Inspiring Scares (Day 13): Lucas Masson (Writer & Director of BABY-SITTING)

“Slasher fans, are you ready for a brand new Inspiring Scares from Slasher Studios? Today we are featuring award winning writer-director Lucas Masson (BABY-SITTING) and the influences that have played a role in his life to shape him into one of France’s hottest up-and-coming horror filmmakers. The two things that really drew me into the world of horror were JAWS and horror movie trailers. I was around 4 when I first watched JAWS. That was one of the scariest things I’ve ever seen (I only watched disney movies at that age…). But it also was the most exciting experience ever. There was something so thrilling about this huge monster that could appear at any time and cause absolute chaos among human characters. I was pretty lucid and knew that it was a movie and that the shark and death scenes were fake. I then realized that nothing else in life could give you such extreme sensations and make you live so many adventures, all the while being in absolute safety, than a movie; and more specifically: a horror movie. I also found amazing the fact that an enormous robotic shark was created for a shooting (and I had no Idea all the trouble it caused to Spielberg at that time). That’s the aspect of the movie that really got me determined to make my own ones, because I wanted to understand and reproduce all the tricks they used for the action and death scenes (how to film them, how special effects worked, etc.). A few years later, when I was 9, my parents (whom let me watch JAWS at 4) forbid me to watch SCREAM and A NIGHTMARE ON ELM STREET. This wasn’t a smart move, as it only made me want to see the movies even more, and at a point it almost drove me crazy. We had a Channel on which we could pay to watch movies one or two months before they were released. And it had SCREAM and WES CRAVEN’S NEW NIGHTMARE. Movie trailers were hence played all day long to promote the films. As they were the only things I was allowed to see, I was constantly watching them. They were made-for-tv trailers and probably weren’t really good, but the frustration of seeing some images but still not enough was exquisite. The preview from NEW NIGHTMARE was particularly creepy. You saw Freddy materializing inside a bed from which he ripped the sheets with his claws… it could seem normal when you already know the series, but as a kid, it gets you really curious and excited to know what the hell is going on in the film. I think seeing so little of both movies helped me be more inventive. I was trying to mentally recreate the scenes from every shot I saw in those trailers until my brain hurt. I was then sure I wanted to do genre films. And it got me really passionate about movie trailers too. I actually edit trailers in addition to making movies now and I’m really happy about it.” Lucas’ film BABY-SITTING is currently making the festival rounds and the trailer for the short horror flick can be viewed below.

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Slasher Studios Horror Podcast: Director Lucas Masson (BABY-SITTING) Interview

On this week’s extra special episode of Slasher Studios Horror Podcast, Slasher Studios had the opportunity to interview the French director of “Baby-Sitting,” Lucas Masson. “Baby-Sitting” (review here) recently won Best Gore at Elvira’s Horror Hunt and Lucas called in all the way from France to share his filmmaking tales and other gory goodies in the making of low budget horror. Miss the episode? We have a special archive just for you. Also, make sure to check out the teaser trailer for his film “Baby-Sitting” down below. Slasher Studios Horror Podcast

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Slasher Studios Exclusive: Interview with BABY-SITTING Director Lucas Masson

A few weeks ago, Slasher Studios had the honor of having “Teddy” as a featured selection of Elvira’s Horror Hunt (you can read about our experiences at the event here and here). During the festival and convention we meet a lot of aspiring filmmakers but, being slasher fans, none of them quite stood out to us like Lucas Masson. A true slasher fan at heart, he came all the way from France to see his film played on the big screen. His film, “Baby-Sitting,” is a loving ode to the slasher films of yesteryear that he had the honor of reviewing here. We had the pleasure of doing an interview with the young director and we will also have him featured on our very next Slasher Studios Horror Webcast, Monday at 3PM central, as he will be calling in all the way from France. 1) Tell us a little bit about yourself and what drew you in to the world of horror movies. My father showed me a lot of horror movies when I was young. I don’t know if that was a good thing or a bad thing but I loved watching them with him. I found them exciting and entertaining. So here I am now! I admit I’m having trouble writing anything that’s not horror. Even though I actually like all kind of films, I think it’s one of the most complete genre when it comes to storytelling and screenwriting. You can decide to put drama, comedy action, suspense in it and this kind of freedom is amazing, especially for young filmmakers. 2) How did you come up with the idea of “Baby-Sitting”? I knew I wanted to do a fun, gory and unpretentious film. And I had this idea of two very weird and creepy looking children who wouldn’t talk or move or smile. I just decided to throw a few babysitters in there and a lot of blood to spice up the whole thing! 3) How was it working with young actors on “Baby-Sitting”? How were you able to extract such committed performances out of the two of them? Both Vasco Bailly-Gentaud and Prune Richard were amazing because they were really patient and dedicated. It was one of Vasco’s first experiences on a film set but he was great. Despite his young age, he is a horror fan as well. That helped a lot since he couldn’t wait to shoot the gory scenes. Prune was younger and more sensitive. I actually had to change a few things in the script because she was afraid of a lot of the props we used for special effects. We had to think of lots of strategies to prevent her from seeing anything bloody. Scavenger hunts were actually organized outside the house when we shot the messy parts inside! 4) Throughout “Baby-Sitting” the idea of eating meat is mentioned several times. Any social commentary behind this? I’m a vegetarian. Meat has always kind of grossed me out and I think my disgust was translated on screen in this movie. It wasn’t intentional when I started writing the script, but I’m glad it’s there. I do think meat consumption needs be rethought. “Baby-Sitting” was always supposed to be plain fun so I really didn’t want it to become patronizing or political, but it was nice having to put a little hint towards a cause that feels important to me. 5) Practical effects are a dying art when it comes to horror films and you recently won “Best Gore” at Elvira’s Horror Hunt for your practical effects in “Baby-Sitting.” How did you create them? I’m really lucky to have Carole Rostaing as a special effect makeup artist on my films. She’s extremely gifted and manages to create impressive effects with almost nothing. So she had all the wounds and burns covered! As to blood projections and other gory stuffs, I designed the devices with a friend who’s quite a handy man but had never worked on film sets before. We had a blast but got exhausted after shooting 8 days in a pool of fake and sticky blood. So being rewarded with the Best Gore award at an awesome fest like Elvira’s Horror Hunt was beyond amazing. 6) “Baby-Sitting” has a wonderfully twisted score that is eerie yet playful. Who created the score and did you work with them on the creation process? My good friend Laure Serriere who is a music prodigy created the orchestral score of the film and managed to get 70 musicians to play it. I’m a big film music fan and always work closely with her to be sure she gets what I expect from the score in each sequence (she often calls me a pain in the ass for that). I can’t play any existing instrument on earth correctly but I’m of course always present during recording and sound mixing, as I love those processes. I think Laure composed a beautiful and creepy score, which participates quite well in the old fashion atmosphere we wanted to give the movie. As to the opening title song “Creep in the City”, it was composed specially for the film and played by my parent’s rock band, the Never Been. I wanted a kind of retro rockabilly music that could set the mood right away and match the score Laure created. I think they did a brilliant job. 7) How long did it take to shoot “Baby-Sitting” and what was the budget of the film? We had a really small budget for the shooting, which was around 1600 euros. The film was shot in 8 days during 4 weekends as the whole crew had a job and worked during the week. 8) Living in France, how easy/difficult is it to find a professional crew to film with and how easy/difficult it is to attain the equipment you need to shoot with (lights, camera, boom, etc)? It’s difficult to find people that understand the requirements of such small productions. But horror movies tend to be federative. And for Baby-Sitting, I’ve met so many gifted people who were kind, professional and willing to throw themselves in this adventure, it was very touching. I actually think that those kinds of experiences are good means to spot the ones that are truly passionate and that deserve to succeed in the movie industry : those people work intense hours for free and prove to be as or more dedicated than any other paid professionals. Even though I whish I could pay my crew, that’s actually an aspect I really like in independent filmmaking. As to the equipment, we had to work with what we had. But some amazing people that wanted to help actually lent us some pretty nice things. Without them we would have never been able to achieve the kind of image and lighting I wanted. 9) Were there any particular slashers you wanted to play homage to while making this film? The whole film is meant to be an homage to the horror genre in general and to pay tribute to some great horror movies that were made some 20 or 30 years ago. There are a couple of obvious references to Halloween or Scream, but also movies like The Evil Dead when it comes to the gory parts. So many great films were an inspiration, I couldn’t start naming them all! 10) What advice do you have for future horror filmmakers? I don’t feel like I’m in any position to give advice yet. At this point I’m still only taking them. The one thing I think is important for any independent filmmaker to keep in mind would be to remain modest and avoid making pretentious movies no matter what genre they belong to. From what I’ve seen Americans got it covered but the French have still to figure it out. Huge thank you to Lucas Masson for the interview and don’t forget to catch him live on Slasher Studios Horror Webcast this Monday at 3PM central.

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Little Trick, Lots of Treat: HALLOWEEN (2018) Review

Forty years after the traumatizing events on Halloween 1978, Laurie Strode has become a recluse who has been arming and preparing herself for the day Michael Myers returns to Haddonfield. As a result of this preparation, she caused a strain in her relationship with her daughter, who in turn tries to keep her own daughter away from Laurie. But as Laurie predicted, Michael escapes from custody and returns to his hometown to bring back terror to Haddonfield, but Laurie is ready. Completely re-writing the events of the original series, and taking the series in a new direction, this sequel succeeds in giving us a new take of Laurie and her life. Like Halloween H20, we see Laurie traumatized after the events, but this is shown in a different way. She still has a taking for alcohol, but this time she’s not in hiding, she’s hidden, but only to prepare herself for Michael’s return, and boy is she prepared. Her house is armed in almost every way imaginable. One of the most interesting things of this sequel is the family dynamics between the Strode ladies. The best scenes are the ones involving the women and their relationship with one another. I genuinely wish we had a lot more of this than what we got. Instead we are given some very lame side plots, one involving a documentary crew wanting to get inside the mind of Michael and Laurie and the events of that night. This plot is so pointless and really only serves a mean for Michael to get his mask back, and this could have been done in a much better way. Had this whole portion of the story been scrapped and more time focused on Laurie, her preparation and the relationship with her family prior to Michael showing up, it would have been a much stronger story. Needless to say, the documentary crew were pointless characters. We are also thrown into the high school drama of Laurie’s granddaughter Allyson, more pointless material and more characters we don’t need. There is an initial trio of Allyson, her best friend Vicky, and Vicky’s boyfriend Dave that I enjoyed. They were a trio of fun-loving friends. I wanted more of just these three characters, instead we are given Allyson’s boyfriend and the ultimate drama between them and a Halloween dance, and then we Allyson’s boyfriend random best friend. Apart from Allyson, her group of friends are so underdeveloped that they also only serve as body count characters. This is a shame because, like I mentioned, I liked the initial scene with Allyson, Vicky, Dave. I definitely wanted more of Vicky, there’s a scene of her baby-sitting and her interaction with the kid is great. Had the dance aspect been scrapped and just focused on her and her friends’ relationship and them being there for Allyson during her family drama, could have made them much stronger characters. Then there is Allyson herself, Andi Matichak does a decent enough job here as Allyson with the very little material she has. Andi and Jamie share some great scenes together, but when she’s not with Jamie, her character is just so boring and she doesn’t have anything to do besides cry, scream, and run, apart from one moment towards the end of the movie. There’s also a random plot point involving Michael’s new doctor that feels really odd to have in the movie and is really only used as a tool to get to the final act, other than that it was pointless. We also get random points of humor, some of it works, but most of it was just so cringeworthy and ruined some of the mood. Now, as far as what this has all been built up to, Laurie and Michael’s big encounter. What we got was fine, the whole cat and mouse sequence is intense, but I feel like they could have gone so much further than they did. The fight shown in the trailer is not present at all (apparently this was in the original ending that they cut). And I honestly feel a real fight would have made a much stronger final act. Don’t get me wrong, there are some great and badass moments that involve all 3 Strode women, but again, this all could have been so much better. Judy Greer does a fine job as Laurie’s daughter Karen and knocks it out of the park in the scenes with Jamie and Andi. But as mentioned, I wanted a lot more of her than we got. Jame Lee Curtis owns this movie, she brings so much pain, paranoia, and strength to the role. There are several moments where you feel so bad for Laurie and you see how much she tries to hold it together, Jamie hardcore delivers this. And her kill mode in the final act is great. Finally we have Michael Myers, he is ultra brutal in this film and still terrifying. Michael’s portrayal by James Jude Courtney and the original Shape, Nick Castle, nail Michael’s mannerisms and physical movements perfectly and it’s great seeing him roam around town seeking prey. Another one of the film’s strengths lies in the great callbacks to not only the original film, but the original series in general, some are obvious, and some are more subtle depending on how many times you’ve watched the original series. While I didn’t find this entry as chilling or intense as the original, it is very well-done in terms of how it was made. The camera work is great as is the sound and lighting. I know it may seem like I had a lot more negative things to say, but really it all amounts to the fact that we have random plot points that weren’t necessary, characters that range from pointless to underdeveloped, some cringe-worthy and not very funny humor, and a slightly underwhelming final act. Again, had this movie been much more focused on Laurie’s preparation, her trauma, and the dynamics between her and family, this would have worked for a much stronger story. But for ever weak spot, it does have its strengths on a technical scale, the acting, and Michael Myers himself and watching him stalk Haddonfield. If you’re a hardcore fan of the series, I can’t imagine you won’t enjoy this film. Despite its flaws, it’s a very worthy sequel and does justice to Laurie that Resurrection pissed on in 2002. –Cody Landman

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The 2013 Fright Meter Awards Nominations Are In

Come awards time, most horror movies (read: ALL horror movies) are shut out from the major awards circuit. What do horror fans have to look forward to? The Fright Meter Awards of course! We here at Slasher Studios are part of the awards committee and some of our selections for the very best in the year of horror are displayed in the selections below (though boo…no Stitches). Here are the nominees for the best of the best in the horror genre for the year 2013. What are your picks? BEST HORROR MOVIE American Mary The Conjuring Evil Dead Maniac You’re Next BEST DIRECTOR Fede Alvarez (Evil Dead) Chan-wook Park (Stoker) Jen Soska & Sylvia Soska (American Mary) James Wan (The Conjuring) James Wan (Insidious: Chapter 2) BEST ACTOR IN A LEADING ROLE Jeffrey Combs (Would You Rather) Matthew Goode (Stoker) Patrick Wilson (The Conjuring) Patrick Wilson (Insidious: Chapter 2) Elijah Wood (Maniac) BEST ACTRESS IN A LEADING ROLE Vera Farmiga (The Conjuring) Katherine Isabelle (American Mary) Jane Levy (Evil Dead) Sharni Vinson (You’re Next) Mia Wasikowska (Stoker) BEST ACTOR IN A SUPPORTING ROLE Rob Corddy (Warm Bodies) Epy Kusnandar (V/H/S/2) Ron Livingston (The Conjuring) Lou Taylor Pucci (Evil Dead) Rhys Wakefield (The Purge) BEST ACTRESS IN A SUPPORTING ROLE Nicole Kidman (Stoker) Julianne Moore (Carrie) Isabelle Nelisse (Mama) Tristan Risk (American Mary) Lili Taylor (The Conjuring) BEST ENSEMBLE CAST PERFORMANCE American Mary The Conjuring Evil Dead Insidious Chapter 2 Stoker BEST SCREENPLAY American Mary The Conjuring Insidious Chapter 2 John Dies At The End Stoker BEST MAKEUP American Mary The Conjuring Evil Dead Frankenstein’s Army V/H/S/2 BEST SPECIAL EFFECTS Carrie The Conjuring Evil Dead Insidious Chapter 2 World War Z BEST SCORE The Conjuring Evil Dead Insidious Chapter 2 The Lords Of Salem Maniac BEST EDITING The Conjuring Evil Dead Maniac Stoker V/H/S/2 BEST CINEMATOGRAPHY The Conjuring Insidious Chapter 2 The Lords Of Salem Maniac Stoker BEST HORROR SHORT FILM Baby-Sitting The Captured Bird Familiar Girl At The Door Seance

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Mikel Ledesma’s “Tinsel” Slashes With Style

We are approaching an age in indie filmmaking in which many young filmmakers are creating slasher films based on the films they grew up with as a youth. Last year, Justin Russell created the suspenseful 80’s slasher homage The Sleeper which played tribute to such classics as Black Christmas and When A Stranger Calls, Lucas Masson created the devilishly clever Baby-Sitting which added a twist on the evil children movies of yesteryear, and now we have Mikel Ledesma playing tribute to his favorite 80’s and 90’s slashers with a supernatural twist in tonight’s Tinsel. With a Christmas theme, an urban legend backstory, and a madman in Santa costume, Does Tinsel deliver the bloody good or does it simply die trying? Tinsel begins with a teenage girl running through a park at night while listening to music when she is attached and brutally stabbed to death by a disfigured man dressed as Santa Claus. We then move inside a random home as we find a couple sleeping only to be killed by the same mysterious Santa with an icicle in his hand. He moves down the hall to cut the throat opening of a sleeping young boy (after Silent Night & Baby-Sitting, I’m sort of loving this new trend of killing kids in horror films) only to find his way to a young girl’s room. As he is about the stab her, the girl wakes up. It has only been a nightmare…or, is a premonition of things to come? The girl, Sarah (a game for anything Alisha Revel), has grown up into a beautiful adult with some serious emotional problems. She lives with her brother Matt (a very likable Kensley Grant) and they are getting ready for a Christmas party with friends. Sarah begins to fear Christmas as she sees visions of the murderous Santa wherever she goes. We learn the backstory of the Santa. A man murdered his wife for putting tinsel on the Christmas tree and attacked his son with icicle. The woman’s body was found a few days later but the boy was nowhere to be found. Is this the same boy now grown up who is after Sarah and her friends? Will they survive the night or be left as bloody ornaments for the Christmas tree? There is a lot to like about Tinsel. Shot for just $1800, the film looks terrific. Lots of bright, bold colors and stylish cinematography give the film the look a polished, profession effort made for much, much more. The lighting and production credits are both solid and the film features an energetic and fun soundtrack. The performance are all around solid with special mention to Revel who is given a very difficult character to play who, in lesser hands, may have come off to be quite unlikable. The kills are nice and bloody as well. I’m not completely sold on the ending as it felt a bit tacked on. I would have preferred a more straight on slasher approach but that’s just me and there is definitely an audience out there that is going to love this ending. Stay tuned through the end credits for some additional surprises. Make sure to like the official Facebook page for updates on the film: https://www.facebook.com/TinselShortFilm

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Slasher Studios Triple Feature With Live Q&A This Friday at Indiehorror.tv

This Friday join Slasher Studios as we watch our three short films, Blood Brothers, Teddy, and Popularity Killer, with you online live with a live Q&A after. The slasher fun doesn’t end there as our good friend Lucas Masson will be showing his slasher short Baby-Sitting (short film) and having a live Q&A as well. It’s going to be a night to dismember! The complete schedule: 7:00pm EST – Living Dead Paranormal: Waverly Hills Sanitarium – The Return Investigation 7:30pm EST – Confessions of a Horror Baby: Deadly Games 8:00pm EST – Bumbloods: Three’s Company 8:10pm EST – The Housewife Slasher 9:40pm EST – OTHER 9:55pm EST (SHORT 5 MINUTE INTERMISSION) 10:00pm EST – Slasher Studios Presents Blood Brothers 10:10pm EST – Popularity Killer 10:30pm EST – Teddy 10:42pm EST – DIRECTOR’S CHAT WITH STEVE GOLTZ & KEVIN SOMMERFIELD FROM Slasher Studios 11:25pm EST (SHORT 5 MINUTE INTERMISSION) 11:30pm EST – La Chaîne 11:45pm EST – Baby-Sitting (short film) 12:05am EST – DIRECTOR’S CHAT WITH XAVIER CAZAUX-ZAGO of LA CHAINE & LUCAS MASSON OF BABY-SITTING 12:50am EST – Bloodlines 1:20am EST – DEER HEAD VALLEY To join in on the slasher fun Friday night, simply click on the link below: http://www.indiehorror.tv/

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Slasher Studios 2012 Horror Year in Review

It has been quite the year in horror, hasn’t it? I was going to wait until the end of the month to post my Horror Year in Review. Then I got to thinking, there is not a single horror movie coming out from now until the end of the month receiving any buzz, so why wait? NOTE: If an awesomely great and insanely bad horror movie does find its release in the next two weeks, I will update this list. This isn’t just an ordinary year in review list. I am posting my best of and worst of picks but I also have a slew of various categories up for debate. Not all of you are going to agree on these choices. I have a few some of you out there are going to HATE my pick for Best of 2012 and there are some of you out there that are going to cringe at my pick for Biggest Letdown. Hate my picks and want to share your own? I want to hear your picks for the Horror Year in Review. Bring on the hate… Best Horror Movie of the Year: DETENTION The phrase “love it or hate it” is overused when it comes to describing films in general. The term is too often applied without much care and is a way to separate oneself from the masses. Nonetheless, I WILL use the “love it or hate it” phrase because nothing else can possibly describe it. The mind fuck movie of the year. “Love it or hate it”, you’ve never seen anything like this before. A guy with the tv for a hand, a time traveling bear, a mother and daughter that switch bodies, UFOs, meteors, parallel time lines? It’s all here in one of the strangest movies that you will see all year. A test to see if you will like this film, when a confrontation gets ugly a reply to the bully is, “Sorry, I gotta go. Hotel for Dogs is on cable.” Make you laugh or smile a little? Well then, “Detention” is the movie for you. Loaded with gore, strong performances by a more than capable cast, one kicking soundtrack, and more pop cultural references than you can shake a stick at…”Detention” is “Scream” meets “Scott Pilgram” with a dash or two of “Kaboom?” It makes for one wild cocktail. Want a drink? I certainly took in this delicious beverage and haven’t stopped thinking about it 6 months after watching it. Other Amazing Horror Movies: Dead Weight, Found, The Innkeepers, Mother’s Day, Paranorman, The Sleeper, Silent House, Silent Night Best Horror Short of the Year: BABY-SITTING “Baby-Sitting” just might be the best short film I have ever seen and this is coming from someone who has seen hundreds of short films. Loved the opening Grindhouse style credits, the score is playful yet very sinister and creepy, and the children were deliciously evil without being over-the-top. The use of practical gore effects had me with my mouth agasp for the last half of the film. As if that wasn’t great enough, the use of dark humor had me smiling throughout (there is a scene involving a boy scout that is especially deliciously deranged). I seriously loved every moment of the film and my only criticism is I wish it were longer. I am extremely impressed and cannot wait to see what director/writer Lucas Masson has in store for slasher fans. He has one sick and twisted mind and hopefully that never changes. After “High Tension,” “Inside,” “Martyrs,” and now this, can we all agree that French know where it is at when it comes to horror today? Other Kick-Ass Horror Shorts: Doll-Boy, Dummy, Familiar, The Keeper, Other Worst Horror Movie of the Year: ATM A film so bad that I didn’t even care to do a full review for it. Three friends are trapped at an ATM while a killer waits outside for them to make a fatal move. An intriguing premise is wasted with some illogical plot turns and some abysmal acting. The production values are solid and there is some solid suspense in the first act but none of that matters when the characters act as stupidly as these three. Special bonus points to Josh Peck as the asshole Corey who takes far too long to die. Avoid like the plague. Other Awful Horror Movies: Area 407, The Devil Inside, The Moth Diaries, Paranormal Activity 4, Rosewood Lane Biggest Horror Letdown of the Year: CABIN IN THE WOODS I can understand and appreciate why people love this horror movie. It’s something different. It isn’t PG-13 and it isn’t a remake. Nonetheless, I was left quite cold. This film attempts to be a clever horror-comedy packed with meta self awareness. Clever it is. Funny or scary? Not so much. This film is being billed as “Scream” for the next generation. That it is not. “Scream”, for all its meta self awareness was both scary and funny as hell. Everything and everyone associated with this picture appear to either be trying far too hard or not enough, I’m not exactly sure which. I know I am in the minority here so if you have a desire to see this film by all means go out there and enjoy the hell out of it. I wanted to and didn’t. I appreciate it when any horror movie gets recognition and acclaim. I love to see horror movies that make people fall in love with genre again. If I didn’t fall in love with this one, that shouldn’t stop you. That said, I will probably never watch this film again. Another Bummer Horror: V/H/S Biggest Horror Surprise: PIRANHA 3DD After months of bad press, I was expecting this one to be quite the stinker. While 90% of the horror community hated this sequel with a passion, I actually found a lot to enjoy. “Piranha 3DD” not “Schindler’s List.” You want big breasted girls being torn apart by piranhas? You want David Hasselholff running in slow motion to the Baywatch theme to save a drowning ginger boy? You want the death of not one but TWO annoying kids played up for two of the biggest laughs in the movie? Well, you get all of this and a hell of a lot more. Rating a movie like “Piranha 3DD” is a different proposition. The film itself is not nearly as good as the original remake (how’s that for an oxymoron?) but I would argue that this sequel is a hell of a lot more fun. Take out the 13 minute credits (stay for them, there are some funny bloopers and behind the scenes video) and you are left with a 70 minute nonstop rollercoaster ride that is over before you can even begin to think of the bad acting and nonsensical plot developments. “Piranha 3DD” left me craving another sequel and isn’t that the best thing you can say about a cheesy horror flick? Other Horror Surprises: The Gremlin, Girls Gone Dead, Silent House, Silent Night Best Horror Trend: KILLING KIDS Just when I thought horror films were becoming a bit too politically correct, 2012 came along to show me that killing kids in horror movies is not only okay but also hilarious if done right. Films like “Baby-Sitting,” “Piranha 3DD,” and “Silent Night” all played up the death of children for cheap laughs. In every single one of the these movies, the scenes were delciously over-the-top and in the most bad taste possible. Horror should be about pushing the envelope and I’m glad these films didn’t shy away from that. Here is hoping we see more kids dying on screen in horror in 2013. There you go, some of my random thoughts on the 2012 horror year. Now let’s bring on the gory goodness in 2013 with some more slashers. Please?! Movies like “Silent Night” deserve to have a nationwide release. Make it happen studios!

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‎31 Days of Horror: Day 30: “Eyes Without a Face” (1960)

The hands down scariest movie I’ve seen all year. It might be 50+ years old but it is terrifying as hell. The Criterion Collection DVD is beautiful and the film is creepy enough to get under your skin without you really knowing it. I have my French friend Lucas Masson (the director of BABY-SITTING) to thank for the recommendation. It’s his all time favorite movie and I can see why. It’s a brilliantly beautiful and macabre piece of art. The less you know about this movie going in, the better. Trust me though, it is a one-of-a-kind horror movie that truly must be seen.

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“Teddy” and “Blood Brothers” Official Selections of the Oshkosh Horror Film Festival

We are proud to announce both “Teddy” as well as “Blood Brothers” have been chosen as official selections of the Oshkosh Horror Film Festival. Celebrating anything and everything midwestern horror, the film festival is twelve hours of awesome horror starting at noon on October 6th and lasting until midnight. Admission is only $5, so we hope to see all you midwestern slasher fans at the screening. This will also be the world theatrical premiere of our latest film “Blood Brothers.” Also screening at the festival will be the winner of Best Gore at Elvira’s Horror Hunt, the delightfully disturbing “Baby-Sitting”, as well as the winner of Best Short, the beautifully grotesque “Other.” It’s going to be a hell of a good time. Support independent horror! For more information on the film festival: Oshkosh Horror Film Festival

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