FREE Signed Poster With All DON’T GO TO THE REUNION & DISMEMBERING CHRISTMAS DVD Purchases

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This week marks three years since we began principal photography on our very first slasher feature, DON’T GO TO THE REUNION. For our bloody anniversary present, we want to share the gory love with you. All week long, purchase DON’T GO TO THE REUNION or DISMEMBERING CHRISTMAS on DVD and you’ll receive a FREE signed DISMEMBERING CHRISTMAS poster with your order. Remember, these are region free dvds with exclusive extras you won’t find anywhere else and you must purchase through the link below to receive your free poster.

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Killer Extras:
* Audio Commentary with the filmmakers
* Trailer
* Blooper Reel
* “Class of 2004” Yearbook
* Slasher Studios short films (Teddy, Popularity Killer, Blood Brothers)


Don’t Go to the Reunion




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Killer Extras:
Audio commentary with Actor/Director Austin Bosley
Audio commentary with Writer/Producer Kevin Sommerfield
Bloopers
Fly on the Set: Making Of Dismembering Christmas
Theatrical Trailer
Teaser Trailer


Dismembering Christmas DVD




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DISMEMBERING CHRISTMAS “Buy A Tee, Get a DVD Free” Sale

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You slasher fans have been awesome to us and we want to share the love back to you! From now until March 15th, purchase a Dismembering Christmas t-shirt and you’ll receive a FREE Dismembering Christmas DVD with your purchase (regularly $15). This special will only last until April 15th so make sure to get yours soon. Once these shirts are gone, so is the sale!

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DVD Extras include:
Audio commentary with Actor/Director Austin Bosley
Audio commentary with Writer/Producer Kevin Sommerfield
Cast/Crew Bloopers
Fly on the Set: Making Of Dismembering Christmas
Theatrical Trailer
Teaser Trailer


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A Bloody Good Bash: “The Invitation” (2016) Review

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A man and his girlfriend are invited to a dinner party by his ex-wife and her new husband after she disappeared following the death of their son. Also invited are mutual friends from the exes past. As the night goes on, things start out innocent enough, but the man starts to suspect that something is not right about his ex-wife and the new man in her life. It isn’t long before he feels himself start to unravel and question what’s going on around him.

This slow-burn horror/thriller is the latest indie film to really keep my attention. Following the ranks of The Witch, The Invitation takes on a different disguise in making you feel uneasy about what you are seeing. While it certainly isn’t as disturbing, it definitely makes you question yourself as much as the lead is. The group of characters is quite large, when this happened, I found myself thinking that some of the characters may end up being underdeveloped. I was definitely wrong. Each character is very well-developed enough to where you get a strong sense of who they are. And besides the obvious ones, all of the invited guests are likable, which I was also surprised about. I will say that there were certain characters I did want more of, but that’s only because I liked them that much.

For a moment this hardly feels like a horror/thriller, it seems like an innocent get together amongst old friends, but then the rug is just pulled out from underneath you and things suddenly change. I’m not saying it’s super suspenseful, but it is very much on the edge of your seat where you are so engaged and you have no idea how this will all escalate. As I said above, you are also questioning your own sanity as to what you think is real. This is because the film is shown through the point of view of our lead and it perfectly captures how he’s viewing things and we can see why he’s viewing it at that, but we get thrown curveballs that can leave us out in the dark. It’s very rare that I see a film that keeps me as engrossed or questioning what’s going on, and this is definitely one of those films.

As for the cast, each cast members does very well with their parts, but most especially our lead male Logan Marshall-Green as Will. For the reasons stated above, he does a tremendous job as a man questioning not only everyone at the party, but also himself. There are moments of amazing subtlety in his performance and moments where he freaks out and comes off as very realistic, and it’s really easy to feel for him and put yourself in his shoes and just get on his level. Also worth noting is Tammy Blanchard as Will’s ex-wife Enid. She’s another one who does a great job of using subtlety in her performance. There’s just so much in her performance and how she carries herself throughout the movie that makes you question whether she’s trustworthy, or if she is as innocent as she appears. And of course there is John Carroll Lynch who does a great job in his role as the creepy man who appears at the party to where you don’t keep your eyes off him because he comes off as that sketchy.

The Invitation is a solid horror/thriller that keeps you engrossed all the way through with the likable set of characters, a story that keeps you guessing, the escalation of suspense, and just the self-questioning throughout until the intense climax.

–Cody Landman

3.5

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Slasher Studios Killer DVD & T-Shirt Sale Ends At Midnight

Our killer sale is almost over, slasher friends. Score a Dismembering Christmas shirt for just $10 (regularly $20) or score a Slasher Studios DVD for just $10 (regularly $15) as well. It’s the gory good time that lasts all season long. Don’t delay, both sales end at midnight!

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$10 DISMEMBERING CHRISTMAS T-Shirts, While Supplies Last

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We are clearing out the very last of our limited edition Dismembering Christmas shirts with a huge blow out sale. From now until March 31st, all t-shirts are currently only $10 instead of the regular price of $20. We have limited quantities and limited sizes so make sure to get one while you still can. Please note: This is only while supplies last. Show off your slasher pride today!


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Underground Terror: 10 CLOVERFIELD LANE (2016) Review

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A young woman wakes up in a fallout shelter following an accident where a man explains to her that everything and everyone above ground is dead due to an attack. Tensions mount as she and another bunk mate assess their situation as they try to discover what really happened up above and whether their “savior” can actually be trusted.

This latest thriller is the latest entry into J.J. Abrams’ Cloverfield anthology. Yes, at this point, it is safe to say that there may not be a REAL Cloverfield sequel. It very well takes place in the same universe, but it doesn’t follow up on the event from the first film. But do not let this disappoint you. I will go as far to say that this is even better than Cloverfield. The tagline for the film nails it when it says “monsters come in many forms”. The monster in question is Howard played by John Goodman. Right from the get-go you get this strong sense of unease around him, but there are also certain moments where you feel like he can be trusted. That is the brilliance of this superbly crafted script and the performances. Throughout the film you are literally sucked into the world and mind-sets of these characters. You feel the tension between everyone, as well as the fear, and sense of unease as the our two captured characters. Even the small moments of humor emit a sense of nervous laughter. It is due to this and the amazing cinematography that you feel just as trapped in this bunker as Michelle and Emmett. The characters also come off as super realistic and are so well-developed you genuinely feel like you know them and you really like them. So as the tension and thrills escalate you fear for them. Scenes such as the initial dinner scene between the three characters and a game of 20 Questions are just a couple of the tension-filled scenes that left me on edge. There are even moments of shock where things just happen out of nowhere that cause you to drop your jaw where you can’t believe that just happened. It all leads to a final act that goes out with a bang. 

The performance by the very small cast was perfection. Mary Elizabeth Winstead as our leading lady and heroine Michelle, plays the role with so much ease. She’s a genuinely likable character who feels real in her emotions and the problems she faces within herself. In her moments of terror, she plays it out in a way that comes off as real and not over-dramatized. She’s just someone you root for the whole time, comparable to Ripley from the Alien films. Likable, smart, and resourceful. Next we have John Gallagher, Jr as Emmett. He’s more or less the major comic relief of the film but doesn’t get carried away. He’s the one who tries to keep Michelle at ease. Gallagher, Jr. plays out the humor perfectly and has many sincere moments that make him just as likable as Michelle. Finally, and mostly there is John Goodman as Howard. Words cannot describe the performance he gives. It is honestly an Oscar worthy performance. He was so damn intimidating just watching him on-screen, that even even the smallest things or movements he did left you on edge. He could be totally calm one moment but instantly snap and leave you freaked. But it’s even his moments of calm that leave you uneasy. But like our characters, Goodman does a terrific job of leaving you wondering whether or not he can be trusted. 

Never before have I seen a film like this (or at least in a while) that to me was perfection in every aspect in filmmaking. The script, directing, overall production, acting, etc. was something that I would not have expected. Again, the fact that this is not a direct sequel to Cloverfield should NOT discourage you from seeing this amazing piece of cinema that will leave you breathless and on edge throughout the whole film.

–Cody Landman

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Door Bore: “The Other Side of the Door” (2016) Review

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An American couple living in India lose their son in a tragic car accident, leaving only their daughter alive. The mother still feels guilt for being unable to save him. After an attempted suicide, the couple’s housekeeper tells the mother about a temple where she will get to have one last goodbye with her son at its door, but she must not open it. As per usual the mother opens the door and all hell breaks loose and evil follows her home.

Not gonna lie, this review will be super short. Literally everything about this film is predictable. Every decision the characters make, every direction the story decides to take, and even the jump scares. Every cliché possible is dumped into this. In no way whatsoever does it even try to be original. If this had been an independent horror film, there’s no doubt in my mind that this would have ended on a dark note, but at least in the manner I’m thinking, it would have been close to original and might have saved the film slightly. But alas, every single possible plot device you can think of in a film like this happens. Not only is it predictable, it boring as hell. There is zero tension or suspense, and the boring aspects also come from the predictability. The characters weren’t interesting at all and were cardboard cutouts. You have the grieving and desperate mother, the workaholic father who is never present, the superstitious maid, the cute daughter who tries to make nice with the ghost, and the family dog (and the birds and the fish). I wish I could say the acting was redeemable, but it wasn’t. It’s not even that the acting was bad, just nothing special about them. If there was one thing that actually was redeemable about the film it’s the production design. It does a good job of using the locations to its advantage and using the lighting to add an eeriness to it. Even the landscaping shots of India were nice to look at.

Plain and simple, what lies on the other side of the door is a boring and predictable film that puts in zero effort to provide an even remotely engaging or entertaining experience. Seriously, just don’t open this one. Please.

–Cody Landman

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Beware the Babysitter: EMILIE (2016) Review

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When their normal babysitter is unable to watch their kids on their anniversary night, a husband and wife take a chance on the sitter’s friend Anna. Anna seems perfect for the children; friendly, caring, fun, and the couple feel immediately smitten. After they leave, the children are taken by Anna as well, that is until Anna’s games slowly become more menacing and Anna starts acting different. It’s now up to the eldest son to find out just who they’ve let into their house and protect his two young siblings.

This indie horror/thriller is a fresh entry into the babysitter horror genre. At first glance, this may come off as a predictable Lifetime-y film. This may be so, but believe me when I say there is more to it than meets the eye. What truly makes this film thrilling is wondering what Anna has up her sleeve next. Every game that she plays with the children is sure enough to leave them scarred for life. Hell, there were a couple of scenes in which I thought to myself “holy shit”, without giving anything away, there is one scene that I am shocked they actually “went there” with. From the get go, we know something is off about Anna, but the horror isn’t about her or her motive, it is literally what she’s going to do next and how things are going to escalate It’s enough to where I would certainly add it to the collection of films like Jaws (going in the water), Psycho (showers), and The Visit (visiting grandparents) to where it will make much more cautious about the next time you hire a babysitter with whom you’re not familiar.

Sarah Bolger turns in a tremendous performance as Anna. She has the perfect amount of charm when we first meet her and she flawlessly begins to show how unhinged the character is with every game, just escalating her acting each time. The performances by the children are also top-notch. You definitely feel sorry for them throughout the film and are won over by their innocence. It’s one of those rare horror films where you actually WANT the children to make it out alive. One thing also worth noting is the score. The electronic sounds during the intense scenes make it all the more thrilling. Though I think I am willing to say that at this point, most indie horror films are going to mimic this after the praise of such sound used in acclaimed films like You’re Next and It Follows. But at the same time it will massively depend on how well it is used, and this fits in the mold of those two films.

Emilie is a fairly fresh insert into babysitter horror films that doesn’t focus so much on the clichés or predictability but more so of what’s at its core and what it’s willing to do to set itself apart from films similar to it. It’s a smart film that knows what the audience expects and what it doesn’t.

-Cody Landman

3.5

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DISMEMBERING CHRISTMAS Continues To Slash Up the New Year

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A tribute to the glory days of holiday horror, Dismembering Christmas can best be described as Friday the 13th meets Black Christmas. Have you ever wanted a Friday the 13th set in the winter? Well..so did Slasher Studios and that’s why they created this movie just for you. Practical effects from beginning to end, likable characters, and a kick ass final girl…what more could you want in a slasher?

PLOT
It was supposed to be a holiday vacation they would never forget, not a holiday vacation they would never survive. When Mark and his friends go up to his fathers new vacation home for Christmas vacation, they were ready for a fun time. Out in the middle of nowhere, the house is cheerfully decorated for Christmas. But an unknown visitor is there, and one by one they are murdered. Its Christmas and not a creature is stirring except the killer in the house…

DVD Extras include:
Audio commentary with Actor/Director Austin Bosley
Audio commentary with Writer/Producer Kevin Sommerfield
Bloopers
Fly on the Set: Making Of Dismembering Christmas
Theatrical Trailer
Teaser Trailer

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Dismembering Christmas DVD




Dismembering Christmas VHS


Dismembering Christmas VHS Options




Don’t forget to also pick up a Dismembering Christmas Limited Edition Tee!
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Artwork by the awesome Garreth Gibson Illustrations.


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Ready to Party: “The Return of the Living Dead” (1985) Review

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Another extremely delayed review by yours truly. Two weeks ago I watched The Return of the Living Dead (1985) for the very first time. This was just a random movie I picked out of my collection to watch, with a little help of the “Randomizer” feature on the MOVIST app. This movie is directed by Dan O’Bannon (writer of ‘Alien’). The cast includes: Clu Gulager (A Nightmare on Elm Street 2: Freddy’s Revenge), James Karen (Wall Street), Don Calfa (Weekend at Bernie’s), Thom Mathews (Jason Lives: Friday the 13th Part VI), Beverly Randolph (Freaks of Nature), John Philbin (Point Break), Miguel Núñez (Friday the 13th: A New Beginning), Brian Peck (X2), Linnea Quigley (Night of the Demons) and Mark Venturini (Friday the 13th: A New Beginning).

The Return of the Living Dead has been labeled by many as the best (zombie) horror comedy of all-time, so of course I had high expectations. I ended up really liking this movie, but I wasn’t exactly crazy about it like some are. I’ll start off with the positives. It’s a fun watch with loads of clever humor that made me laugh instantly. The acting performances are good, but I was especially impressed by Thom Mathews, Beverly Randolph, Linnea Quigley (gained so much respect for her and I can’t wait to see her in more horror pictures!) and Miguel Núñez. The characters are interesting, but some are better developed than others. The soundtrack is fantastic and suits perfectly with the theme of the movie. The zombies looked absolutely outstanding and Tarman has to be the scariest and funniest looking zombie creature you’ll ever see. At first sight he looks scary as hell, but his actions feel comical because you won’t take it seriously. The Return of the Living Dead is much more a spoof/comedy than a straightforward horror/comedy. The script and dialogue are super 80’s and I must add that this movie had a strong first act. Having that said, there are some negative aspects that need to be mentioned.

The second act of the movie is extremely slow and messes up the strong pace from the first act. Scenes that drag on for long to the point where it feels repetitive. The ending is stupid and feels rushed. It’s a shame when you only know about the fates of the zombies and not about what happened to the main characters you were rooting for to survive. Such a weird note to end a movie with. The story got wrapped up in the most ridiculous way. The Return of the Living Dead is still a hilarious and at times thrilling (zombie) horror/comedy from the mid 80’s with many redeeming qualities. It’s far from perfect, but it’s definitely one you have to see at least once in your life. I’m more than interested in viewing the first two sequels after having seen the original for the first time.

–Ferdi Akkulak

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