Indie Chiller “Sader Ridge” Plays For Psychological Thrills

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From writer/director Jeremy Berg and The October People, comes Sader Ridge. This independent thriller was shot on location in California and Washington on a very modest budget of around $11,000. The story revolves around Samantha, who recently inherited a country property. She and a few friends decide to take the road trip and check out her new place. Upon arrival, they meet Samantha’s childhood playmate, Eric. This psychological thriller plays out over the course of 82 minutes and as Samantha must come to terms with not only the present, but the past as well.

D’Angelo Midili, the actor playing Eric, steals the show with his laid back and natural performance. The line delivery was spot on and I would be very surprised if Midili is not picked up for another film in the near future. Trin Miller takes on the character of Samantha and has a solid performance as our leading lady. Although the bar was set high by Midili and Miller, the rest of the cast, although not at their level, did get the job done.

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The locations selected for this film were pretty much perfect. Old country house and the surrounding property helped set the tone. With that said, the cinematography lacked any real wow factor that cold have been easily reached with the forest and house and camp fire. The static shots are too frequent and lasted too long. The movement within the frame is well directed, but the movement of the camera itself is something to be desired for. Just cutting some heads and tails in the edit could help with this as a few scenes/shots seemed to drag.

If you are looking for gore, sex and violence, then take a rain check on this one. But, if you are into the psychological thriller type films, then go out and find Sader Ridge. The acting is above par and the story will make you think. Although this is a low budget indie film, the passion that comes through from the filmmakers is evident and should be well noted.

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Slasher Studios Exclusive Clip: “Don’t Go to the Reunion” Scott & Sex

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Slasher Studios is eager to present to you the another clip from our very first slasher feature, “Don’t Go to the Reunion.” In this clip, Joe (Mike Goltz) and Kimberly (Hayley San Fillippo) discuss the mysterious reunion as Joe as a little more on his mind….

Plot synopsis:
Scott Rantzen (Brady Simenson) is a horror movie loving misfit who is teased by the popular students in school. When a date with the very popular and very beautiful Erica Carpenter (Stephanie Leigh Rose) backfires, he feels as though his life is ruined. Ten years later, the gang reunite for their class reunion. Little do they know that someone is waiting for them and ready to see that they pay for what they did. Is Scott back for revenge and will the old gang survive to tell the tale? It’ll be more gore for Class of 04.

To become a Don’t Go to the Reunion backer:
Don’t Go to the Reunion Indiegogo

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Not Quite Horror: “The Sopranos” (1999-2007)

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Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

The Sopranos (1999-2007)

The Monster: Film and television have relied on organized crime to create compelling story lines for decades. The criminals in The Sopranos are born from this murderous family tree. They even discuss previous gangster films as they go about their work.

Given an entire HBO series to develop, these characters grow in different directions than their counterparts in film. The show gives them time to wear track suits and grow bored. Then, in sudden and vicious moments, these men take lives with swift brutality.

The Horror: Murder on The Sopranos is no glamorous business. Even when the hit has been organized well, the victims sob pathetically and one bullet rarely does the job.

Usually, it’s not even that efficient. Characters can’t figure out where to stow a dead body, or have to rebury a corpse when development threatens to unearth it. A traitorous friend haunts Tony Soprano in visions and dreams of dead fish.

Shame and death aren’t reserved for the family business, either. A hitman dies a bloody death in his car after completing his mission. A husband stuck in traffic finds he has been delayed by the car accident that killed his wife. One character even dies after straining too hard on the toilet.

The Shared Fate: Coming after the proud glory of the Godfather movies and the swagger of Goodfellas, The Sopranos goes out of his way destroy glamour.

Life in the Sopranos world is often in the hands of bitter, hideous men with no sense of beauty. That hits pretty close to home, don’t you think?

Popular as it was, The Sopranos must’ve given nightmares to thousands of viewers expecting a nice mobster bedtime story.

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Universal Pictures Delivers Killer “The Purge” Prize Pack

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Would You #SurviveTheNight? The Purge is coming!

If, on one night every year, you could commit any crime without facing consequences, what would you do?

In an America wracked with crime and overcrowded prisons, the government has sanctioned an annual 12-hour period in which any and all criminal activity–including murder–becomes legal. The police can’t be called. Hospitals suspend help. It’s twelve hours when the citizenry regulates itself without thought of punishment. On this particular night in 2022, plagued by violence and an epidemic of crime, one family wrestles with the decision of who they will become when a stranger comes knocking.

When an intruder breaks into James Sandin’s (Ethan Hawke) gated community during the yearly lockdown, he begins a sequence of events that threatens to tear his family apart. Now, it is up to James, his wife, Mary (Lena Headey), and their kids to make it through the night without turning into the monsters from whom they hide.

The Purge follows one family over the course of a single night… From sundown to sunrise, for 12 hours, all crime is legal. Four people will be tested to see how far they will go to protect themselves when the danger of the outside world invades their home.

Hits theaters everywhere on June 7th.

The question is… Would You #SurviveTheNight? Take the quiz to find out! Warn your friends The Purge is coming! One lucky winner will receive a special prize pack including t-shirt and mask.

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Bloody New Exclusive “Don’t Go to the Reunion” Stills

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You wanted more stills and your wish is our command. We have for you two brand new, exclusive stills from our very first slasher feature, “Don’t Go to the Reunion.” We hope to have a trailer for you within the next couple of weeks. Until then, enjoy!

Plot Synopsis:
Scott Rantzen (Brady Simenson) is a horror movie loving misfit who is teased by the popular students in school. When a date with the very popular and very beautiful Erica Carpenter (Stephanie Leigh Rose) backfires, he feels as though his life is ruined. Ten years later, the gang reunite for their class reunion. Little do they know that someone is waiting for them and ready to see that they pay for what they did. Is Scott back for revenge and will the old gang survive to tell the tale? It’ll be more gore for Class of 04.

Make sure to like the film on Facebook for all the updates:
Don’t Go to the Reunion Facebook

Poster finalizes will be announced on Saturday!

Joe

Christopher

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Slasher Studios Interview: Director Brandon Tobatto (“Loon”)

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Slasher Studios recently had the chance to chat with director Brandon Tobatto about his upcoming slasher flick “Loon.” The film follows a brother and sister on their journey to uncover the mystery of an old abandoned carnival attraction and the maniac that supposedly thrives within. Sounds like lots of fun indeed and looks like Brandon has a great slasher on his hands.

How did you become interested in the horror genre and what made you decide to become a horror filmmaker?
I became interested in the genre simply by exposure to it at a very young age. When I was around 3 or 4, I began watching horror films and, in not time, was hooked. This became an obsession that would run the course of my entire life and continues today. Then one day being a voyeur of the horror genre was no longer enough. I had too many ideas and too many characters that needed to be brought into existence. I guess you could say it just rose out of an artistic need. And here we are.

Tell us a little bit about Loon…
Loon is, in a nutshell, tells the story of a brother and sister who, along with their friends, journey to explore the decades-old ruins of an abandoned carnival haunt and uncover the mystery of the supposed masked maniac that lurks within. Little do they know the mystery soon turns to reality in a very disturbing and violent way.

Making a slasher film today is difficult and many believe the genre is dead. What are your thoughts on the state of slasher films today? How does Loon stand out from the norm?
The state of slasher films themselves does seem to be a bit bleak at the moment. I mean, we have horror films and thrillers and what not, but slashers? I don’t know what happened, but we don’t really have any current mainstream slasher icons wreaking havoc in the genre nowadays. Sure we’ve had a few remakes here and there, but nothing has kick started the slasher franchises of old. The new Texas Chainsaw didn’t meet expectations and sort of crippled the timeline. Scream 4, depressingly, didn’t pave the way for future sequels or make any kind of difference in the genre. It’s sad. Instead we have found footage films and cheap pop-out-and-scare-you movies; throwaway films. However, I can say that there is ONE series that stands out from this boring absence of real horror, and its name is HATCHET. The Hatchet franchise, albeit underground and straight-to-DVD, is a terrific return to the slasher days of old and brings us a completely original killer to go along with it. It’s also perfectly laced with nods to previous 80’s horror films. I love it and I can’t wait to see part 3. But as far as ‘LOON’ is concerned, I think the horror audience can expect a return to the slasher genre, but with the solidity of a fluid story that feeds off of little factors throughout the film and then back into itself. This is not a cut and dry, black and white series of events where a girl gets killed and then a guy gets killed and so on and so forth. No. This is a very deep and expansive story that happens to have, in my opinion, one of the most violent and creepy killers ever to grace the genre. I can’t wait to show it to an audience.

Any homages we can expect to other classic slashers?
In my mind, subliminally, I’m sure there’s many traits in this film that echo to horror pics of the past but I can’t think of anything we’ll be adding that directly throws back to anything. When we were in the early development stages I thought about adding this and that but it very quickly became clear that I needed to develop something completely original, both story and character wise, and then, if nods happened, they happened. So if there IS anything in this film that COULD be considered an homage, it most likely wasn’t intentional. I felt horror needed a clean plate and hopefully this one dishes it up on a nice, new platter.

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You have a wonderfully creepy promo poster for the film. Who created it and what went into the concept of the artwork?
I actually created the poster myself. I knew I needed an early promotional teaser poster to help spread the word on the film so I thought what a better way than a big in-your-face image of the mask itself. Add some creepy lettering to get the message across and some strange texture and boom- you got yourself a pretty nifty, pretty terrifying promo poster. Photoshop is a great tool for filmmakers and practically anybody working in the art field.

With the carnival setting and oh so many ways to kill, what can slasher fans hope to expect from deaths in the film? Practical vs. CGI?
The deaths in this film will NOT be the main focus, unlike most slashers. Instead, the focus will be on the characters themselves and the story, with the creepy undertones of the setting fueling the gloom of the film. I want the deaths to accent the story, not compose it. However, on the other hand, that’s not to say there isn’t a lot of death in this film. No. Quite a few people will meet their end by the end of this movie. And not a good end at that. When dealing with the kills in LOON, I wanted them to feel very violent, very painful, and I wanted the death scenes to carry a lot of weight. These are characters that, hopefully, the audience has come to know and care about. And for these characters, their realities have been forcibly destroyed by this maniac. I don’t want the deaths to be funny or celebrated. This is not a good situation. This killer is not a hero or a role model. These characters had lives and, for simply stepping into the ‘wrong part of town’, so to speak, had their lives stamped out. I want the audience to feel that loss, to feel the life slipping away and to feel the anger of the killer as he takes that life without hesitation. Don’t expect a lot of gore and gross-out. Expect real, painful, and disturbingly violent depictions of death.

What is the status for the film production wise and when do you hope to have a release date set?
The film is currently shooting principle photography, with promo, editing and musical scoring of the film happening concurrently. We hope to have everything in the can by late June with the film completed by late July. We have no set release date at this point.

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What is the plan for the film once post has wrapped? DVD, VOD, Film Fests, etc?
The film will be submitted to Screamfest L.A. 2013 and also to Sundance for their 2014 festival. Hopefully the film, if accepted to both or one of the festivals, will garner enough of a fan base to at least make a splash when the film releases on DVD, or better yet, get picked up by a distributor and become something bigger than any of us could have ever hoped for. That would be the prime outcome of this film, but all in all, there will be a home video release of the film on DVD that will be available online. Cross your fingers.

Without giving too much away, is there a chance for a sequel? Is this the start of a new franchise?
I have this story setup in a way that it can expand and continue on in many, many future films. I love the idea of horror franchises and sequels seem to do the best within the horror genre. So, here’s hoping that LOON turns into something more than just a stand-alone film. I don’t want to give anything away but if a sequel opportunity ever presents itself, the story is already in place.

Last but not least, what is your favorite slasher of all time?
My favorite slasher of all time is Jason Voorhees. He’s the ultimate for me. My favorite slasher movie of all time also belongs to Jason- Friday the 13th part VI: Jason Lives.

Thanks Brandon for the interview and make sure to like Loon on Facebook for all the slasher updates on the feature.

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Not Quite Horror: “Gangie” (????)

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Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

Gangie (????)

The Monster: Based on Maeby Funke’s grandmother, or “Gangie,” the titular monster survives by drinking the blood of her victims. Her monstrous face was inspired by Maeby’s Grandmother after a particularly brutal beauty treatment.

The Horror: Whether in the original film, any of its many sequels, or as the real-life Gangie herself, the monster repels anyone foolish enough to face her head on. In this case, the truth is even more frightening than the movie.

Why? In real life, Gangie is never far away from her son. He’s a self-proclaimed monster with a hook for a hand and a habit or wrecking everything around him.

The Shared Fate: No family is perfect on the inside or the outside.

With time, a family member’s physical quirk can become an oddity. Add disdain and disappointment and monsters are born in your own living room.

Bound to our families by love, honor, or at very least habit, these physically differences are politically incorrect to ridicule and uncomfortable to discuss. Yet find yourself forced to stare at that nose, or that rash, or that hair for one more minute and . . . This is why Poe wrote “The Tell-Tale Heart.”

Be honest with yourself. Isn’t there a Gangie lurking in your kitchen, and isn’t she thirsty?

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Attention Filmmakers! Submissions Open For Oshkosh Horror Film Festival (OHHF)

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It’s that time of year horror fans and filmmakers! The Oshkosh Horror Film Festival is now accepting submissions! We will be playing there this year with our very own Don’t Go to the Reunion, so you should as well! Follow the link below to download a submission form. It is FREE to submit so you really have nothing to lose at all. They are wonderful supporters of indie horror and we hope to see you all there. Straight from their site: “The objective of the OHFF is simple: showcase independent horror. Both feature length and short films will be shown. There will be no awards for the films and no contests held. We are not a flashy festival (if you can’t tell by our site). The OHFF is a clear cut event to do nothing more than celebrate independent horror. If you have an ego, this fest might not be for you. Sincerely.” How awesome is that?! It’s going to be a bloody good time.

To submit your entry today:
Oshkosh Horror Film Festival

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Not Quite Horror: “The Sandlot” (1993)

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Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

The Sandlot (1993)

The Monsters: The Beast: a giant dog lurking just beyond the titular sandlot. Baseballs launched over his fence are lost forever. The children playing at the baseball diamond see him as a giant paw and hear his breathing.

Later, The Beast is revealed to be a normal, loveable dog named Hercules. After sandlot hero Benny (Mike Vitar) outruns the hound and wins back all of their baseballs, the Beast becomes a friend.

The Horror: Not all of the baseballs hoarded by The Beast are created equally. Not fully understanding its value, Smalls (Tom Guiry) takes a baseball autographed by Babe Ruth from his stepfather. When the ball is lost to The Beast, Smalls fears he has ruined his already shaky relationship with his stepfather forever.

The Shared Fate: Though our dreams have seemingly unlimited potential, our bodies, minds, and social standings constantly remind us of our physical limitations.

The boys playing baseball at the Sandlot have limited means to respond to The Beast. They lack the mental and social skills to communicate with The Beast’s owner. In fact, they’ve created a comically illogical mythology surrounding the dog.

Adults watching The Sandlot are transported back to a whimsical time where ballplaying friends could save your soul and every hijink ended with innocent humor. If they’re not careful, the movie can also take them back to being so small and young even a neighborhood dog can become an unstoppable Beast.

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Kevin & Steve’s Slasher Movies: “Stitches” (2012) Review

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Kevin: “Stitches” begins with a young boy named Tom who is celebrated his birthday party with his “friends.” I use this term loosely as these kids are hell on wheels. His mother has ordered a clown to perform at his party. Tom and his friends tease the clown endlessly when their teasing goes a little too far and the clown ends up dead. Six years later and Tom and his friends are throwing another birthday party when Stitches the clown comes back from the dead to seek his revenge.

Steve: The first part of the film really does has it all. We are given some high end cinematography, jokes that the actors can actually pull off and a great clown death. Who could ask for more? This beginning portion of “Stitches” can really hold it’s own and could be a short film if viewed by itself. Luckily for all involved, the film keeps rolling with the same humor and amazing deaths scenes. The score fits in perfectly and the production value is level with many bigger budget films.

Kevin: This is the kind of slasher that is about five times better than it has any right to be. So often at Slasher Studios we have been mourning the loss of the “fun slasher.” Well my dear readers, if a fun slasher is what you want…a fun slasher is exactly what you get here. At 85 minutes, it never its pacing never drags and is filled with such a maniacal glee that even the hard core slasher snob will find something to enjoy here.

Steve: This flick has a little bit of everything to offer the fans of horror. We invest money and time into films and so often we feel let down or unhappy with or even worse…no emotion at all. But thats not the case when Stitches the clown is on the screen. This is a fun slasher that knows it’s a fun slasher and the editing plays right into this realm. And if you are a fan of blood, then again, Stitches will not let you down. Bucket loads of blood all over the floors and walls will quench your thirst in this perfectly timed movie.

Kevin: The performances are all top notch with a special kudos Ross Noble as Stitches who plays the clown with a demonic glee and Tommy Knight as Tom who is so sincere and sweet that you actually care about his future. The rest of the cast performs well and it’s interesting to see such a bunch of misfits interact. Oh…and the deaths?! The cherry on this slasher sundae! Easily some of the best gore I’ve seen in years with the bitchy girl Sarah getting her just desserts involving an umbrella and another boy dying to…wait for it…”(I Just) Died in Your Arms Tonight.” Classic. Ladies and gentlemen, my new favorite slasher!

Steve: I’m definitely looking forward to another viewing of Stitches. At first, the idea of a European killer clown didn’t sound exactly thrilling, but this was exactly what I needed. The story was well written and paced and the FX were outstanding. The crew on this set really knew how to create some great visuals by not only giving the audience the gore, but also a laugh as well. Go find this today. Go!

To buy Stitches on DVD or Blu-ray: Stitches

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