Slasher We Love: “Friday the 13th Part II”, “Friday the 13th: The Final Chapter”, and “A Nightmare on Elm Street”

Today we are three more mini reviews from fellow fans of the slasher genre as they each talk about their slasher favorites. Thank you Ricky, Corey, and Brian for your selections! Remember just go to the Slasher Studios Facebook Page and select a picture from your favorite slasher movie and do a small write up and we will feature you and your review on our site. One special review will win a free autographed copy of Teddy!

Rickey Russell-“Friday the 13th Part II”

This is my all time favorite slasher flick because it introduces Jason as the ultimate killing machine. It increased my fears of the woods (coming from northwest GA) and gave me a sound effect to torture my little sister with (che-che-che cha-cha-cha). It set the stage for every slasher flick to follow.

Cory Allen-“Friday the 13th: The Final Chapter”

My favorite slasher film is Friday the 13th:The Final Chapter for various reasons. It was the 1st Friday the 13th I ever watched. Ted White portrayed Jason the best. The kills were creative. In my opinion, Final Chapter was Tom Savini’s last good film that he did special effects for. Ever since I was a kid I have loved that film.

Brian C Tyler-“A Nightmare on Elm Street”

A Nightmare on Elm Street is my favorite for several reasons. First of all it has a great concept where if you go to sleep you’re dead. Wes Craven did a great job bringing this story to life, I love how you’re never really sure if what you’re seeing is a dream or reality. Nancy is probably my favorite of the horror heroines because she looks like your typical girl next door but she manages to be really strong and face Freddy and her own personal demons instead of just hiding in a closet and crying. It also helps to have a very unique and terrifying villain, this is before Freddy was in the spotlight and he’s very creepy and menacing here, and the fact that he gets you in your nightmares and can pretty much do whatever he wants to you is horrifying.

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Slashers We Love: “Prom Night” & “My Super Psycho Sweet 16”

Today we are featuring two mini reviews from fellow fans of the slasher genre as they each talk about their slasher favorites. Thank you Kevin and Sean for sharing your slasher favs! Go to the Slasher Studios Facebook Page and select a picture from your favorite slasher movie and do a small write up and we will feature you and your review on our site. One special review will win a free autographed copy of Teddy!

Kevin T. Smith-“Prom Night”

I have a huge list of slashers I LOVE, but one personal slasher favorite would be PROM NIGHT. Cuz, I love the use of the rules it shoved forth such as Red Herrings, Great chase scenes (Wendy’s chase scene,to me, is still one of the best slasher chase scenes PERIOD!), a AWESOME killer who can run like hell & swing a axe like a champion, plus all the small campus “stalker” bits involving cutting yearbook photos out & putting them in their lockers w/ shards thru them. It just rules :)

Sean Wells-“My Super Psycho Sweet 16”

I don’t know how to start this, to be honest. I truly adore the salsher-genre of horror films, so it’s actuall hard for me to pick just one film. In all honesty, my favorite slasher changes with the seasons, but, my heart will ALWAYS have room for the made-for-tv film My Super Psycho Sweet 16.
I remember seeing a TV spot for it on MTV back in the begining of October 2009, about a month before it’s release. I had low expectations for the film because of the act that it was attatched to MTV, but, when I saw it, I fell in love.

My Super Psycho Sweet 16 stays true to the 80’s slashers with it’s cliche characters, catchy, quotable dialouge, and fun deaths, which makes the film really enjoyable. The acting was actually really good, too, considering most of the actors weren’t really ‘experienced,’ if you will. Especially the minor characters, they definitely deserve to be in more films, and I’m sure they will be.

As for the special effects, they’re probably the best you’ll see in a made-for-tv film, and they’re not even that bad. While using a perfect amount of CGI, the kills were put together really good.

All-in-all, this film was truly an amazing film, with every cliche a horror film can have, this film is probably one of the best slashers this generation will get. Spawning 2 sequels, this film seems to have a cult following in the future.

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Finding An Identity: “Martha Marcy May Marlene” Review

Since I started this site a year ago, I have made it my mission to only review slasher films for this site. I mean this site is called Slasher Studios after all and if I started to review other horror films, the site might lose its focus. Well, today I am about to break that rule. Today I am reviewing what I believe to be the best film of 2011. It is neither a slasher film nor is it a traditional horror film but it is a film that will stay with you long after many films have come and gone. The movie in question? The beautifully hypnotic “Martha Mercy May Marlene.”

The film begins with the self destructive Martha (in a brilliant, one-of-a-kind performance by the beautiful Elisabeth Olsen) has run away from an abusive hippie-like cult where she was living as Marcy May for two years. She turns to her sister (nicely played in an understated performance by the always great Sarah Paulson) and brother-in-law who take her in and want to help her. The problem is Martha is having a hard time separating dreams from reality and when haunting memories of her past keep resurfacing, she may need more help than anyone is able to give her.

I try to go into as much detail as possible when I am doing my plot summaries but this is the rare case when I honestly believe that less is indeed more. This is exactly the type of movie where you will get everything that you put into it. Want a Hollywood type thriller in which all the plot threads are nicely tied up at the end? This is not the movie for you. All I can say is that the harsh realities of this film combined with some of the most lush and lurid cinematography add up to a film that I won’t soon forget. The fact that Elisabeth Olsen wasn’t nominated by the Academy this year is one of the grossest oversights in modern day cinema. There is power here. Let it take you and you may be surprised by just how much this film truly moves you.

To order on Amazon: Martha Marcy May Marlene

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It’s Driller Time: “Slumber Party Massacre III” Review

After reaching its peak in the early 80s the slasher film still slashed along through the 80s even if they weren’t as successful there was still enough of a following to keep making them and by the mid-80s slasher flicks started to become a little more light in tone and many were even satires even if Scream gets all the credit for starting that. Slumber Party Massacre III was released in 1990 and in many ways is one of the last of the 80s style slasher flick. By this time the market for these movies were starting to die out as even the major franchises such as Halloween and Friday the 13th were seeing their lowest box office numbers.

Slumber Party Massacre III like the previous two retains the campy tone, but also adds a little more meanness at times and sort of borders on exploitation and while this sometimes does work well, but mostly it falls sort of flat. Slumber Party III is more of a remake of sorts rather than a sequel. Many scenes mirror the original, the plot is mostly the same and some of the names of the characters are the same as those in the original. The plot for Slumber Party Massacre III as stated is pretty much the same as the original though all 3 movies have the same basic plot; Jackie (Christian) with her parents away decides to have a slumber party and of course the boys show up to scare them during the party, but a killer also shows up and begins to dispatch the characters.

The screenplay by Catherine Cyran is rather weak and while she tries to mold her script in the style of the original film it really doesn’t work as well. The characters are one dimensional, but they are fun however even if they lack any depth, but I don’t think we go into slasher films for the deep characters. The script has its fun moments, but the fact we’ve seen this done twice before things don’t work as well this time around. Slasher films in general aren’t known for their smart characters, but Slumber Party III has some of the dumbest characters to ever grace the slasher film.

Director Sally Mattison delivers an uneven pace to the film; Slumber Party Massacre III at times can be a bit slow and the fun level never reaches as high as the first two films and as stated earlier SPM III also adds a bit more darkness and Mattison never really handles either of these two elements very well for the most part. At times there is a fun atmosphere to the movie and like I said the characters aren’t developed, but they are fun, but something just wasn’t working and in the end Mattison follows what the previous filmmakers did in their movies and that sort of sinks the production.

The darker scenes sort of feel out of place and are handled rather sloppy and they aren’t very dark or disturbing even if that was the goal of Sally Mattison. I like the idea Mattison attempted to try something a little different with the movie, but besides that Mattison never really delivers a movie as fun as the previous two and the darker scenes just feel out of place.

As I stated Slumber Party III features some of the dumbest characters any slasher flick has seen. The characters are trapped inside a house, but none of them even attempt to break a window to escape, though late in the movie one girl does jump through a glass door and while I hardly ever complain about stupidity of the characters in Slasher flicks this was just downright annoying in how dumb they were. One scene has the killer who is partially blinded attempt a sexual assault and the rest of the girl’s just stand by and watch. Even though his back is to them and his weapon is a couple of feet from him they don’t attempt to make any move.

However the best part is when they knock the killer out one girl wants to kill him and the other girl replies with how you can’t just kill somebody that’s lying there. Even though this guy just killed their friends and is trying to kill them it would be wrong to kill somebody just lying there. This may sound funny and in many ways it is, but it also shows the utter stupidity of the characters and it’s more annoying than funny.

The identity of the killer is fairly obvious, but it’s kept a mystery through the first half of the movie, but oddly enough the trailer totally spoils it. Unlike the first two where we know who the killer is from the very start SPM III attempts to give us a couple of suspects, but its kinda funny how the trailer would give it away.

It’s kinda difficult to fully dislike a movie where on character is killed with a vibrator, but overall SPM III just doesn’t work as well as the previous two. It was a nice attempt, but just falls a bit flat. Despite my review I did find SPM III to have some fun moments and I would actually watch it again, but compared to the first two films this one really lacks and the mixture of light and dark just doesn’t work well; fans of the series should get some enjoyment, but in my opinion this was easily the weakest of the trilogy.

Keeping with the Friday the 13th connection (two actors from part II appeared in two sequels to Friday the 13th) this one has Marta Kober from Friday the 13th Part 2 and Wayne Grace who played Officer O’Reilly appeared in Friday the 13th: The Final Chapter.

-Dave Kaye (Last Road Reviews)

Buy the box set: The Slumber Party Massacre Collection (Roger Corman’s Cult Classics)

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Scream Queen of the Week: Linnea Quigley

Linnea Quigley was born in Davenport, Iowa, on May 27, 1958, to Dorothy and Heath Quigley. Her mother was a housewife and her father a chiropractor and psychiatrist. After moving with her family to Los Angeles in the late 1970s, the short, blond, petite-sized Linnea began getting work in B-movies, starting with small parts in such films as Stone Cold Dead (1979) and Wheeler (1975). She really garnered attention in The Return of the Living Dead (1985), which has become a cult classic and helped make her the current “Queen of the Bs”. Her reign was supreme in the late 1980s with such films as Sorority Babes in the Slimeball Bowl-O-Rama (1988), Night of the Demons (1988) and Hollywood Chainsaw Hookers (1988).

Linnea married special effects wizard Steve Johnson in 1990, but, unfortunately, the marriage lasted only a couple of years. In 2001, Linnea moved to Florida to be closer to her parents who settled there after her father retired from his career and because she wanted a change of scenery. She currently resides in south Florida with her collection of pets (she is a devoted animal rights supporter). Along with films, she still appears at conventions around the world. She has written two books about her life in the B-movie industry, “Bio & Chainsaw,” in 1992 and “I’m Screaming as Fast as I Can” in 1995. After 25 years and more than 70 films, Linnea Quigley is still “Queen of the Bs”. She is also one of the biggest female stars to ever cross the B-horror movie market.

This week at Slasher Studios, we salute you Linnea Quigley. Thank you for everything you have done to make the horror genre what it is today and keep on rocking as an amazing Scream Queen. Us slasher fans can’t wait to see what you come up with next.

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Happy 25th Anniversary “Nightmare on Elm Street 3: Dream Warriors”!

In order to celebrate the 25th Anniversary of “Nightmare on Elm Street 3: Dream Warriors”, Slaher Studios wanted to share with our fellow horror fans something extra special. Well, we think we found it. There is nothing that we love better than seeing a really cheesy ad promoting one of our favorite slashers from the 1980’s. A wave of nostalgia rushes over us as we sit there grinning from ear to ear taken in by the great wonderment of 80’s cheese. Just hearing the cheesy narrator describe how amazing the slasher movie is going to be gives me goosbumps. The following is one of my ultimate favorites. Robert Englund as Freddy Krueger describing to video store owners just how many copies “Nightmare on Elm Street 3: Dream Warriors” is going to sell and just what is in store for Nightmare 4. Plus a chance to win a movie role in Nightmare 4?!? Sign me up!

Don’t forget, make sure to crack open a couple of beers and watch “Dream Warriors” tonight…Freddy wouldn’t have it any other way.

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When the Kidding Stops, the Killing Starts: “Dorm That Dripped Blood” Review

The Dorm That Dripped Blood was released in 1982 though some listings have it as 1981, but regardless this movie was released at a time when slasher flicks were dominating the market and it seemed every week there was a new one opening. The Dorm That Dripped Blood, which also goes under the title Death Dorm and Pranks is one of the semi-forgotten films of the era and seeing as so many of these films were made there are gonna be ones that fall through the cracks. I originally saw this movie under the title Pranks, which is a heavily censored version of the movie and is missing about 8-minutes, which at the time I didn’t know. I didn’t hate Pranks, but I sure didn’t love it and I had no desire to see it again, but a buddy of mine Jeffrey Lee recommended I give it another try since Pranks was cut so badly and I decided to give the movie another try and while I still don’t love the movie I’m glad I gave it another shot; this isn’t one of the best slasher flicks of the 80s, but it is a solid flick and is better than most reviews give it credit for.

The Dorm That Dripped Blood is pretty much your standard slasher flick of the 80s though it does have a good setting and a decent feel of atmosphere, but it isn’t nearly as creepy as something like Halloween and isn’t as fun as some of the Friday the 13th flicks and while nothing here really stands out the movie does succeed in being an entertaining flick for the most part from an era that was again dominated by these movies. The Dorm That Dripped Blood does have that 80s slasher movie charm going for it and if you can forgive the shortcomings of the film you just might find yourself enjoying this.

The screenplay by Stephen Carpenter, Jeffrey Obrow & Stacey Giachino is your standard slasher flick and much of the dialogue sort of seems like they are just fillers as the characters never really have anything of real importance and there are a few things that happen that really serve little impact on the plot and the opening death scene seems like it was written simply to add to the body count since it’s never brought up throughout the movie. It seems like some of plot points were just thrown in and while they don’t hurt the movie they have no impact. Some characters are rather pointless and again they seem to be there to add to the body count.

The characters even though they lack depth and are one dimensional are however fairly likeable. The only real complaint I have is I don’t go into slasher flicks for deep characters, but I do expect them to have their own identities and the characters here are sort of inter-changeable even if somewhat likeable; Joanne (Lapinski) is the one character I actually did quite like even though she doesn’t have a lot of depth. The script works despite the shortcomings and the dialogue is never very interesting, but isn’t boring as well. We even have the weird guy that lurks around meant to be a red herring, but anyone that has seen enough of the movies know he isn’t the killer.

The final act when the killer is revealed is when I felt the writing started to get a bit sloppy and in my opinion slightly takes away from the movie. The Dorm That Dripped Blood has what just might be my biggest pet peeve and that’s when the killer is so normal throughout and when revealed is totally insane, which makes one wonder how they kept themselves composed throughout. The motivation is was a bit silly and like I said for me it slightly hurt the movie, but overall despite that the script mostly works despite it being mostly throwaway lines throughout.

Directors Stephen Carpenter & Jeffrey Obrow deliver a mostly well-made movie that’s only really brought down by its very low budget; the pacing is mostly good, but at times the pace can slow down a bit, but I can’t say I was ever really bored, but the pacing could have been a little tighter. There is a decent amount of suspense and atmosphere, but it’s not as strong as it could have possibly been. Carpenter & Obrow make good use of their locations and that thus help make up for the lack of suspense in certain scenes. The death scenes are handled fairly well and the drill to the back of the head is a highlight. What separates The Dorm That Dripped Blood from many other slasher flicks of the era is the unexpected ending and that sort of elevates the movie and makes up for the flaws. This was the first feature film by Carpenter & Obrow so it’s easy to look past any flaws and all things considered they did better than maybe they should have.

Like I said nothing here is really stands out, but yet it does have that 80s slasher film charm. Don’t go in expecting something like The Burning or My Bloody Valentine, but I do think slasher fans will enjoy this even if they feel as I do in nothing really stands out, but it’s still enjoyable. Carpenter and Obrow may not deliver one of the great slasher flicks of the 80s, but they do deliver a fun movie that serves its purpose.

The cast is sometimes knocked in other reviews, but quite honestly I thought the actors faired pretty well and seeing as they don’t always have very deep dialogue they handle it well and I thought Laurie Lapinski makes for a likeable heroine and this movie also marked the acting debut for Daphne Zungia; for some reason her 1984 slasher flick The Initiation in the credits has it has introducing, but that’s a mistake as she did this movie first.
Overall The Dorm That Dripped Blood is a solid, but flawed slasher flick. Despite any problems I may have had with the movie it’s a fun watch with a nice twist at the end.

-Dave Kaye (Last Road Reviews)

To order: The Dorm That Dripped Blood [Blu-ray + DVD Combo Pack]

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Party Like It’s 1981: Slasher Studios Reviews “The Sleeper”

It’s 1981 and the girls of Alpha Gamma Theta sorority are having a party. As the new pledges arrive, so does an uninvited guest. Little do the sisters know someone is watching them in the shadows. As the girls shower, study, eat and sleep the stalker studies the girls. One by one he finds the girls at their most vulnerable and murders them. The police hunt for the missing girls and their killer, but will they find them in time? Or will the girls be forced to fight for their lives…

As I read that synopsis on IMDB, I knew to myself that I had to find this movie, “The Sleeper”, and so I spent the next month of my life hunting down this homage to the 80’s slashers that I hold near and dear to my heart. As I received my dvd for “The Sleeper” from Amazon, I ripped off the shrink wrap and threw the dvd into my player. Would I be disappointed like I have been with so many other 80’s slasher homages (“Frat House Massacre” and “Psycho Sleepover”…I’m looking directly at you) or would this be the rare slasher homage that actually works and take us back to a more innocent time?

Well my dear slasher fans, “The Sleeper” is a hoot from beginning to end. The deaths are graphic and over-the-top in the best ways possible and the direction and screenplay by Justin Russell is pitch perfect. As I watched this film, a smile grew on my face. I saw the references to “Halloween”, “Friday the 13th”, “Slumber Party Massacre”, and “Black Christmas” and appreciated them more than I can possibly let on. This was made by someone who loves and cherishes the slasher genre and that heart and soul is in every frame of the film. Sure, the movie isn’t perfect. There are far too many characters and some of the acting is a bit flat, nonetheless, those same criticisms applied to even the best of the 80’s slasher films. Do yourself a favor and check out “The Sleeper”. If you enjoy horror homage at its finest, you will have a blast. I cannot wait to see what Justin Russell has planned for us slasher fans next.

To order from Amazon: The Sleeper

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You Won’t Be Coming Home: “Sleepaway Camp” Review

Released back in 1983 Sleepaway Camp is yet another slasher film from an era that was dominated by them. I remember seeing Sleepaway Camp as a child back in the 80s and I saw so many of these flicks that over the years and as I got older and found my love for these movies all over again I would rent or buy certain movies thinking I haven’t seen it only to realize within a few minutes I saw back in childhood. Sleepaway Camp is one of the movies I never forgot and it wasn’t because of how great it was, but it was the shocking and twisted ending and I think that is the main reason Sleepaway Camp has retained such a large cult following all these years later. Not only does Sleepaway Camp feature a shocker of an ending, but the movie has a very sleazy and perverse feel not seen in many slasher flicks. I think when you see the movie again now knowing the twist it makes the movie even stranger and more perverse.

Even by 1983 the slasher film was starting to hit a bit of a decline and while the rest of the 80s saw plenty of these films to hit the market and have success I think most would agree the early 80s in particular 1980 and 1981 featured the strongest releases of the sub-genre as a whole, but Sleepaway Camp sort of breaks away from the slasher formula at times while keep true to it as well. There isn’t a whole lot done here that we haven’t seen before, but there are actually kids at the camp and while some are the typical ages seen in these movies, but many are meant to be 13 or younger and killing kids is something most films shy away from including many horror films.

Like I stated Sleepaway Camp has a shocker of an ending and a very sleazy and perverse feel, but the movie is also very odd and that in part helps keep the movie above water. In terms of filmmaking Sleepaway Camp isn’t a very good movie even by slasher movie standards; the film while attempting a professional look is very sloppy and rough around the edges and this might make certain movies better like say Wes Craven’s Last House on the Left, but these traits will often sink a movie like Sleepaway Camp and while it doesn’t exactly help the movie at the end of the day it’s the weirdness, sleazy and perverse feel that elevates the movie and again the twisted ending.

The screenplay by Robert Hiltzik is rather weak and poorly plotted, but it actually works fairly well in regards that the teens and younger teens act the way they should. Their actions in the movie is very much what kids would do so in that sense Hiltzik gets things right, but besides that the characters though are mostly interchangeable and most of them aren’t very likeable. The script as stated has a very perverse feel as one character who is a cook at the camp refers to the children as baldies and is sexually turned on by the kids. The screenplay is just really odd at times and very sleazy and even though it’s poorly written for the most part these aspects sort of make more out of the script than there really is.

As director Robert Hiltzik delivers a very strange movie and while the pacing can be a little slow at times, the perverse nature of the movie helps keep things interesting. There is a decent feel of atmosphere, but the suspense and tension lack, but while Hiltzik delivers a poorly made movie again the perverse nature and overall weirdness to the movie help keep things interesting.

The acting by most of the cast was rather dire, but Felissa Rose is excellent as Angela and Jonathan Tierston as Ricky is also very good, but it’s Desiree Gould as Aunt Martha that steals the show; Gould has a small role, but she delivers one of the strangest and entertaining performances I’ve ever seen; Gould’s performance has to be seen to be believed.

It’s difficult to go into too much explanation without spoiling the movie, but when you see the movie knowing the twist it really adds even more of a perverse feel to the movie as certain scenes now take on a whole new meaning. Sleepaway Camp is a cult favorite and for good reason and while this won’t make my top 10 slasher flicks of the 80s I get why so many hold it in such high regard, but when all is said and done I do think the ending is the main reason this movie even after all these years has remained such a cult favorite.

–Dave Kaye (Last Road Reviews)

To buy: Sleepaway Camp

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