasher shopping!


Slasher Studios Horror Podcast: Instagram Challenge (Part 2)


Are you ready for part two of the brand new Horror Challenge and are you also on Instagram? Make sure to use the hashtag #slasherstudioshorrorchallenge during the month of January to participate. Make sure to also follow us so you can see all of our bloody picks! It’s never too late to start and we’ve been receiving some fantastic picks so far! On this week’s Slasher Studios Horror Podcast, we went over the days 11-18 of the challenge so make sure to listen to an archive through the link below.

Slasher Studios Horror Podcast: Instagram Horror Challenge (Part 2)

Boy, Crazy: “The Boy” (2016) Review


While trying to escape a dark past, Greta takes a job in the UK as the nanny for a young boy named Brahms. Upon arriving at the elderly couple’s mansion, she’s surprised to find that the boy she is supposed to be caring for is actually a large doll. Greta is unsure what to think, but when the couple leaves her with a set of rules for Brahms, she learns that there is a price to pay when these rules are broken.

When I first saw the trailer for The Boy, I immediately thought it was going to be bad. After the atrocity that was Annabelle, films with creepy dolls just don’t scream scary. Not only this but it looked like it was going to be filled with cheap jump scares. However, upon seeing the film, I was very much surprised. Let me start by saying that, it’s not actually a full-blown horror, in the end it plays out more like a mystery/psychological thriller with horror elements. It really feels like a Twilight Zone/Tales From the Crypt episode. The film moves at a very steady pace. We are thrust right into the story immediately and it starts out innocent with us in the same mindset as the lead. We think this couple completely nuts and couldn’t possibly see ourselves taking care of a doll. So in this respect, it’s aware of the fact that this is just a doll, and even when some of the creepiness occurs, we don’t immediately think the doll is alive, but think of something more ghostly and not jumping to conclusions. However at the same time, we find ourselves trying to figure out just what the hell is going on just like Greta. I will be upfront and say that there are shitty jump scares, but fortunately it isn’t really stuffed with them. More than anything it uses more atmospheric tactics in order to really creep us out, and it does a pretty decent job of it. I will even say there were times when the doll itself creeped me out a bit (screw you Annabelle). When the final act occurs, that’s when shit really begins to get crazy and you are hooked all the way through. To say anymore would give quite a bit away, but I will say this, DO NOT let this be spoiled for you. I didn’t see the ending coming at all and saw it as a huge sucker punch that had me questioning “what the f**k??”

Lauren Cohan is fantastic as our lead. The character feels very real and Cohan plays the part as realistic as well. She acts how any normal person would act in this situation. But once things get going, Cohan does an amazing job of showing Greta question her mentality. Aiding Greta in this mystery is the couple’s grocery man Malcom, played by Rupert Evans. Evans is also a real treat providing a great amount of charm and laughs, and shares great on-screen chemistry with Cohan. Like Cohan, Evans also plays his character with a great amount of realism. It is due to this that we are rooting for these two to get out alive.

The Boy I can say will be the most underrated horror film of the year. It is not your average doll film like Annabelle or Dead Silence (I honestly hated the latter as much as the former), or super violent like Child’s Play. Will it be as memorable as Child’s Play? No. But it is a film that sincerely stands on its own and takes what could have been a predictable snooze fest and breathes new life into it by going into a different territory. This is thanks to pretty strong writing (and a great final act), creepy atmosphere and cinematography, and solid characters brought to life by two find leads. Again DO NOT LET ANYONE SPOIL THIS FOR YOU!!!

-Cody Landman


One Is Never Enough: “The Final Girls” (2015) Review


On Saturday night I watched The Final Girls (2015) for the very first time. This movie was never released in theaters where I live and I had to wait a little under three months until it was finally available on DVD and Blu-ray format. In those three months I’ve heard many great praises from the horror community and by the looks of the amazing trailer I wouldn’t have expected anything else.

The Final Girls is directed by Todd Strauss-Schulson (A Very Harold & Kumar 3D Christmas). The cast includes: Taissa Farmiga (American Horror Story), Malin Åkerman (Watchmen), Adam DeVine (Workaholics), Thomas Middleditch (Silicon Valley), Alia Shawkat (Arrested Development), Alexander Ludwig (The Hunger Games), Nina Dobrev (The Vampire Diaries), Angela Trimbur (Halloween II) and Chloe Bridges (The Carrie Diaries). I have finally seen The Final Girls and I absolutely loved every second of this masterpiece. Easily one of the best horror comedies I’ve ever seen in my life. It turned a smile on my face and it even had me on the verge of shedding a tear in some scenes. It is innovative and altogether nothing short of excellent. The acting performances are very solid and the standouts were without a doubt: Taissa Farmiga, Malin Åkerman, Thomas Middleditch, Nina Dobrev and Angela Trimbur. Especially the chemistry between mother and daughter (Farmiga and Åkerman, respectively) was really strong and believable. The script is brilliant and features many winks to cheesy dialogue of horror movies from the 80’s. Totally quotable! The direction from Todd Strauss-Schulson is superb, as he really manages to capture a perfect camp setting without trying too hard. The cinematography is gorgeous and the soundtrack is outstanding. The song “Bette Davis Eyes” by Kim Carnes has been stuck inside my head ever since I’ve heard it in this movie. I’m definitely planning to purchase the Soundtrack CD. The Final Girls features many iconic moments, the characters are relatable and the visuals look stunning. The picture quality on the Blu-ray looks fantastic.

My main complaint with this movie is the lack of blood, gore and nudity. The PG-13 rating could’ve easily been an R rating. I feel like it’s a missed opportunity, but a bigger audience can be reached with a PG-13 rating and I think the makers were having the exact same idea. The Final Girls is a near perfect horror/comedy with a heart in the right place. I highly recommend it to everyone! Destined to become a cult classic, it’s only just a matter of time. The ending makes room for a sequel, which we’ll hopefully get one day. I fully support that idea.

–Ferdi Akkulak