Horror Movie Poster Friday: “The Thing” (1982)

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Last time on Horror Movie Poster Fridays, I covered the immortal 1977 classic Suspiria. This week, I’m tackling John Carpenter’s The Thing. A loose remake of 1951’s The Thing from Another World, this classic is considered one of Carpenter’s most well known, even calling it one of his best films himself. With a very memorable chest-bursting scene and a remarkable cast, The Thing has been remembered by sci-fi fans everywhere, even spawning another remake in 2011.

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Art credit: Brian Churilla

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Art credit: Chris Weston

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Art credit: Mark Welser

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Art credit: Paul Lewis

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Art credit: unknown

John Carpenter’s legacy will stick with horror fans all over the world and so will this film. Check back next Friday for a new Horror Movie Poster Fridays.

–Noah Nicholas Nelson

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New 11×17 “Dismembering Christmas” Posters Now Shipping

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We are slashing up the holiday season with our brand new poster for Dismembering Christmas created by the artist Austin Hinderliter. Posters are high quality glossy 11×17 and are $8 including shipping (posters will be folded and packaged securely). Thanks everyone for the killer slasher support and get ready for Dismembering Christmas to slasher up DVD/Blu-ray on October 13th!


Dismembering Christmas




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‘Tis The Season of Slashers: “Dismembering Christmas” Updates

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Lots of awesome Dismembering Christmas news. We have Director Austin Bosley & Assistant Director Scott Seagren currently working on the final cut of the film with Dylan Curzon working on a killer score. Just placed our DVD & Blu-ray orders for the film as well. Look for preorders to start in September with discs mailed in early October to have in time for the October 13th release date. This is going to be one hell of a fun “slay” ride. Hope you guys are ready!

Make sure to like the official Dismembering Christmas FB page for updates on the film:
Dismembering Christmas FB page

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Final 11×17 “Dismembering Christmas” Posters For Sale ($8 Includes Shipping)

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We are slashing up the holiday season with our brand new poster for Dismembering Christmas created by the awesome Austin Hinderliter. Posters are high quality glossy 11×17 and are $8 including shipping (posters will be folded and packaged securely). Place your order below because once these are gone, they are gone forever. Posters will ship on July 31st! Thanks everyone for the killer slasher support and get ready for Dismembering Christmas to slasher up DVD/Blu-ray on October 13th!


Dismembering Christmas




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Horror Movie Poster Fridays: “Suspiria” (1977)

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Last week on Horror Movie Poster Fridays, I shared my favorite posters for Tobe Hooper’s classic The Texas Chainsaw Massacre. This time, I’m sharing the gorgeous pieces of art for Dario Argento’s immortal Suspiria. With a TV series reportedly in the works, I’m glad one of my favorite horror films of all time is still living on today. A remake by David Gordon Green was set to happen in 2013 but was postponed indefinitely due to budgetary restraints and legal issues. As Argento is my favorite director, I think it’s time that I dedicate a segment to one of his best films.

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Art credit: Andrea Kalfas

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Art credit: Austin Hinderliter

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Art credit: Deus Art Machina

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Art credit: Jay Shaw

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Art credit: We Buy Your Kids

Whether it’s a TV series, remake, or the original classic, Suspiria will live on with horror fans forever and is far from being forgotten. Check back next Friday for an all new Horror Movie Poster Fridays.

–Noah Nicholas Nelson

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Getting Under the Skin: “Creep” (2015) Review

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When Aaron (Patrick Brice) stumbles across an ad on Craigslist, it asks for someone with video camera to record a day in the life of Josef (Mark Duplass) for just one day and be paid for it. Aaron takes the gig and drives up to Josef’s remote cabin up in the mountains. Josef is dying of a brain tumor and wants to make the video for his unborn sun. While at first glance Josef comes off as pretty weird, overly friendly, and very intrusive, Aaron shakes it off. But the more Aaron starts to spend time with Josef, the more unsettling he comes in what he says as well as his behavior.

Creep is another entry in the found footage genre. However this one steers away from the overdone supernatural and sometimes serial killer plot line. While it still does have those moments where you can’t believe they’re still carrying around the camera, it at least works more in this sense than others. What also sets Creep apart is that it does bring a more realistic story to the table. Aaron is a very believable character that could come off as anyone. A down on his luck guy who is in need of some cash. He is also more intelligent than the average character in a found footage horror, he knows when enough’s enough and when to haul ass. However, this is slightly tarnished at the end. Patrick Brice plays Aaron perfectly, totally believable and hardly seems like he’s acting and during the more unsettling moments he plays it off how an average male would. Mark Duplass however, knocks it out of the park as Josef. He can play the weird and friendly guy easily, but right at the drop of a hat he can flip a switch and completely change character. The cast consists of only these two actors, but their performance come off as so natural right down to the dialogue. Some of Josef’s dialogue will have him casually talking about something random and harmless but then he’ll throw out a line in the same innocent tone but it still leaves Aaron and the viewer thrown through a loop and just have you thinking what the hell this guy is up to. Josef also has a signature werewolf mask in which he calls Peachfuzz. The mask is featured in some of the more unsettling and creepy moments in the film.

This leads me to one of the major praise-worthy points in this movie. Unlike most found footage horror, Creep doesn’t use cheap jump scares to get under the viewer’s skin. It does have a couple of cliche jump scares, but there are also some that are effective. But even the cliched ones work in that it goes hand in hand with Josef’s mentality. But more so, it does a fine job of building tension as far as where you think the story the story is going to go along with the characters. The build up for the tension and scares is very well-done, but it does it in a way that isn’t extremely reminiscent of the typical horror trope. It actually feels real. And while the ending does throw away the intelligence of Aaron, I was still satisfied with how it ended, psychotic aspects and all. Though all of this doesn’t set it apart from its faults. There were several times when I found myself wondering whether this movie was supposed to be a joke (not in a bad way), in the sense that it was more going for awkward laughs than trying to be scary. That said it does take a while for it to really build up to the thrilling moments. It also does suffer from moments where you think the movie is close to being over, but then you realize you still have another 30 minutes left. But it doesn’t hurt it completely.

Creep is easily one of those rare found footage horror movies that isn’t the typical horror film we’ve come to expect from the subgenre, but more so one that relies on our human instincts to make ourselves feel uncomfortable and creeped out. It plays out in the most realistic sense possible as far as how most of the story plays out, as well as the characters. But as stated, it does have some minor faults.

Creep can be viewed now on Netflix.

–Cody Landman

3.5

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A KILLER “Dismembering Christmas” Special Thanks

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We have a round of thank you to all of the amazing Dismembering Christmas contributors. Without you, this movie could have never been made. Below is the list of the backers who pledged $25 or more and will be credited in the end credits of the film. If you do not see your name in this list or there needs to be a correction, message us at [email protected] and we will get it fixed ASAP. THANK YOU!!!

Ferdi Akkulak
Zachary Allen
Barney Alewine
Robert Alvarez
Juanita Baker
John Balis
Jeanne Bamberger
Michael Bamberger
Jenny Bartlein
Justin Bates
Andrew Beirl
Terry Beirl
Toni Beirl
Robin Biets
Cassandra Bilbee
Chantal Blackbird
Ryan Boswell
Kevin Bowerman
Jerry Bradshaw III
Karen Braman
Paul Braman
Oliver Brink
Jason Busse
Steve Camilli
Marc Cartwright
Andy Catsu
Kyle Conn
Douglas Conner
Jeremy Conner
Paul Counelis
Pam Crawford
Natalie Cusimano
Brian Doering
Jerry Driscoll
Scott Eckelberry
Herbert Eder
Sean Egan
Gary Eimiller
Laura Eimiller
Nick Ekum
Bryan Ellis
Troy Escamilla
Tommy Faircloth
Wayne Finlay
Vincent Franco
Ryan Fraser
Sara Fraser
JD Frew
Cassie Geiser
James Geraghty
Jay Gibbs
Simon Graves
Steven E. Green
Scott Gregg
Tim Hale
Ron Hanks
Brian Hannan
Robert Harkins
Jason Harlow
Johnny Hartman
Tony Hartman
Christopher Hatch
Jay Hawkinson
Joseph Henson
Austin Hinderliter
Jordan Hiller
Michael Hodgson
Matthew Hoffman
Bill Hollister
Donnie Hoover
John Huybrecht
Max Ingram
Tony Ingram
Nick Ivons
Brett Jansen
Jayme Karales
Shawn Kelley
Douglas Kent
Catherine Kincannon
Brandon Kinchen
Timothy James King
Matthew Knowles
Nicci Anderson Kostroski
Kristeen LaBrot
Daniel Lackey
Cody Landman
Michael Landon
Sean Leibin
Eric Lekberg
Logospilgrim
Carie Lotto
JP MacDonald
Kevin Marinier
Lee Marohn
Lucas Masson
Brandi McClammer
Mark McEntee
Shannon McInnis
Sally Medina
Stephen Milek
Maynard Morrissey
Noah Nicholas Nelson
Eric Nowak
Bill Nugent
Giancarlo Orellana
Patrick A Pena
Natalie Perrault
Kris Phipps
Billy “Bloody Bill” Pon
Kasey Poteet
Michael Prall
Brandon Prewitt
Dustin Putman
Jeff Quick
Steven Reeves
Bianca Reisner
Matthew Richard
Drew Rosas
Dan Rowland
Justin Russell
Alex Safronchik
Tim Schilling
Scott Schirmer
Trevor R Schmidt
Josh Schuh
Brennan Scott
Damian Serbu
Christian Siegel
Brady Simenson
Megan Slany
Quinn Sympson Smith
Nick Sommer
Jay Sorensen
Kate Snyder Spjute
Kevin Sproles
Jacque St John
Michael James Taylor
Thomas Townsend
Vincent Turner
Marla VanLanen
Michael Varick
Kim Vogel
Cody L. Wainscott
Jeramy Wainwright
Noel Wallace
John Ward
Brian Wasarovich
Tony Wash
Haydn Watkins
JR Watkins
Adam Weber
Martin Wendel
Ross Wilcock
Damian Wild
Moose Wildhagen
Luke Williams
Miles Wilson
Neil Wilson
Stephanie Wolff
David Zavala
William F. Zeman
Jason Zuleger

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Slasher Poster Friday: “The Texas Chainsaw Massacre” (1974)

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Last week on Horror Movie Poster Friday, I shared my favorite posters of my personal favorite of the franchise, Halloween II. This time, I’m breaking down my favorite art for Tobe Hooper’s 1974 classic The Texas Chainsaw Massacre. I saw this film on VHS at a way younger age than I should have and I remember being both terrified and intrigued. The chase scene through the woods at night with Sally and Leatherface was the stuff nightmares are made of. With the upcoming prequel, Leatherface, set to be released in the near future, now is as good a time as any to spread the love for the original that started it all and many say helped pioneer the slasher genre.

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Art credit: Jason Edmiston

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Art credit: Gabz

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Art credit: Unknown

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Art credit: Jason Edmiston

Check back next week for a brand new installment of Horror Movie Poster Friday.

–Noah Nicholas Nelson

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School Spirit: “The Gallows” (2015) Review

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Twenty years ago, the Beatrice high drama club put on a production of “The Gallows”. During a malfunction with the gallows itself, the lead in play, Charlie, is killed by hanging. Now, on the anniversary of the production, “The Gallows” is being revived. But the drama club has their own superstitions about the auditorium and the high school itself following Charlie’s death. This time, ex-jock Reese (Reese Mishler) is playing the lead role in order to win over drama geek Pfeifer (Pfeifer Brown). But in the process, Reese is realizing the humiliation at stake by doing this. Under the advice of his best friend Ryan (Ryan Shoos), the two, along with Ryan’s cheerleader girlfriend Cassidy (Cassidy Gifford) break into their school and begin to destroy the set in hopes of canceling the show. It is then that they run into Pfeifer and the four become trapped in the school and discover that the legend of Charlie may be true.

The Gallows is another entry in the horror found-footage genre. But this time it’s adding slasher into the mix. The trailers made it look like it could do a decent to fine job with it. Unfriended with the first example to use this, while I didn’t care for that film overall, it did well with mixing the two. The Gallows gives us very stereotypical characters; the sensitive jock, the douchebag jock, the good girl, and the bitchy girlfriend. While this is fine and dandy, it is taken too far to where it intolerable. Even the characters we are supposed to like are horrendous and you don’t care about them at all. The jock and his girlfriend are givens, but the lead male is way too much of a whimp and the good girl is way too cheerful and innocent. The actors themselves, while not amazing by any means, do fine with their roles despite a few bumps throughout.

As for the story, the story is one of the aspects that really held it together. I admit I’m a huge sucker for urban legend stories and this one did not disappoint, it used this legend well and it could remind you of any urban legend you may hear on a college campus or high school about something happening in an old building. Along with this they used the setting perfectly with school, it gave it the perfect atmosphere and lighting as well as sound. The sound is enough to leave you wondering if it’s just the building itself or if it’s Charlie. In terms of the slasher aspect it was decent. We have each of the teens getting off, all by the means of a hangman’s masked Charlie with his noose. Charlie himself is very creepy and by far has the best moments of the film (especially one that gives a slight nod to a scene from Halloween). Although I wish they wouldn’t have gone back and forth from making him invisible, to not. With the found footage, it really didn’t work with this film. The movie overall would have been much better had it been a standard format film, adding a chilling score to the mix could definitely added to it a lot in making it scary. In its short running time and small cast, we get little to work with (worse that they were unlikable). If they had done it in regular format, a few more people should have been added to make it a better slasher story.

Overall, The Gallows isn’t horrible, but it isn’t everything I was hoping for. It has an excellent story, a great killer with semi decent deaths, solid atmosphere/setting, and a great use of sound and lighting. However, the characters, the found-footage aspect itself most especially, keep it from being a damn good supernatural-slasher film.

–Cody Landman

2

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Aussie Horror: “Charlie’s Farm” (2014) Review

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Charlie’s Farm is a new Australian slasher movie staring Tara Reid (Sharknado, Urban Legend) and Kane Hodder (Hatchet trilogy). The film follows a group of friends who go on a camping trip to the Australian outback. On the trip, they are in search of the house where a family of sadistic murderers were killed by locals. Known as “Charlie’s Farm,” there are many that believe Charlie is still alive and will kill anyone who dare to enter his land.

Going into this film, I tried to keep an open mind. While Sharknado was a hit, Tara Reid hasn’t exactly had the greatest career as of lately. Shockingly though, I found myself being wildly entertained by this film. I was so happy when the film actually turned out to be really good.

Don’t get me wrong, it wasn’t the best film ever made by any standard. However, for what it was and for what it was trying to, I found it to be a pretty decent effort. The acting was okay, decent enough, for this type of film. Though I think the Australian actors were far better than Tara Reid’s performance.

I felt that he gore was the strongest element in this film. The kills were very violent and will please all of you gore hounds out there. After experiencing many Aussie horror flicks, it has come to my attention that most of them don’t exactly end well for the characters. Not to spoil anything but this film was pretty damn dark at times.

This film is definitely worth checking out for those of you who enjoy the old classics of the 70s and 80s. It really had an 80s slasher vibe going on and a lot of it really reminded me of Wolf Creek (2005) I felt that it was filmed very similarly to All The Boys Love Mandy Lane (2006) which also had a retro vibe to it. Overall I highly recommend this. It’s not for everyone but it certainly shocked me.

–Ross Wilcock

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