On this week’s webcast of Slasher Studios Kevin Sommerfield and Steve Goltz will be talking about the making of their second slasher film, “Popularity Killer”, which just finished filming last week. Lots of good stories (plenty of drama as well…haha) from the set! Make sure to listen in live September 25th on 10PM central to find out the gory details. Actors make sure to call in with your stories for the set as well! To listen live or to check out any of our previous shows: http://www.blogtalkradio.com/slasherstudios/2011/09/26/slasher-studios-best-opening-scenes
31 Days of Horror Halloween Challenge
Last year, I decided to test myself and watch a horror movie every night for the entire month of October. By the end, I was a little dazed and disoriented but came out of the experiment just fine and was ready to do the whole thing all over again. With only a few days until October officially starts, I have posted my list below of the horror films that I will watch every day for the entire month. Nothing says fall like leaves changing color and blood splattered slasher movies. For every movie that I have not yet reviewed, I will post a new review for that film either that night or the next morning. Well, my fellow slasher fans, here is my list:
October 1st-Scream
October 2nd-Scream 2
October 3rd-Scream 3
October 4th-Scream 4 (Release Date)
October 5th-Slumber Party Massacre
October 6th-Slumber Party Massacre 2
October 7th-Slumber Party Massacre 3
October 8th-The People Under the Stairs
October 9th-Deadly Friend
October 10th-The Burning
October 11th-Friday the 13th (1980)
October 12th-Mother’s Day
October 13th-The Convent
October 14th-Pumpkinhead
October 15th-Night of the Demons
October 16th-Sleepaway Camp
October 17th-Sleepaway Camp 2: Unhappy Campers
October 18th-Sleepaway Camp 3: Teenage Wasteland
October 19th-Silent Night Deadly Night
October 20th-Black Christmas (1974)
October 21st-Black Christmas (2005)
October 22nd-Blood Sisters
October 23rd-Halloween (1978)
October 24th-Halloween (2007)
October 25th-Curtains
October 26th-Puppet Master
October 27th-Dolls
October 28th-Child’s Play
October 29th-Creepshow
October 30th-Creepshow II
October 31st-Trick r Treat
Underrated Slasher of the Week: “My Soul to Take”
There is something sadistic about many horror fans. I don’t mean the type of entertainment enjoyed but rather the love of the horror community to see a promising director/writer/actor fail. As much as the horror genre seems to respect the classics, many fans seems to get an unearthly kick by seeing one of their favorites come crashing down. Case in point: Wes Craven. After the success of “Scream” in the late 90’s, many horror fans had given up on the director. Who cares that “Scream” was actually a DAMN GOOD movie, it was just too mainstream for “serious” horror fans. When it was announced in 2009 that Wes Craven would be directing and writing a new horror movie (the first time he had done that in 15 years), the horror community seemed to be a buzz of internet fueled fire. When the movie was released in October 2010, the claws came out and the horror community ripped “My Soul to Take” to shreds. It was one of the worst reviewed movies of last year and barely made back its budget. Many called it a “Nightmare on Elm Street” rip off and many others called it the last nail in the coffin for Craven. But is it really THAT bad?
“My Soul to Take” begins in the sleepy town of Riverton. Legend tells of a serial killer who swore he would return to murder the seven children born the night he died. Now, 16 years later, people are disappearing again. Has the psychopath been reincarnated as one of the seven teens, or did he survive the night he was left for dead? Only one of the kids knows the answer. Adam “Bug” Heller (Max Thieriot) was supposed to die on the last night the Riverton Ripper wrecked havoc on that terrifying night. Unaware of terrifying crimes being committed to the seven children, he has been plagued by nightmares of their murders while not aware if they hold true or if he is simply imagining the images that haunt him. But if Bug hopes to save his friends from the monster that’s returned, he must face an evil that won’t rest…until it finishes the job it began the day he was born.
Well dear reader, I have to admit one thing: I enjoyed the hell out of “My Soul to Take”. The story is overly complicated and doesn’t always seem to know where it is headed but there is a sense of dread in this film that has been missing from most of horror today. The cinematography is lush (nobody can make a run through the woods as scary as Craven) and the performances are all quite solid. I also quite enjoyed the high school dynamics that are played out throughout the film. There is an ever running thread throughout the movie that if you grin and take it, it will make you a stronger person. It is a lesson that Bug learns throughout the course of the film and, in the end, he is finally willing to stand up for himself. The end may be a bit over-the-top for many hardcore horror fans, but this movie has a big heart hidden behind the bloody exterior. I can’t say that this is a perfect film but it is an entertaining one that tries to bring back the slasher genre. Give it a chance and go in with an open mind and you may find yourself giving your soul up to this film as well.
To order through Amazon: My Soul to Take
That’s a Wrap on “Popularity Killer”!
Filming has officially wrapped on “Popularity Killer”! What an adventure the last seven days have been! Between generators not working and getting tickets for trespassing while filming (the less said about that the better…), anything that could happen…did. It was a crazy ride. A sliced finger and some bruises are just par of the “corpse”, right? Overall though, filming went incredibly smooth. We were able to film a 25 page dialogue heavy script in just under seven days and that in and of itself is a bit of a miracle. Keep a watch out for some more updates as we head into the editing stage within the next few weeks. For those of you are curious, check out some of the set pictures below. We made sure not to show too much of the deaths, we don’t want to give everything away. “Popularity Killer” will be premiering on February 10, 2012 at the Marcus Theater 16 in Appleton, WI. A HUGE thank you to the following people who helped out with the film. Whether it be cast or crew or funding we couldn’t have made this film without the following people:
Kristina Anderson
Courtney Ellen Bay
Jennifer Bartlein
Karen & Paul Braman
Carrie Brouillette
Jason Busse
William Callaway
Kyle Conn
Daniel Delaye
Matty Dorschner
Blair Drager
Malachi Emery
Jennifer Frey
Michael Goltz
Sara Haas
Hannah Herdt
Michael Hoffenkamp
Catherine Kincannon
Dana Michele
Jacob Pangburn
Sean Parker
Dan Roen
Jamie Jo Roen
J. Crayton Smith
Jay Sorensen
Brittany Wiedow
Stephanie Wolff
“Popularity Killer” Filming Underway!
For those of you who didn’t know we are currently in production on our second slasher film, “Popularity Killer”. We just started filming yesterday and it has been an adventure to say the least. We had problems with the generators not working and we were forced to change our location half way through filming. Fun stuff! But, overall we got the shots that we needed and we start filming our first death scene of the film tonight. Check out the pictures below of the first night’s shoot and we will make sure post updates as soon as they become available.
“Popularity Killer” plot: “After a young girl is found murdered, a group of teens at Payton High must band together to piece together the horrifying travesty. The teens soon discover the mysterious killer is killing only the most popular students in school. As their friends die one-by-one in the most shockingly gruesome ways possible, they realize that being “in†may not get them out…alive. Every school has an it list…pray you’re not on this one.”
The “Hills” Are Alive
Following up the groundbreaking “Last House on the Left” couldn’t have been an easy task for Craven. That film shocked the nation with its depressing view of humanity and the depravity of civilization. The film received mixed reviews but instant cult status. Craven’s next film would be the cannibalistic family horror film “The Hills Have Eyes”. If America thought “Left” was shocking, they hadn’t seen anything yet.
The film begins with an old man named Fred (John Steadman), packing his truck and drinking alcohol, as though worried. He frequently glances at the arid landscape around him, and makes continual comments about “them” and what “they” would do to him if they ever found out he was escaping. Suddenly, a ragged and somewhat feral teenage girl turns up. Annoyed, Fred addresses her as Ruby (Janus Blythe). She offers to trade what she has in her bag for food and the old man refuses. They move into a small cabin and Fred scolds her for what she and “they” have done. Ruby says that her family ambushed a nearby airfield because they were hungry and no one passes by their home anymore. She pleads with Fred to take her with him, but he mocks her and says she could never live with normal people. He tells Ruby that, if “the pack”, in particular someone named Jupiter, knows what she is doing, she could be in danger. He warns her of the danger she is in if Jupiter ever knew, and she retorts that her “Pa” would do the same to Fred if he knew he was getting away. A noise distracts them and Ruby hides.
The Carter family are traveling on vacation. Parents Bob and Ethel (Russ Grieve and Virginia Vincent) are driving the family car accompanied by their teenage children Bobby (Robert Houston), and Brenda (Susan Lanier), and eldest daughter Lynne (Dee Wallace), along with Lynne’s husband Doug (Martin Speer) and their baby daughter Katy (Brenda Marinoff). They stop at Fred’s Oasis for fuel and to allow themselves and the family’s dogs, Beauty and Beast, to stretch. Fred tells them to be sure and stay on the main road. Later, they skid off a desert road and crash their station wagon (due to what is revealed to be a booby-trap). Bob leaves Bobby a pistol and heads back to Fred’s Oasis on foot to get help. Fred’s son and his son’s family of deranged cannibals dwell in the barren wilderness through which the Carters are traveling. They are commanded by Papa Jupiter (James Whitworth), the patriarch of the clan. He was born a monster and killed his mother, Fred’s wife, at childbirth. As a child he was vicious and brutal, killing all the livestock on his father’s farm, then eventually murdering his sister. Fred eventually reached a breaking point, attacking his son with a tire iron and leaving him in the wilderness to die. The young Jupiter survived, and began living with a depraved, alcoholic prostitute known as Mama. Together they had three sons, the vicious Mars (Lance Gordon), the thuggish Pluto (Michael Berryman), and the mentally retarded Mercury (Pete Locke) and their abused daughter Ruby. They survive in the desert by stealing from and cannibalizing all who cross their path.
“The Hills Have Eyes” has a setup so simple that you know from the beginning something awful is about to happen. One by one they are stalked and killed by the strange redneck family. However, throughout the movie Craven keeps you wondering which family is really the more civilized and humane (e.g. by getting revenge and killing the cannibal family, is this family really any better than they are?) All this leads up to a kind of disturbing and an ending sequence is different to the usual cliche endings you mostly get in modern horror flicks today. All in all, a very strange horror flick that attempts to be different and is even able to show a bit of humor (“Baby fat! Fat juicy!). This film truly gets underneath your skin and pushes more buttons than any film today would dream of. For that reason alone, it is worth checking out. There is a lot of early, raw brilliance here.
To order from Amazon: The Hills Have Eyes
“Summer of Fear” is Dumb, Trashy, Made-For-TV Fun
After Wes Craven made the groundbreaking “Last House on the Left” and “Hills Have Eyes”, he fell into a bit of a rut before finally finding his footing again with the 1984 classic “A Nightmare on Elm Street”. “Summer of Fear”, the film I will be looking at today, is Wes Craven’s third directorial effort. It’s an ambitious effort to say the least but how well does a made for TV horror movie stand up 30 years last?
The story is about a girl, Rachel Bryant (Linda Blair), who lives with her wealthy family in a nice house in the hills of Northern California. After her mother’s sister, brother-in-law, and housekeeper die in a horrible car crash, the couple’s daughter, Julia (Lee Purcell) comes to live with them. Julia seems a little shy if anything, but as time goes on, she begins to put an alluring spell over everyone she meets, pulling all of Rachel’s family and friends away from her. After finding some odd things that belong to Julia (including a human tooth and burnt hair from Rachel’s dog Trickle (for the movie the dog was changed to a horse due to Blair’s love of horses and the name of the horse was Sundance instead of Trickle), Rachel begins to suspect that her cousin may be a practitioner of witchcraft, and she’s hell-bent on turning Rachel’s life upside down. Her open disbelieved suspicions caused her to become an outcast in front of her family.
Ahh…”Summer of Fear,” what a strange movie. Wes directed this voodoo/jealously movie for ABC in the summer of 1978. Well, like I said it’s a very, very weird movie. The plot has something to do with this evil girl from the south that is sent to live with Linda Blair and her family after her parents die in a car accident. Of course, she’s the “cousin” that no one in the family has seen in years and that no one really seems to remember. I know, I know…predictable…but try to follow me. After she is sent to live with Linda, all hell breaks loose as this evil girl tries to take over Linda’s body or something (this is never really made clear). The special effects are corny, the editing choppy, and the acting is mediocre at best (wait till you see Fran “The Nanny” Dresher as Linda Blair’s nasally best friend) and yet I still kinda enjoyed this picture. It’s solid, fun, campy horror that never takes itself seriously. Go into it expecting a run-of-the-mill teenage made-for-tv movie and I think you may be pleasantly surprised.
“Fraternity Massacre at Hell Island” is a Deadly Bore
I have no qualms about low budget horror films. Some of my very favorite horror movies, “Blair Witch Project” and “The Convent”, were made with a meager budget but made with great enthusiasm. It is when low budget filmmakers take the lazy way out (bad acting, stationary setups, bland characterizations, etc) that a low budget can kill a slasher movie. Made for $45,000, “Fraternity Massacre at Hell Island” is exactly such a film.
The film begins with an intriguing if hardly original concept. A pledge must battle homophobia and a killer clown during his fraternity’s Hell Night. Several people at Felix University want the brothers and pledges of ZAP Fraternity dead, but now someone with an Ax to grind is killing them off one by one at the old haunted river park island. While on the island, a few of the college students learn what happens to people to blindly follow leaders without asking questions. Jack Jones must stop the clown, save the fraternity and find the courage to come out of the closet by sunrise.
Oh great, just what the horror world needs…a slasher film with a heavily moralistic undertone. Don’t get me wrong, I admire that this film is trying to be something more than a typical slasher but heavyhandedness is something that just doesn’t work in horror, or rarely works in horror. It certainly doesn’t work here with a cast that couldn’t act their way out of a cereal commercial. The deaths are incredibly lame (a frat guy runs around, gets stabbed by the clown killer, screams, and dies; repeat OVER and OVER and OVER again) and the direction is pitiful. Why actually get reaction shots when a medium two shot will do? It all just screams laziness. I’m sure there is an audience out there for this film but if they wanted to make a gay drama, they should have made a gay drama. The slashings are half-hearted to say the least and, in the end, the whole thing just feels insultingly trite. Skip it.
“Shark Night 3D” Lacks Bite
Let me start this review with an honest observation. Creature features, while fun, are rarely scary. A big lumbering shark in the water or a snake in the grass is scary in reality but always falls flat for me on the big screen. While I do agree with the general consensus that “Jaws” is the rare creature feature that works, I have to say that the rest have done little thrill me. It is with this honest trepidation that I went to see “Shark Night 3D”. “Shark Night 3D” is the latest creature feature to use both creatures in the water and 3D to lumbering effect. Neither is new or revolutionary. Sorry to say it but “Jaws 3D” beat you to the punch about thirty years ago.
Anyway, on to “Shark Night 3D” and what a treat this movie is. Set in Louisiana, seven Tulane undergraduates – Sara (Sarah Paxton), Nick (Dustin Milligan), Beth (Katharine McPhee), Malik (Sinqua Walls), Maya (Alyssa Diaz), Blake (Chris Zylka) and Gordon (Joel David Moore) – drive to Sara’s family vacation home on a secluded private lake near Lake Pontchartrain. At a local bait shop, Sara encounters her old boyfriend, Dennis (Chris Carmack) and his friend, Red (Joshua Leonard). Dennis and Red make racial taunts to Malik and Maya, his Latina fiancee, but Sara diffuses the situation. Sara drives a speedboat recklessly to the vacation home, attracting the attention of Sheriff Sabin (Donal Logue). He chases her, frightening her friends, but then happily shares a beer with them. He tells Sara he is happy to see her back after a three-year-long absence.
While Gordon tries to seduce Beth and Sara sunbathes, Nick, Blake, Malik and Maya go waterskiing. A shark pursues Malik and attacks him. Nick, Blake and Maya try to rescue him, but he swims back to shore – missing his right arm. When Nick swims out into the lake to retrieve his arm, he is stalked and pursued by the shark. Nick barely makes it back to shore. A medical student, he stabilizes Malik, then goes with Sara and Maya to take him to a hospital. However, blood dripping from Malik’s wound attracts a shark that attacks the boat. Maya is knocked into the water and eaten. The shark then damages the steering column of the boat. It crashes into the gas pump in front of the boathouse, exploding and stranding everyone. Sara, Nick and Malik barely make it to shore. Because their cell phones have no reception and the house has no landline, they cannot call for help. Blah, blah, blah.
“Shark Night 3D” is everything that a horror movie shouldn’t be. It’s PG-13, it’s loaded from beginning to end with grating pop/R&B songs, its 3D looks like shit, and the characters are so cookie cutter boring that you won’t care who lives or who dies. I would say that you want them all to be shark bait but once you’ve seen one awful shark attack in this film, you’ll feel like you’ve seen them all. Add to this a ridiculous third act twist that makes little sense (seriously, watch the movie and tell me how it is even POSSIBLE for the redneck hillbillies to do what they did) and some of the most implausible events I’ve ever seen in a movie and you’ve got one of the worst movies of the year. Though, truth be told, it is comforting to know that if someone loses an arm in a giant lake, you can easily find it in dirty water by swimming out from your lake without a mask or goggles. After this, while locating said lost arm, you can also spot a bloodthirsty shark. When you see said shark, you can out swim it even though it can overtake a speeding boat with someone skiing behind. Did that just make your brain hurt? Ugh. Join the club. Last year’s “Piranha 3D” was dumb, harmless fun. This movie doesn’t deserve a theatrical run, hell it doesn’t even deserve to be played on Syfy.
Slasher Studios: Best Horror Opening Scenes
On this week’s show, Kevin Sommerfield and special guest co-host Joshua Schuh will be going over their favorite horror movie opening scenes. Scenes that set the tone for the rest of the film and let the audience know they were about to see something special. Make sure to listen in live tonight on 10PM central to find out what made the cut. Click on the link below to listen or to check out one of our previous shows.
http://www.blogtalkradio.com/slasherstudios/2011/09/05/slasher-studios-best-opening-scenes