Horror Movie Challenge: Day 4: A Great Horror Movie Doctor (Jeffrey Franken – Frankenhooker)

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Picking a great horror doctor is difficult because the horror genre is filled with bad to awful ones. Even the best ones like Dr. Loomis have a tendency to use their patient as bait (see the Loomis-Lloyd relationship in Halloween 5) more than anything else. But, let’s take a look at Dr. Franken from Frankenhooker. Here is a doctor who is willing to do anything to save the woman he loves. Sure that might mean blow up some prostitutes but love does come at a price. He might not be a “good” doctor to some but he is to the love of his life and doesn’t that mean something?!

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Horror Movie Challenge: Day 3: Favorite “Saw” Scene: Dr. Crews (Friday the 13th Part VII)

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If ever there was a character in a slasher that you wanted to see die a slow and painful death, that character would be Dr. Crews. A monster of a doctor who uses his patient’s mom as a shield against Jason, he deserves everything that he has coming to him. Where did Jason find a circular weedwacker in the middle of the woods? Who knows but it has never been put to such good use.

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31 Days of Horror: Day 3: Popcorn (1991)

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This special 31 Days of Horror review comes from a previous review on Slasher Studios from Riley Lender. Enjoy!

Popcorn is one of the last movies of the slasher era and to me, one of the most under rated and unknown too. This movie starts out with Maggie (Jill Schoelen) having a nightmare of a man trying to kill her, but before any damage could happen, she wakes up. Her mother receives prank calls, having someone call but no one on the other end type of deal. Maggie proceeds to go to her class, Cinema to be exact, where they decide to have a fund raiser at the old, and local rundown movie theater. They then go to the theater where they get it ready for the B-rated 50’s horror movies they’re going to feature in 3 weeks.

They find a film in a case that is extremely bizarre and continually says “I am the possessor”. Maggie passes out at a scene in the film that she has saw in her dream. She then finds out the history of the movie, the man who made it, killed his family and himself on stage as it played in the background. Her mother gets another phone call, this time saying “I am the possessor, I want her! I want her!, knowing where the voice is from, she goes to the movie theater to investigate, where she ends up being murdered. Not knowing of what the previous night entailed, Maggie gets ready for the big night at the theater. A strange man who recites the possessor movie buys a ticket off of Maggie, she tells Toby (a boy from her cinema class she likes), he tells her that she should call the police. Making fun of him, saying that they wouldn’t believe her about a man who was supposedly dead. One by one, each member of her class is killed off, but not knowing who the killer is because whoever it is, is replacing the dead bodies with themselves and making it seem like they’re alive. The power ends up going out because one of the deaths involved electricity.

Maggie is behind the stage, in the dark when a man grabs her and is taken to the basement, then the power comes back on and the movies continue to play. Being tied up to some sort of device that holds her head in place, she discovers the killer is Toby, stealing people’s faces and making Maggie believe he is everyone. She finds out the reason for his killer is when the possessor was first shown in the theater that Toby was in the first row and has been burned because Maggie’s aunt set the theater on fire, leaving him not only burned but also extremely disfigured too. She then finds out that the man who made the possessor was actually her father. Her aunt is actually still alive and Toby has her right behind the screen, to get ready to finish what Maggie’s father was unable to do. He sedates Maggie and puts her in a cast with a dress over it, getting ready for their final scene. Now on stage, everyone believes it to be a joke laughing at Maggie because they think it’s all an act. The only person to discover the truth, Mark, then crashes onto the stage using the fly prop from one of the films they were showing. Mark knowing who Toby is, then frees Maggie and kills Toby with the fly. The police and ambulance end up showing up and BAM! Movie is over!

This film is considered to be the predecessor to the Scream franchise, which is clearly seen, is parts of the film. It’s one of the most underrated films I can think of, but it’s one of my favorites. There’s something fun about it and it didn’t lose the seriousness either, keeping true to what they wanted to execute. With next to no gore and no skin showing, There’s just nothing to hate about this film, period.

–Riley Lender

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31 Days of Horror: Day 2: Demons (1985)

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One of the first “self aware” horror movies, Lamberto Bava’s “Demons” is about as bat shit crazy of a horror movie as one could imagine coming out of the 1980’s. Part slasher, part zombie, part undead, and part goofy splatstick comedy, “Demons” has a group of guests watching a free screening of a horror movie at the local movie theater when the horror doesn’t quite stay on the screen. Get ready for a gory delight with some wild and inventive giallo style cinematography. Great stuff!

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Horror Movie Challenge: Day 2: Childhood Horror (“A Nightmare on Elm Street”)

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My first encounter with the horror genre is just as vivid in my mind as ever before. I must have been in either 2nd or 3rd grade when I first saw the one and only Freddy Krueger terrorize Nancy on a 20″ tube TV. I was over at a friends house and after we were done listening to Sir Mix-a-Lot and raiding his big brothers awesome cassette collection, we stumbled upon a movie neither of us had seen before: A Nightmare on Elm Street.

Being young and relatively new to horror films, I didn’t really know what to expect. Needless to say, I loved the movie and found Freddy both scary and amazing. As we watched this, I couldn’t take my eyes off the blurry screen. I was in a trance and as my friends mom spotted what we were watching, she quickly told us to turn it off. Like all young kids would do, we completely ignored her.

We continued to watch this film and I obviously had no idea the impact this film would have on my future. This work by Wes Craven would be a huge influence on me in years to come. We went on to watch the rest of the film and ended the day with some NBA Jam on Sega Genesis. Not a bad day.

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Not Quite Horror: “Miller’s Crossing” (1990)

Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

Miller’s Crossing (1990)

In the month of October, I am celebrating the films of Not Quite Horror legends Joel and Ethan Coen.

The Monster: In the Coen Brothers’ crime masterpiece Miller’s Crossing, Tommy (Gabriel Byrne) is a smart guy caught between two warring mobsters, with stacks of corpses piling up on both sides. No strangers to horror, Joel and Ethan Coen don’t skimp on the gore.

The titular Miller’s Crossing must be a very haunted place. The film’s gangsters commit bloody violent acts wherever they see fit, but the Crossing is a place where people are taken knowing they are going to die. The location itself is peaceful and beautiful, but it is a place where bodies are buried.

The Horror: In October, I will be analyzing films from the Coen Brothers as horror films. One consistent Coen Brothers theme is the human need for dignity in death, and the world’s attempts to deny them this peace.

Miller’s Crossing seems like a nice place to die at first glance, but everything goes wrong. The breeze feels sinister. People don’t behave right. Begging and pleading fills the sky. Even in nature, dignity is denied.

The Shared Fate: Death does indeed come for all of us, and we hope to make our life’s end decent and meaningful. By naming the film Miller’s Crossing, the Coen Brothers underline the inevitability of our shared fates. Then, with their trademark humor, they remove the illusion of dignity that most mobster films work hard to preserve.

In the end, they’re just leading us down a lonely path and letting us fade to black.

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Top 10 Blu-Rays Every Horror Fan MUST Own

Our resident Blu-ray reviewer Joshua Dean is back and this time he is featuring the top 10 must haves on Blu-ray that every horror fan MUST own. Enjoy!

Blu-ray has been around for several years now… but it is now that it is finally taking off and becoming mainstream. All of us at Slasher Studios love our horror films very much… and many of us want to own and experience them in the best way possible. Barring theatrical exhibition (and sometimes it’s even better than that), Blu-ray is the ultimate way to experience a film. A picture that replicates the look of an actual physical film print (unless it’s a botched transfer), and often times going beyond that with 4K scans or restorations of the original camera negative (such as Halloween’s new Anniversary Edition, or Jaws), combined with stellar uncompressed audio that matches even what the theater can offer, is what makes Blu-ray such a great format for film buffs such as ourselves. Here I am going to list ten of the best Blu-ray releases the genre has seen, and films no horror fan should be without. The criteria for making this list includes several factors: Picture quality, sound quality, and extras. Extras come last for a reason… The object of Blu-ray is to offer the “perfect movie-viewing experience,” if you will. Extras are nice to have, but if the movie looks bad, why bother?

Since mainstream horror films tend to get the best treatment on Blu-ray (That’s not to say Scream Factory doesn’t do a stellar job with with their more obscure chillers, though!), I’ll mainly be covering those this time… but I shall return with full reviews on the more hidden gems, as well!

(in alphabetical order)

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ALIEN (1979, Ridley Scott) Fox Home Entertainment
Starring Tom Skerritt and Sigourney Weaver.
Presented from an all-new 4K master, Ridley Scott’s 1979 “slasher-in-space” masterpiece delivers on Blu-ray. The picture is stunning, with a fine, but natural film grain providing clarity, enhancing the production design of both the Nostromo itself, and the titular ALIEN that terrorizes first-time horror heroine Sigourney Weaver, Veronica Cartwright, and a cast of now-legendary actors aboard their isolated ship. While the single-disc original only offers minimal supplements (a pair of commentaries, two different isolated score tracks, and deleted scenes… but also two cuts of the film), the Alien Anthology box set (that can be had cheaply if you catch it on sale, as low as $30!) offers comparable extras for all four films (ALIEN, ALIENS, ALIEN3, ALIEN: RESURRECTION), as well as two packed bonus discs includeing over 12,000 stills combined of photos and artwork, several behind the scenes featurettes, and more.

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THE EVIL DEAD (1981, Sam Raimi) Anchor Bay Entertainment
Starring Bruce Campbell and Ellen Sandweiss.
Despite the widely-available release being short on extras (offering only a commentary) it delivers a stunning presentation- wait… no, two stunning presentations of this classic cheese-fest. Presented in its original 4×3 version as well as an “enhanced widescreen version” (again clipping the top and bottom of the frame, but this time doing a much better job than the many DVD releases), the film looks and sounds much better than ever before. Despite Anchor Bay’s ever-disintegrating reputation for their horror releases, they must be commended for one thing: The horror titles they DO appreciate, they deliver. Great care was put into this amazing (still VERY grainy and VERY ugly to the unexpecting eye) transfer, and it can be had very cheaply. My local Walmart sells it for $10. With it being Halloween season, however, you may well find it cheaper. Also released in a limited editon with a DVD bonus disc of extras.

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THE EXORCIST (1973, William Friedkin) Warner Home Video
Starring Ellen Burstyn and Max Von Sydow.
Called the scariest film of all time, this demonic shocker featuring Linda Blair as the possessed daughter of actress Ellen Burstyn debuted on Blu-ray in 2010, featuring both the original theatrical cut, as well as the 2000 Director’s Cut, in absolutely stunning transfers (each cut got its own unique transfer, and details often differ between the two versions) with superb soundtracks… and a large host of extra features, including more than a couple documentaries and three commentaries (one for the extended cut, two for the original cut). It was offered in a digibook package with shiny metallic artwork and plenty of photos and information that would keep fans pleased. Sadly, it is out of print, but a 40th anniversary edition is due out on October 8th with a host of new supplements and presumably new transfers… though I don’t believe they’d be necessary.

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THE FOG: Collector’s Edition (1979, John Carpenter) Scream Factory
Starring Adrienne Barbeau and Jamie Lee Curtis.
John Carpenter’s post-Halloween ghost story comes with a very spooky-looking transfer (complete with his signature “blue glow”) by cinematographer Dean Cundey and a few new bonuses that are sure to enhance any fan’s enjoyment of the film. First up is a commentary with Adrienne Barbeau, Tom Atkins, and Tommy Lee Wallace, joined by Horror’s Hallowed Grounds’ Sean Clark. This track is very fun, but only mildly informative. Also included is a very candid, and very revealing interview with a decidedly unbashful Jamie Lee Curtis, who admits that she doesn’t much care for the film, and reveals that its production was tainted by the recent split of writer/producer/director team Carpenter and Debra Hill, as well as Hill and Curtis’ dealing with Carpenter’s new lady, Barbeau, being ever-present as the film’s lead. There are several more extras included, most from the prior DVD release from MGM.

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HALLOWEEN: 35th Anniversary Edition (1978, John Carpenter) Anchor Bay Entertainment
Starring Donald Pleasence and Jamie Lee Curtis.
Carpenter’s classic suspense thriller arrives in a gorgeous digibook package with several rare photos and lovely new artwork, but the real treat here is the revelatory new video transfer (like The Fog, supervised by Dean Cundey) and immersive 7.1 Dolby TrueHD sound mix. This film truly looks perfect. Supplements are weak for those hoping to learn about the film’s production, but the ones that are included celebrate the film, including a new commentary by Curtis and Carpenter (which, like The Fog’s commentary, is more fun than informative) and a documentary following Jamie Lee Curtis and many of her fans (myself included) to her first (and only) horror convention. The extras are fun, but the real reason to scoop this one up is the new transfer that makes the previous BLu-ray release look flat-out bad.

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JAWS (1975, Steven Spielberg) Universal Studios Home Entertainment
Starring Roy Scheider and Robert Shaw.
Spielberg’s classic beach thriller arrives with a fully restored transfer from the original 35MM film elements, and it looks GREAT. The film definitely shows its age, but it looks amazing. The new 7.1 DTS-HD sound mix is strong, but I personally find the original mono track to be more engaging… especially since the new mix renders a certain word at the end virtually inaudible. A long list of documentaries, featurettes, and deleted scenes accompany the release, as well.

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A NIGHTMARE ON ELM STREET (1984, Wes Craven) Warner Home Video
Starring John Saxon and Ronee Blakley.
1, 2, Freddy’s coming for you! This strong Blu-ray release gives very strong picture and sound quality, though some of the visual effects suffer a bit due to the leap in clarity. The film boasts 7.1 DTS-HD audio and a long list of extras (admittedly all from the infiniFILM DVD edition), including two commentaries, both featuring star Heather Langenkamp and director Craven, but both tracks offering a different experience as each one features different people, such as John Saxon, Ronee Blakley, Sara Risher, Robert Shaye, and Jacques Haitkin. Three featurettes and a host of alternate endings also fill the disc, which is also available in a series box set featuring the six surprisingly good sequels (2: FREDDY’S REVENGE, 3: DREAM WARRIORS, 4: THE DREAM MASTER, 5: THE DREAM CHILD, 6: FREDDY’S DEAD – THE FINAL NIGHTMARE, and 7: NEW NIGHTMARE), admittedly with transfers and soundtracks somewhat inferior to the masterful work afforded to the original, as well as a host of extras.

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PSYCHO: 50th Anniversary Edition (1960, Alfred Hitchcock) Universal Studios Home Entertainment (OOP in the US)
Starring Anthony Perkins and Vera Miles.
The shower scene looks absolutely sensational in this restored transfer from the original film materials, as does the rest of the black-and-white mystery-thriller. While you may not expect a black-and-white film to gain much from a high-definition presentation, this disc will prove you dead wrong. The high resolution causes the contrast-based picture to look absolutely stunning. Grain is present, and even heavy at times, but is never intrusive. The strong transfer also serves to show off the beauty of stars Janet Leigh and Vera Miles, as well as the haunting Bates house and motel. Featuring a large selection of archival extras (can you really expect more? This movie is now 53 years old.) and a newly created 5.1 DTS-HD Master Audio track… but in this case, stick with the (included) mono track… as the creators of the new track tend to get a little free with sound effects and the like.

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ROSEMARY’S BABY (1968, Roman Polanski) The Criterion Collection
Starring Mia Farrow and John Cassavetes.
Polanski’s spooky – and surprisingly comedic – horror masterpiece also featuring Ruth Gordon (in an Oscar-winning performance) is given the deluxe treatment by The Criterion Collection, offering a fully restored digital transfer supervised by Polanski. This movie looks simply stunning. Colors are beautifully reproduced, a visible-but-non-intrusive grain structure is everpresent, and a brand new documentary, featuring Polanski, star Mia Farrow, and producer Robert Evans, accompanies. Also included is a feature-length documentary about composer Krzysztof Komeda and a booklet with plenty of printed goodies.

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THE TEXAS CHAIN SAW MASSACRE: The Ultimate Edition (1974, Tobe Hooper) Dark Sky Films (OOP)
Starring Marilyn Burns and Allen Danziger
One may not think this film would be particularly suited to the Blu-ray format. However, just the opposite is true. While some may think the grainy 16MM nature of the film would hinder its presentation in high definition, it actually enhances it. Transferred directly from the original film materials, the grainy 16MM film looks gorgeous. Yes, it’s still VERY grainy. Yes, details are not what you’d get with, say, Halloween, Jaws, or Alien… or any of the aforementioned releases, actually. What it DOES offer, however, is a truly chilling grindhouse experience. Featuring two commentaries, several featurettes, bloopers, and delted scenes, this sadly-OOP release can still be had relatively cheaply on Amazon.

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31 Days of Horror: Day 1: Poltergeist (1982)

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“Poltergeist” is the best haunted house horror movie that I’ve ever seen. It is scary as hell (Robbie getting attacked by the tree outside his bedroom window still gives me chills) and the performances are all spot on. If the effects feel a bit dated (the “melted face” is no longer scary, it’s laughable), it only adds to the film’s charm. This is just about the best you can expect from an old fashioned style horror movie that relies on creativity rather than gore to sell its scary story. From beginning to end everything here works and works perfectly. Hopefully Hollywood doesn’t mess things up with a remake. It would be another kind of nightmare…and not the good kind.

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Horror Movie Challenge Day 1: Memorable Animal (Clovis–“Sleepwalkers”)

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It’s finally October everyone and it is time to do our traditional thirty days of horror. Along with a horror review a day, we will also be featuring a theme each day. You can join in on the fun at Slasher Studios Horror Film Club.

Today we will be discussing our favorite memorable animal for a horror movie. For us, the title has to go to Clovis from “Sleepwalkers.” This lovable little guy is one of the few animals in a horror flick that turned out to be a hearing. Not only does Clovis save the day but, as leader of the pack, he also bands the other cats for a heroic final fight. The movie itself might not be the best horror movie ever made (hell, it’s not even the best Stephen King movie) but is sure is fun. Clovis to the rescue!

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Slasher Studios 30 Days of Terror (Horror Challenge Part II)

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Starting on October 1st, Slasher Studios we be featuring a different horror movie each day in the following catagories. Make sure to play along at the Slasher Studios Horror Film Club with your selections. It’s going to be an October to dismember.

Day 1: A memorable animal in a horror movie
Day 2: One of your earliest encounters with the horror genre
Day 3: A favorite saw or chainsaw scene
Day 4: A great horror movie doctor
Day 5: Favorite horror director
Day 6: Your favorite movie by your favorite director
Day 7: A great hero
Day 8: Best comedy-horror
Day 9: A boring horror movie
Day 10: Favorite classic horror movie
Day 11: Most psychotic killer
Day 12: The goriest movie you’ve seen
Day 13: Favorite foreign horror
Day 14: The cheesiest horror you’ve ever seen
Day 15: A great 80’s horror movie
Day 16: Great indie horror
Day 17: Favorite horror franchise
Day 18: A movie people hate that you love
Day 19: A movie that disappointed you
Day 20: A great twist ending
Day 21: A horrible/lame twist
Day 22: Best movie based on a book
Day 23: Scariest old person
Day 24: A movie you expected to be bad, but enjoyed
Day 25: A franchise you don’t like
Day 26: Worst sequel
Day 27: Favorite OR least favorite Stephen King movie
Day 28: A great zombie movie
Day 29: A movie you refuse to watch
Day 30: One you need to watch, a.s.a.p.

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