Posts filed under Wes Craven

Horror Movie Challenge: Day 5: Favorite Horror Director (Wes Craven)

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I’m a few days behind because I’ve been at Oshkosh Horror with Don’t Go to the Reunion but I’m back with full force. My favorite horror movie director is, and will always be, Wes Craven. Watching A Nightmare on Elm Street at a young age, it became the first horror movie that I truly loved. The Scream films were a huge part of my teenage years, and, as an adult, I’ve learned to appreciate and understand his raw 70′s films like The Hills Have Eyes and Last House on the Left. In his 70′s, he’s still making horror movies and he is just as much my hero as ever.

Top 10 Blu-Rays Every Horror Fan MUST Own

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Our resident Blu-ray reviewer Joshua Dean is back and this time he is featuring the top 10 must haves on Blu-ray that every horror fan MUST own. Enjoy!

Blu-ray has been around for several years now… but it is now that it is finally taking off and becoming mainstream. All of us at Slasher Studios love our horror films very much… and many of us want to own and experience them in the best way possible. Barring theatrical exhibition (and sometimes it’s even better than that), Blu-ray is the ultimate way to experience a film. A picture that replicates the look of an actual physical film print (unless it’s a botched transfer), and often times going beyond that with 4K scans or restorations of the original camera negative (such as Halloween’s new Anniversary Edition, or Jaws), combined with stellar uncompressed audio that matches even what the theater can offer, is what makes Blu-ray such a great format for film buffs such as ourselves. Here I am going to list ten of the best Blu-ray releases the genre has seen, and films no horror fan should be without. The criteria for making this list includes several factors: Picture quality, sound quality, and extras. Extras come last for a reason… The object of Blu-ray is to offer the “perfect movie-viewing experience,” if you will. Extras are nice to have, but if the movie looks bad, why bother?

Since mainstream horror films tend to get the best treatment on Blu-ray (That’s not to say Scream Factory doesn’t do a stellar job with with their more obscure chillers, though!), I’ll mainly be covering those this time… but I shall return with full reviews on the more hidden gems, as well!

(in alphabetical order)

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ALIEN (1979, Ridley Scott) Fox Home Entertainment
Starring Tom Skerritt and Sigourney Weaver.
Presented from an all-new 4K master, Ridley Scott’s 1979 “slasher-in-space” masterpiece delivers on Blu-ray. The picture is stunning, with a fine, but natural film grain providing clarity, enhancing the production design of both the Nostromo itself, and the titular ALIEN that terrorizes first-time horror heroine Sigourney Weaver, Veronica Cartwright, and a cast of now-legendary actors aboard their isolated ship. While the single-disc original only offers minimal supplements (a pair of commentaries, two different isolated score tracks, and deleted scenes… but also two cuts of the film), the Alien Anthology box set (that can be had cheaply if you catch it on sale, as low as $30!) offers comparable extras for all four films (ALIEN, ALIENS, ALIEN3, ALIEN: RESURRECTION), as well as two packed bonus discs includeing over 12,000 stills combined of photos and artwork, several behind the scenes featurettes, and more.

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THE EVIL DEAD (1981, Sam Raimi) Anchor Bay Entertainment
Starring Bruce Campbell and Ellen Sandweiss.
Despite the widely-available release being short on extras (offering only a commentary) it delivers a stunning presentation- wait… no, two stunning presentations of this classic cheese-fest. Presented in its original 4×3 version as well as an “enhanced widescreen version” (again clipping the top and bottom of the frame, but this time doing a much better job than the many DVD releases), the film looks and sounds much better than ever before. Despite Anchor Bay’s ever-disintegrating reputation for their horror releases, they must be commended for one thing: The horror titles they DO appreciate, they deliver. Great care was put into this amazing (still VERY grainy and VERY ugly to the unexpecting eye) transfer, and it can be had very cheaply. My local Walmart sells it for $10. With it being Halloween season, however, you may well find it cheaper. Also released in a limited editon with a DVD bonus disc of extras.

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THE EXORCIST (1973, William Friedkin) Warner Home Video
Starring Ellen Burstyn and Max Von Sydow.
Called the scariest film of all time, this demonic shocker featuring Linda Blair as the possessed daughter of actress Ellen Burstyn debuted on Blu-ray in 2010, featuring both the original theatrical cut, as well as the 2000 Director’s Cut, in absolutely stunning transfers (each cut got its own unique transfer, and details often differ between the two versions) with superb soundtracks… and a large host of extra features, including more than a couple documentaries and three commentaries (one for the extended cut, two for the original cut). It was offered in a digibook package with shiny metallic artwork and plenty of photos and information that would keep fans pleased. Sadly, it is out of print, but a 40th anniversary edition is due out on October 8th with a host of new supplements and presumably new transfers… though I don’t believe they’d be necessary.

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THE FOG: Collector’s Edition (1979, John Carpenter) Scream Factory
Starring Adrienne Barbeau and Jamie Lee Curtis.
John Carpenter’s post-Halloween ghost story comes with a very spooky-looking transfer (complete with his signature “blue glow”) by cinematographer Dean Cundey and a few new bonuses that are sure to enhance any fan’s enjoyment of the film. First up is a commentary with Adrienne Barbeau, Tom Atkins, and Tommy Lee Wallace, joined by Horror’s Hallowed Grounds’ Sean Clark. This track is very fun, but only mildly informative. Also included is a very candid, and very revealing interview with a decidedly unbashful Jamie Lee Curtis, who admits that she doesn’t much care for the film, and reveals that its production was tainted by the recent split of writer/producer/director team Carpenter and Debra Hill, as well as Hill and Curtis’ dealing with Carpenter’s new lady, Barbeau, being ever-present as the film’s lead. There are several more extras included, most from the prior DVD release from MGM.

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HALLOWEEN: 35th Anniversary Edition (1978, John Carpenter) Anchor Bay Entertainment
Starring Donald Pleasence and Jamie Lee Curtis.
Carpenter’s classic suspense thriller arrives in a gorgeous digibook package with several rare photos and lovely new artwork, but the real treat here is the revelatory new video transfer (like The Fog, supervised by Dean Cundey) and immersive 7.1 Dolby TrueHD sound mix. This film truly looks perfect. Supplements are weak for those hoping to learn about the film’s production, but the ones that are included celebrate the film, including a new commentary by Curtis and Carpenter (which, like The Fog’s commentary, is more fun than informative) and a documentary following Jamie Lee Curtis and many of her fans (myself included) to her first (and only) horror convention. The extras are fun, but the real reason to scoop this one up is the new transfer that makes the previous BLu-ray release look flat-out bad.

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JAWS (1975, Steven Spielberg) Universal Studios Home Entertainment
Starring Roy Scheider and Robert Shaw.
Spielberg’s classic beach thriller arrives with a fully restored transfer from the original 35MM film elements, and it looks GREAT. The film definitely shows its age, but it looks amazing. The new 7.1 DTS-HD sound mix is strong, but I personally find the original mono track to be more engaging… especially since the new mix renders a certain word at the end virtually inaudible. A long list of documentaries, featurettes, and deleted scenes accompany the release, as well.

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A NIGHTMARE ON ELM STREET (1984, Wes Craven) Warner Home Video
Starring John Saxon and Ronee Blakley.
1, 2, Freddy’s coming for you! This strong Blu-ray release gives very strong picture and sound quality, though some of the visual effects suffer a bit due to the leap in clarity. The film boasts 7.1 DTS-HD audio and a long list of extras (admittedly all from the infiniFILM DVD edition), including two commentaries, both featuring star Heather Langenkamp and director Craven, but both tracks offering a different experience as each one features different people, such as John Saxon, Ronee Blakley, Sara Risher, Robert Shaye, and Jacques Haitkin. Three featurettes and a host of alternate endings also fill the disc, which is also available in a series box set featuring the six surprisingly good sequels (2: FREDDY’S REVENGE, 3: DREAM WARRIORS, 4: THE DREAM MASTER, 5: THE DREAM CHILD, 6: FREDDY’S DEAD – THE FINAL NIGHTMARE, and 7: NEW NIGHTMARE), admittedly with transfers and soundtracks somewhat inferior to the masterful work afforded to the original, as well as a host of extras.

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PSYCHO: 50th Anniversary Edition (1960, Alfred Hitchcock) Universal Studios Home Entertainment (OOP in the US)
Starring Anthony Perkins and Vera Miles.
The shower scene looks absolutely sensational in this restored transfer from the original film materials, as does the rest of the black-and-white mystery-thriller. While you may not expect a black-and-white film to gain much from a high-definition presentation, this disc will prove you dead wrong. The high resolution causes the contrast-based picture to look absolutely stunning. Grain is present, and even heavy at times, but is never intrusive. The strong transfer also serves to show off the beauty of stars Janet Leigh and Vera Miles, as well as the haunting Bates house and motel. Featuring a large selection of archival extras (can you really expect more? This movie is now 53 years old.) and a newly created 5.1 DTS-HD Master Audio track… but in this case, stick with the (included) mono track… as the creators of the new track tend to get a little free with sound effects and the like.

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ROSEMARY’S BABY (1968, Roman Polanski) The Criterion Collection
Starring Mia Farrow and John Cassavetes.
Polanski’s spooky – and surprisingly comedic – horror masterpiece also featuring Ruth Gordon (in an Oscar-winning performance) is given the deluxe treatment by The Criterion Collection, offering a fully restored digital transfer supervised by Polanski. This movie looks simply stunning. Colors are beautifully reproduced, a visible-but-non-intrusive grain structure is everpresent, and a brand new documentary, featuring Polanski, star Mia Farrow, and producer Robert Evans, accompanies. Also included is a feature-length documentary about composer Krzysztof Komeda and a booklet with plenty of printed goodies.

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THE TEXAS CHAIN SAW MASSACRE: The Ultimate Edition (1974, Tobe Hooper) Dark Sky Films (OOP)
Starring Marilyn Burns and Allen Danziger
One may not think this film would be particularly suited to the Blu-ray format. However, just the opposite is true. While some may think the grainy 16MM nature of the film would hinder its presentation in high definition, it actually enhances it. Transferred directly from the original film materials, the grainy 16MM film looks gorgeous. Yes, it’s still VERY grainy. Yes, details are not what you’d get with, say, Halloween, Jaws, or Alien… or any of the aforementioned releases, actually. What it DOES offer, however, is a truly chilling grindhouse experience. Featuring two commentaries, several featurettes, bloopers, and delted scenes, this sadly-OOP release can still be had relatively cheaply on Amazon.

The Ultimate Final Girl Challenge Winner: Nancy Thompson (A Nightmare on Elm Street)

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It’s been a extremely tough battle of the Final Girls through Round 1, Round 2, and Round 3 of the Ultimate Final Girl Tournament. With over 500 votes, we are pleased to announce that the one and only Nancy Thompson from the “Nightmare on Elm Street” series has been chosen by the slasher fans as the ULTIMATE Final Girl. Way to go Nancy! We are proud of you and couldn’t ask for a better or more heroic Final Girl. Also, a big thank you to both Wes Craven for writing such a strong, empowering female character and the one and only Heather Langenkamp for bringing her to life. Be Nancy!

5 Horror Sequels That Don’t Suck

Sequels are both the best and worst thing to happen to the horror genre. Loved the original? We’ve got more of that for you! Really love the original? We have ten more installments exactly the same as the original for you. Some horror sequels are lazy, some are outright bad (Jason Goes to Hell), I’m looking directly at you. Below are five horror sequels that we recommend for a lot of reasons. One of the key reasons is that they remain faithful to their predecessor while, at the same time, adding something new and original to the story. Now THAT is the key formula to making a successful horror sequel.

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Cabin Fever 2: Spring Fever (2009)
“Cabin Fever 2″ is a messy, gory, bloody cherry on top of a demented sundae. From the opening (poor Rider Strong) to the blood bath of an ending, nearly everything about this sequel works. This is one of those slasher movies where I just don’t understand the hate. Had this movie been made in the 1980′s and directed by Sam Raimi, horror fans would be praising this as the next second coming of horror. The gore is demented, the kills are extremely disgusting, and the central love story is actually quite sweet. I was actually touched at the sacrifice that one friend gave so another could live. So the epilogue doesn’t really work (poor Ti West got his movie taken away from him and had his ending completely butchered just to go in some producer cameos) but this is splatstick at its very best. If John Waters directed a horror film in the 1980’s, it would look something like this. Bloody
recommended!

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Final Destination 2 (2003)
“Final Destination 2″ is wittier, smarter, and bloodier than its original. It is clever in the way that it ties our characters from this film with characters from the previous installments. The deaths are incredibly inventive and stand as the best deaths of the entire series. The ending in particular is a black comedy miracle that shouldn’t work but does. Granted some of the acting can be a bit over-the-top and melodramatic and some of the effects don’t hold up as well as others. Nonetheless, this is still the rare sequel that takes everything that works about the original film and adds to it. A definite must see for fans of the original.

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Friday the 13th Part 2 (1981)
“Friday the 13th Part 2″ is the kind of sequel that takes a lot of chances and most of them work. The film is well paced, well acted (big props to Amy Steel who does an incredible job as Ginny), and the deaths are effectively gruesome. Also, for what its worth, I’ll take potato head Jason over hockey mask Jason any day. This is a fun sequel that doesn’t exactly advance the series (the godawful Part 3 actually does more to define Jason than this one does) but doesn’t destroy its legacy either. The characters aren’t particularly memorable but they aren’t particularly annoying either. This is really the last point in the series were you actually still feel some affection for the characters. They aren’t quite stereotypes…yet. Furthermore, it contains the two best “jump scares” of the series and the ending is pretty damn scary. Sure the middle act drags a bit but don’t let that stop you, “Part 2″ is a fine slasher film that does the series proud.

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A Nightmare on Elm Street 3: Dream Warriors (1987)
“Dream Warriors” is just all around a great sequel. I love that Nancy’s back for one last final battle with Freddy. A new addition too is the fact that Freddy is now able to target the teen’s fears and use it against them in their dreams. This makes the deaths more frightening and some of the use of special effects (the puppet scene, the television scene, etc) are just ingenious. Everything about the sequel works and when Freddy and Nancy have the one last showdown there is a bit of sadness at the end. It’s ***SPOILER ALERT**** always sad to see your hero die in the arms of the villain but it’s nice to see that Nancy isn’t willing to go down without a fight. In all honesty, the series should have ended with this installment.

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Scream 2 (1997)
Although at times I feel as though I am in the minority, I truly believe that “Scream 2″ is the best film in the Scream franchise. This is that rare sequel that takes everything that works about its predecessor and manages to take it to another level. The deaths are suspenseful, the characters are charming and likable, and the twist ending works better than it has any right to. I also truly believe that this is some of Craven’s finest directing and the “cop car” scene is a hide-your-eyes-behind-your-fingers chiller of a scene. More than that, this film is just a hell of a lot of fun from beginning to end.

Tim’s Slasher Tweet Reviews: “A Nightmare on Elm Street 2: Freddy’s Revenge” (1985)

The Nightmare continues at Slasher Studios as our resident twitter reviewer Tim Schilling takes a look at “A Nightmare on Elm Street 2: Freddy’s Revenge.” Forgetting many of the rules of the original, this sequel takes the franchise into a dark area many of the future sequels were afraid to touch. The film was even more successful at the box office than it’s original but received a bit of a mixed reaction among fans of the series.

Thoughts before the film:
Marathon continues! Haven’t seen part 2 in a while.

Thoughts while watching:
0:08 The weirdest looking people are in this movie…
0:09 Hahah, why would he even think of pulling his pants down? That’s just weird.
0:17 How did they get the snake out of the cage without ANYONE noticing?
0:22 This diary thing would have been better if it was hinted in the first one.
0:29 Those poor birds! Either it’s REALLY hot in the house… Or Freddy is an asshole.
0:33 I bet the coach is just pissed Jessie found him at a gay bar.
0:55 I can’t tell if Jessie and Grady are friends or not.
0:59 These effects are so much better than anything CGI can do. I like cheesy.
0:59 The shot when Jessie’s mouth was open and you could see Freddy’s eye… So cool.
1:07 Freddy is such a party pooper.
1:10 For getting attacked by a crazy killer and seeing all their friends die, these kids don’t look too scared.
1:12 Those mutant dog things were freaky.
1:17 You gotta have some balls to kiss Freddy. He’s a nasty one.

Final Verdict:
I thought #ANightmareOnElmStreet2′s story was a great continuation of the first while still different to be its own. Lots of, um, subtext in the movie that kind of stalled Freddy’s character development and instead showed more of the characters we will probably never see again.

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

Tim’s Slasher Tweet Reviews: “A Nightmare on Elm Street” (1984)

Are you ready for a week filled with “Nightmare on Elm Street” goodness slasher fans? Of course you are! It’s one of the best horror series around with innovative deaths and a wonderful grotesque performance by Robert Englund who returned for ALL of the Nightmare sequels. Today we bring you the first installment of the tweet by tweet reviews from Tim Schilling for the original classic. I consider it one of the best horror movies of all time but does he…

Thoughts before the film:
Gonna do the whoooole series over the next week or so, I know y’all are excited for this. First, the original! 1, 2, Freddy’s coming for you…

Thoughts while watching:
0:07 I wish Johnny Depp didn’t turn into the tool he is today,he’s so much better in this than the crap he does now.
0:11 Over acting sex scenes are funny.
0:14 When Freddy makes like an imprint on the wall, that’s still such a creepy scene.
0:22 This guy is a total greaser. He’d fit right in The Outsiders.
0:25 Fuckin hall monitors! I’ll never trust you again.
0:27 Freddy likes self mutilation a little too much.
0:30 These cops are pretty stupid. How would the guy drag Tina’s body to the ceiling?
0:32 First time I’m watching this movie in a while and I realize how many iconic scenes it has.
0:37 Nancy is kinda a tease but mostly a bitch.
0:44 Why do you never listen to us kids?
0:47 After 2 people died, and everyone having nightmares, NOW you have an idea who is killing everyone?
1:03 Nancy is prepared in the coffee department.
1:08 And the best death scene ever goes to….
1:20 I’ve jumped twice because of this movie, that never happens. I don’t know what’s with me tonight.
1:22 Freddy is gettin fucked up.
1:29 Geez Freddy stop trollin everyone.

Final Verdict:
#ANightmareOnElmStreet is one of those movies that gets better every viewing. This is probably only my fourth time watching it but I liked it way more than the other times. Creepy scenes, Freddy is freaky, andI even liked the acting. Also, great music (GO 80′s!).

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

Death of the Day–Glen Gets Sucked Into Bed in “A Nightmare on Elm Street”

The death of Glen is one of the most remarkable scenes in Elm Street history. After dozing off, Glen meets his gory demise as Freddy pulls him into the emerging hole. With an over-load of blood gushing up from the bed, Glen falls victim to Freddy and as Nancy looks on. The amount of blood and the unique imagery makes for a memorable and amazing death.

Slasher Studios Presents: Top 5 Favorite Slasher Films

It’s been a couple of weeks but we are back with a brand new episode of Slasher Studios Presents. Slasher Studios Presents is our brand new Youtube horror show in which deliver a top 5 in horror every week! Whether it be the scariest villains, the best slashers, the worst slashers, the best Final Girls, etc. You name it, we will do a show for it. On this week’s episode we are counting down our top 5 favorite slasher films. Enjoy!

Death of the Day: Debbie Turns Cockroach in “A Nightmare on Elm Street 4: The Dream Master”

We have been so busy with Flashback Weekend and working on finishing Blood Brothers, we haven’t had much time for a really good Death of the Day here at Slasher Studios. Don’t worry slasher fans, the feature is back and we have a great one for you today. Hate bugs? Who doesn’t, right? Well our Death of the Day is Debbie from the underrated “A Nightmare on Elm Street 4: The Dream Master” turning into a cockroach. Yuck! This is the death that used to give me nightmares as a child. I am not a fan of bugs so just imagining turning into a bug just gives me the willies. Freddy gives some of the best death scenes ever and this one truly is the best of the best.

Picking Favorites: Ranking the “Nightmare on Elm Street” Films

My love for the “Nightmare on Elm Street” series holds no bounds. It is a series that I grew up on and that I regularly watch. I can’t remember the last month that went by without me popping in a movie from the series as comfort food. Well, today I have decided to “rank” my favorite slasher series. Starting with the best and ending with the worst, the following are my selections. Please note that I will NOT be including either the remake or “Freddy Vs. Jason” into this list. Let’s say hello to Freddy! Pleasant dreams…

1) Wes Craven’s New Nightmare (1994)
Convoluted? Pretentious? Overly meta? Shockingly, no. “New Nightmare” is that rare horror film in which everything works. The performances are pitch perfect, lead by a tour-de-force performance by the amazing Langenkamp. The script is full of twists and turns and the movie is quite possibly the best looking of the entire series. What starts out as a maze of mirrors becomes something much more than your typical nightmare. The film examines the role film plays on those who watch it. Something that Wes Craven’s “Scream” would play out to great effect two years later. I really can’t say enough about this film and homages to the original are expertly placed. It is my favorite horror film of all time and a modern classic.

2) Nightmare on Elm Street (1984)
Wes Craven’s definitive classic. Bet you can’t guess what it is. A Nightmare on Elm Street is an unbelievably original, terrifingly realistic, and overall terrifying that, despite a weak ending, is one of the best horror flicks of the quarter of a century. The film deals with a deceased child molester who now lives only through the dreams of the children of those who burned him alive. Robert Englund is truly frightening as Freddy Krueger. Wes Craven delivers a surprising amount of tension that still holds up today.

3) A Nightmare on Elm Street 3: Dream Warriors (1987)
If ever there was a horror sequel that screamed the 1980′s, it would be “A Nightmare on Elm Street 3: Dream Warriors”. Crazy punk chick? Check. Wheelchair Dungeons and Dragons obsessed geek? Check. Zsa Zsa Gabor? Check. Dokken theme song? You better believe it, check! Dream Warriors is both a faithful to sequel to original masterpiece as well the rare sequel that actually advances the story without just being a carbon copy reboot of everything that made the first film great.

4) A Nightmare on Elm Street 4: The Dream Master (1988)
Truth be told, “Dream Master” is probably the most fun a viewer can have with the series. The deaths are completely imaginative, the special effects top notch, and the acting is solid on all accounts. It is also probably the most quotable entry of the series. It is entertaining as hell. Nonetheless, part of me wants Freddy scary again. As cool as the deaths are (Debbie’s cockroach death being the highlight death of the entire series for me), something here is missing that made the third installment so special.

5) A Nightmare on Elm Street Part II: Freddy’s Revenge (1985)
For those of you who haven’t seen this film, I don’t really know what to say besides the fact that it is very, very homoerotic. From the gym coach that Jesse finds at a gay bar (???) while sleepwalking to the gym coaches’ bondage death to the love scene between Jesse and Lisa in which Jesse can’t “perform”. Everything about this movie screams gay…and I haven’t seen talked about the dancing bedroom cleaning scene. It’s all funny, campy, over-the-top and “oh so 80′s.” haha

But the problem with Nightmare 2 isn’t the film’s gay themes, it’s the fact that it breaks too many of the rules laid out by the original. Why would Freddy want to be in the real world when the real world is the only thing that can kill him? How does Freddy make the parakeet explode if no one is dreaming? It doesn’t make scene. I will give this film some credit. The imagery is imaginative, the acting solid, and Freddy is pretty damn scary. It just doesn’t feel like a Nightmare movie. This is both it’s greatest weakness and it’s greatest fault.

6) A Nightmare on Elm Street 5: The Dream Child (1989)
The biggest problem with “Nightmare on Elm Street 5: The Dream Child” is the same problem that exists in “Freddy’s Revenge”: it breaks the rules of the series. Why would Freddy want to live on in the real world when the real world is the only thing that can kill him? Add in some hokey mother moments and an “in the womb” Krueger and you get a pretty dreadful sequel. The cinematography is top notch and the actors do what they can but, by this point in the series, who really cares? This isn’t a terrible entry but just a middle-of-the-road one. By this point the series was starting to show its age.

7) “Freddy’s Dead: The Final Nightmare” (1991)
If “New Nightmare” was the rare horror sequel in which everything worked than “Freddy’s Dead: The Final Nightmare” is that rare horror movie in which nothing works. It sure as hell isn’t scary and the cameos by Johnny Depp and Roseanne come across as more desperate than funny. The deaths are awful as well. Killed by a robot hearing aid, killed by Freddy’s “power glove”, fallen from a parachute onto spikes placed by Freddy? Is this a Nightmare movie or a Looney Toons cartoon. Not only this, but Freddy himself doesn’t even get a cool or original death. They take the ending of the original and cheapen it and we are all worse for it. This film is a grim insult to Freddy fans everywhere.

To buy the box set from Amazon for under $30: Nightmare on Elm Street Collection

Meet the Face Behind Slasher Studios: Ten Random Horror Facts About Yours Truly

I spend a lot of time on Slasher Studios updating the site, promoting upcoming horror movies, and writing reviews for slasher films that hope other horror fans will eventually have the time to enjoy. One thing that I normally do not do is talk about myself. Well, today that is about to change. I figured it would be interesting for those of you out there to get to know the face behind Slasher Studios. The following are ten very random horror facts about me in no particular order. Read them and hopefully enjoy…maybe we are more alike than you may think.

1) My favorite horror movie is the original Black Christmas. Don’t quote me on this however because it tends to change on an almost monthly basis. This, however, is the one that I recommend to everyone whether they like horror or not. It’s a great starter horror film as well as a good first date movie. If your date doesn’t like it, make sure there is no second date.

2) My favorite scream queen is Heather Langenkamp. I adored Heather as Nancy in the three Nightmare on Elm Street films that she appeared in. She brought strength and humanity to the role. She was one of the first Final GIrls to actually put up a fight and destroy evil…at least for the time being. It’s a shame she never broke out because she is one fine actress.

3) I don’t understand the love for Friday the 13th: The Final Chapter. I know this is many fans favorite of the Friday the 13th series but I always found this installment to be mean spirited (this film seems to hate women—almost every woman in this movie is either a slut or needs the assistance of a man) and I hated Corey Feldman’s performance as young Tommy. Just annoying and the deaths aren’t even all that great.

4) On the flip side, I don’t understand why more horror fans don’t love Wes Craven’s New Nightmare. A smart, cutting edge horror film that was ahead of its time, this movie is seriously scary and asks the burning question that most horror movies are afraid of—What impact does a horror movie have on those watching it? Scream toyed with this idea a few years later but I think New Nightmare is even better.

5) I don’t understand the love of supernatural horror movies. Don’t get me wrong, these can be done and done well (see Poltergeist and House of the Devil) but normally these types of films just leave me cold. You know you are going to get some doors that slam on their own as well as some creepy music but little else. I don’t mend tension but these films have just become an open invitation to make a bad, cheap horror movie.

6) If I’m not a fan of supernatural horror movies then I really hate found footage horror. I love Blair Witch, I think the first Paranormal Activity features some decent shocks, but…that’s about it. These are cheap, insulting movies that pander to a horror audience that want to see “the real thing”. They are also incredibly lazy and an excuse to feature poor acting (These are real people!). Case in point watch “The Devil Inside” or, better yet, don’t.

7) My first horror movie experience was when I was 6. I watched the original Texas Chainsaw Massacre with my parents. I stayed up all night because I was so scared out of my mind. As soon as I got over my initial shock, I went back for more. Twenty+ years later and I’m still looking to recapture that wonderful experience.

8. I obnoxiously quote horror movies that I’ve seen a million times to friends who haven’t seen them and don’t know what the hell I’m talking about. The biggest offenders: Scream (all four movies), Nightmare on Elm Street 4: The Dream Master, Friday the 13th Part VII: The New Blood, Poltergeist III, Slaughter High, and Black Christmas.

9) I have never seen The Exorcist. There is no excuse for this one.

10) If I could meet one horror movie director, it would be Wes Craven. He created at least a dozen of my favorite horror movies and I’d ask him for both advice and tips of the trade. I’d also ask him to see the original cut of Cursed with Mandy Moore.

That is all. Hope that was informative. What are some random horror facts about you?

Rooney Mara Bashes “Nightmare on Elm Street” Remake

Nothing and I honestly mean nothing burns me up more than hearing actors and actresses put down the horror genre. The horror genre is a great starting ground that has breed some of Hollywood’s finest. Don’t like the script? Don’t make the movie. Certainly don’t bitch about the movie later has Rooney Mara has done with the “Nightmare on Elm Street” remake. She has come out harshly in the press saying that it is a role that she didn’t even want.

Speaking with Entertainment Weekly, Rooney Mara spoke about her time on the Elm Street remake.

“You kind of learn to self-sabotage with things you don’t want to get,” she tells EW. “Sometimes you don’t want to get something, but you do a really good job and you get in anyway. That’s kind of [what happened] with A Nightmare on Elm Street-I didn’t even really want it. And then I went in [to audition], and I was like, “Fuck. I definitely got that.”

Mara then went on to express her feelings after the film was released.

“”I didn’t want to act anymore,” Mara continues. “I was like, this isn’t what I signed up for. If this is what my opportunities are going to be like, then I’m not that interested in acting. So I was very discouraged and disheartened. And then I got the “The Social Network” script. That kind of inspired me.“

Mara added nothing to the “Elm Street” remake and to know that right from the beginning she had no intention of of even trying is the final nail in the coffin. What an ungrateful bitch. Good luck with karma.

Meta Movie Magic: “Wes Craven’s New Nightmare” Review

After the dismal “Freddy’s Dead”, Freddy seemed to be dead and buried for at least a few years. It, however, was in 1994 that Wes Craven came up with the radical idea of bringing Freddy back for another nightmare…a “New Nightmare”. Gone was funny Freddy and the fresh looking 80′s MTV teenagers and in was a concept so unique and groundbreaking that it just couldn’t work? Or could it…

But..let us start back at the beginning. In 1984, horror director Wes Craven created “A Nightmare on Elm Street.” It was acclaimed as one of the scariest movies ever made and made unknowns like Robert Englund, Johnny Depp, and Heather Langenkamp huge stars. Ten years later, Heather is living happily with her husband, Chase, and her son, Dylan. But her life has now been turned upside down because she is being stalked by a person who sounds like Nightmare villain Freddy Krueger. Chase has just been killed in a car accident after he accidentally fell asleep behind the wheel. Dylan refuses to sleep any more, and New Line Cinema has just offered her a part in “the ultimate Nightmare.” But some other strange things have been happening, including earthquakes and Craven being tight-lipped about the script. The ultimate truth is that Freddy Krueger is actually an ancient demon breaking out into our world, but in order to do that, he must go through Heather. And he knows he can get out by harming those near her.

Sound convoluted? Pretentious? Overly meta? Shockingly, no. “New Nightmare” is that rare horror film in which everything works. The performances are pitch perfect, lead by a tour-de-force performance by the amazing Langenkamp. The script is full of twists and turns and the movie is quite possibly the best looking of the entire series. What starts out as a maze of mirrors becomes something much more than your typical nightmare. The film examines the role film plays on those who watch it. Something that Wes Craven’s “Scream” would play out to great effect two years later. I really can’t say enough about this film and homages to the original are expertly placed. It is my favorite horror film of all time and a modern classic.

Buy It Here: Wes Craven’s New Nightmare

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