“Final Exam” Passes the Slasher Test…But Just Barely

“Final Exam” begins with two college students (Carol Capka and Shannon Norfleet) busy making out in a parked convertible. Ignoring the girl’s frequent objections, her boyfriend pushes on. Watching this scene I couldn’t help but think of Slasher Studios’ own “Popularity Killer.” Crazy how slasher minds tend to think alike as I had never seen this slasher before writing own film. Well, wouldn’t you know it, there is a sound outside…a shadowy madman jumps on top of the car, slicing his way through the fabric roof. Reaching inside, the lunatic grabs the young man and pulls him up and out onto the car’s hood. Brandishing a blade, the killer stabs the poor man to death. Cue opening credits and we are off to a decent start to a decent slasher that you will forget about ten minutes after you are done watching it.

Sleepy Lanier College is nearing the end of Final Exam week, a frenzied semester cap time of grades, goodbyes and pranks. As the students prepare for their tests as well as the coming vacation break, little do they suspect a psycho in a black van is stalking them one by one. Plain but amiable Courtney (Cecile Bagdadi) is completing her exams and studying hard. Averse to hitting the books, her roommate Lisa (DeAnna Robbins) is busy packing and getting back to the city.

Meanwhile, Gamma Delta fraternity pledge Gary (Terry W. Farren) has pinned his girlfriend Janet (Sherry Willis-Birch)…and paid for it by being treed by his brothers, stripped to his briefs, awash in shaving cream and ice cubes shoved down his underwear. As night falls on Lanier, a freezing Gary hopes his beloved Janet will free him from his humiliation. Untied from the tree by an unknown figure, Gary breathes a sigh of relief…and is then stabbed to death on quadrangle lawn. The fun has now begun!

The problem with “Final Exam” is that the last thirty minutes of this film are pretty damn good: suspenseful, fun, and very entertaining. The deaths are mainly bloodless but the suspense is plentiful. Unfortunately it takes an HOUR of lame college hijinks to get the fun stuff. I love character development in horror movies but the little we get to know about these characters in this hour could have easily been covered in twenty minutes tops. That’s not to say this isn’t worth a watch. The acting is pretty solid all the way around and the film is never truly boring. Nonetheless, there is a great slasher here just waiting to be unleashed. This is a film that I would kill to see a remake of. As is, this movie is fairly run-of-the-mill. Nothing special, nothing great, but nothing all too terrible either.

To buy on Amazon: Final Exam (1981) (remastered edition)

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Slasher Studios Remembers USA Up All Night, Do You?

Not long ago, I commented on how much I missed USA’s Saturday Nightmares and the response among horror fans was overwhelming. We NEED another horror night featuring the slasher goodness of the 1980’s. While that doesn’t appear to be happening in the near feature, I decided that today we should celebrate another great staple of the late 80’s and early 90’s trash television: USA’s Up All Night.

For those of you that don’t remember or are too young to remember, USA Up All Night (also known as Up All Night and Up All Night with Rhonda Shear) was an American cable television series that aired weekly on Friday and Saturday nights on the USA Network. The program consisted of low-budget films, bookended by in-studio or on-location comedy skits featuring the show’s hosts. In addition to skits, the hosts would also provide sardonic comments about the featured film(s), and observations on various Hollywood- and/or New York City-area clubs and attractions (when the series was shooting out of studio).

The movies aired ranged from cult classics, to B movies, to other fare not appearing on television frequently. Up All Night would regularly show sexploitation films, with the explicit content edited out. Actress/comedienne Caroline Schlitt originally hosted the Friday night show, while comic Gilbert Gottfried hosted the Saturday night show. When Schlitt left the program in 1990, comedienne/B-movie actress Rhonda Shear replaced her on Fridays.

In 1998, USA came under the new management of Barry Diller, and decided to go for a more general and upscale type of viewer. This meant many of USA’s long-running series were either overhauled or canceled – Up All Night ended up among the latter. The network relieved Shear and Gottfried of their hosting duties (while still showing the Up All Night imagery before/after commercial breaks), and began airing re-runs of mainstream films that appealed to a broader audience. Eventually, the Up All Night name, music, and graphics were completely removed from the films.

But, thanks to the internet…USA’s Up All Night still lives on. You can catch many segments over on youtube and I have included some of Rhonda’s best moments as a reminder of a simpler time. USA, bring back the classics!

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Suffering for a Savior? Slasher Studios Reviews “Martyrs”

“Martyrs” begins with a young girl, Lucie (Jessie Pham), as she escapes from a disused abattoir where she has been imprisoned and physically abused for a lengthy period of time. No signs of sexual abuse are identified, and the perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna (Erika Scott). Anna soon discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a horrible, disfigured, emaciated woman (Isabelle Chasse) covered in scars.

Fifteen years later, Lucie (Mylène Jampanoï) bursts into a seemingly normal family’s home and kills them all with a shotgun. Lucie calls Anna (Morjana Alaoui) to tell her that she has finally found and killed the people responsible for her childhood abuse and requests her help in burying the bodies. Upon arriving, Anna is horrified at the carnage, and worries that Lucie may have murdered the wrong people. Anna later discovers the mother is still alive and tries to help her escape, but the two are discovered by Lucie, who bludgeons the mother to death. Lucie is again attacked by the scarred creature, but all Anna sees is Lucie banging her head against the wall and cutting herself with a knife; the ‘creature’ is nothing more than a psychological manifestation of Lucie’s guilt for leaving behind another girl who was also imprisoned and tortured with her as a child. Lucie tells the apparition that she killed its tormenters and that it can rest, but it has no effect. Lucie finally realizes that her insanity will never leave her and slits her throat. She dies in Anna’s arms.

The next day, after mourning her friend’s death, Anna attempts to clean up the house and discovers a secret underground chamber. Imprisoned within is a horribly tortured woman, covered in scars with a strange metal contraption nailed to her head. While Anna attempts to care for her and clean her wounds, a group of strangers arrive and shoot the woman dead. Captured by the menacing newcomers, Anna meets their leader, an elderly lady only referred to as Mademoiselle (Catherine Bégin). She explains that she belongs to a secret society seeking to discover the secrets of the afterlife through the creation of “martyrs”. Systematic acts of torture are inflicted upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one. So far, all of their attempts have failed, and they have only created “victims.”

“Martyrs” is the kind of movie that makes you want to take a shower immediately after viewing it. It is bleak, hopeless, and has a constant theme of despair. It is also brilliant in the way that it is able to depict the suffering that one human being can force onto another. It is gore but it is poetic gore with a clear message for it’s audience. I don’t know that I can or will ever watch this masterpiece again and it is too bad that the ending gets a bit too abstract for its own good but it is still a worthwhile watch. Just don’t say I didn’t warn you.

Buy “Martyrs” at Amazon: Martyrs

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Love Hurts: “The Loved Ones” Review

The torture subgenre of horror has never much appealed to me. I enjoy my horror movies as a child enjoys his visit at Six Flags. Much like the child, I want to go on as many rollercoasters as possible without getting sick. But torture horror is something else. Torture horror is like being on a ferris wheel and being stuck at the very top for two hours. After a while, you just want to get off of the ride. It is with apprehension that I went into the horror film of the moment in Australia, Sean Byrne’s “The Loved Ones”, a twisted tale of love, revenge, and prom.

In order to avoid a ghostly figure in the road, high school senior Brent Mitchell wraps his car around a tree, killing his father. Constantly confronted by his mother’s emotional collapse after the accident, Brent escapes into a marijuana fueled world of loud metal music to block the pain and guilt. Dejected and out of sorts, he has a shot at happiness with his girlfriend Holly, a grounded, caring girl with drop dead good looks, a dream date for the high school prom. But his plans are thwarted by a disturbing series of events that take place under a mirrored disco ball, involving pink satin, glitter, syringes, nails, power drills and a secret admirer. Brent has become the prom king at a macabre, sadistic event where he is the entertainment.

It turns out some girls don’t like being told no and some girls are as bad shit crazy as his captive, Lola. Lola is played by Robin McLeavy in a performance that simply must be seen to be believed. Many actresses would be afraid of going this far with the role but McLeavy is clearly having a ball here. The torture, the prom, the glitter…everything in her mind has been done FOR Brent and not TO him, if that makes any sense. Speaking of Brent, this is the kind of movie that you just want to give a hug to actor Xavier Samuel once it is over. The things this guy has to go through in order to survive the night and cope with Lola’ “love” is heartbreaking and it is clear that he will never be the same person again. Nonetheless, I don’t want you to think this a dreary and depressing movie about torture and kidnapping. The movie has a wicked sense of dark humor as well that is perfectly aided by Byrne’s strong direction and screenplay. The fact that the demented father and daughter keep screaming at Brent “WE CAN’T HEAR YOU!” left a twisted smile on my face. Definitely not for everyone, you know if this movie is for you. If it is indeed for you, welcome to your new favorite horror movie.

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Slasher Studios: The Best and the Worst of the Friday the 13th Final Girls

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On tonight’s episode of Slasher Studios, Kevin Sommerfield and special guest Joshua Schuh went over their favorite and least favorite final girls from the “Friday the 13th” series. Click on the link below to listen to an archive of the show:

http://www.blogtalkradio.com/slasherstudios/2012/01/30/slasher-studios-horror-webcast

Without further ado, here is the official Slasher Studios list of the best and worst Friday the 13th final girls:

THE BEST:

1) Ginny-“Friday the 13th Part II” (1981)
Ginny truly is the best of the best when it comes to final girls. A smart girl with a good head on her shoulder, she uses her knowledge of psychology in her battle with the childlike Jason. She isn’t afraid to get dirty and fight and is a true triumph when it comes to final girls. Laurie Strode would be proud.

2) Tina-“Friday the 13th Part VII: The New Blood (1988)
While it is true that Tina has an unfair advantage when it comes to being a final girl in that she is telekinetic but even if she wasn’t she would be sure to put up one hell of a good fight. Possibly the most independent of the Friday girls, Tina is trying to get over a nightmare of a childhood (a childhood in which she sadly killed her father) and she isn’t going to let anyone stop her. Jason vs. Tina is a damn good match.

3) Megan-“Friday the 13th Part VI: Jason Lives (1986)
Probably the most likable final girl in the series, Megan is just a tough little cookie who is fun with a bit of an edge. While it can be argued that Tommy is technically the “Final Girl” in this piece as he does have more screen time and more of a back story than our dear Megan, we must remember that a hero is only as good as its heroine. Tommy has definitely found a worthy heroine in Megan.

THE WORST:

1) Chris-“Friday the 13th Part 3”
One of the most annoying final girls in the history of final girls. Chris is the kind of annoying, spoiled little princess that you can’t wait to die. The fact that she doesn’t is just an insult in one of the lamer Friday the 13th sequels. It really is too bad because this film was the Friday where Jason received his mask and had a great barn finale. Sadly these are the only two things memorable about this dismal sequel.

2) Pam-“Friday the 13th: A New Beginning”
Umm..how can I put this nicely…Pam is just a little too…old to be a final girl. She seems like she would make a great mom type character but she doesn’t seem believable as a love interest to Tommy and a fighter to Jason. The fact that she spends a good third of her running time running around and falling down in the mud and rain doesn’t help matters much. She seems like a nice girl but bad casting here.

3) Trish-“Friday the 13th: A New Beginning”
“NO TOMMY NOOOOOOOOOOOOO!”
I know that I’m in the minority here but I always found Trish to be useless. She walks around for half of the movie looking confused as to what is going on around here and when she does figure it out and people start dying, she needs her brother to save her. Ugh. I don’t like kids in horror movies and I don’t think a child should have to save a young woman entering into adulthood.

To order the ultimate collection: Friday the 13th: The Ultimate Collection (Parts I – VIII + Jason Mask)

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80’s Slasher Throwback: “The House on Sorority Row” Review

From the kid-friendly director of “Lizzie McGuire” and “The Perfect Man” comes one of the most acclaimed horror films from the slasher era? Everyone’s gotta start somewhere, right? Well that somewhere in the early eighties was horror, specifically the under-appreciated slasher sub-genre. “The House on Sorority Row” began as writer-director Mark Rosman’s calling card in Hollywood, and it was for Stewart Hendler, who directed 2009’s deliciously nasty remake “Sorority Row.” That remake didn’t receive the respect it deserved from audiences or critics and is a fine tribute the world of 80’s slashers. Nonetheless, 30 years later how does the original revenge slasher stack up? Is “House on Sorority Row” worth pledging Delta Delta Die to attend?

The plot, like the plot for many an 80’s slasher, is quite simple. A group of girls staying at a sorority house clash with the house’s owner (the evil Mrs. Slater who sadly isn’t given anything really evil to do) who wants them out of the house. They decide to play a prank on her, but it goes awry and she winds up dead. The plan involving blanks, a pool, and the old lady’s cane is actually pretty lame and the details of the prank don’t make a whole lot sense even after watching the scene two time. Panicking, the girls try to hide the body, but someone (or something) witnessed the crime and begins to stalk them. Has Mrs. Slater returned from the dead for revenge or was she not even dead to began with? Cut to scary music.

“The House on Sorority Row” is an interesting addition to the slasher genre. Interesting in the way that for everything I really enjoyed about this film, I can think of at least something that I also didn’t felt worked at all. The prank, as stated before, is so badly directed that I had no idea what was even happening let alone what the prank was supposed to be. Also, it is hard to hate Mrs. Slater as she is only given two scenes before she is killed off. Also, speaking of killed of…how are the deaths here? Sadly, fairly lackluster. Yes, my fellow slasher fans, this is one of those movies in which almost all of the deaths occur off screen so the heroine can be surprised when she finds her dead friend. Love the reveal of the dead bodies but to do this for ALL of the deaths is a pretty easy way out. That being said, the story is fairly strong and the actresses are all quite good in their roles. If you are a fan of early 80’s revenge/college slasher films, you could do a lot worse than what is on display here. Sadly, it could have also have been a lot better with another rewrite or two.

Make sure to order your copy today. Only 2200 in print and once they sell out, they are gone: House on Sorority Row (remastered special 2 disc edition) (1982)

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80’s Slasher Throwback”: “Hello Mary Lou: Prom Night II” Review

In 1957, seventeen year-old Mary Lou Maloney (Lisa Schrage) enters a church, where she confesses her sins to the priest (Jay Smith), claiming to have disobeyed her parents, used the Lord’s name in vain and had sinful relations with various boys. The pastor tells her that “these are great sins and she should prepare herself for the consequences.” Before leaving, Mary Lou tells the priest that she loved every minute of it and leaves her phone number in the confession booth along with a written message: “For a good time call Mary Lou.”

Later, at the 1957 prom at Hamilton High School, Mary Lou is attending with rich Billy Nordham who gives her a ring with her initials on it. Shortly after receiving Billy’s ring, Mary Lou sends him off to get punch while she sneaks backstage with Buddy Cooper, where the two are found making out by Billy. Storming off after Mary Lou claims she used him, Billy, while in the washroom, overhears two boys preparing a stink bomb and, when the boys abandon the bomb in the trash due to a teacher approaching, Billy grabs it. When Mary Lou is crowned prom queen, Billy, having snuck up onto the catwalk, drops the bomb on her before she is crowned. To the horror of Billy and everyone in attendance, the fuse of the bomb ignites Mary Lou’s dress and she dies after going up in flames, but not before seeing that Billy is the one who killed her.

Thirty years later, high school student Vicki Carpenter (a slightly dull but still engaging Wendy Lyon) goes looking for a prom dress in the school prop room after being denied a new dress by her overly religious mother. While searching, Vicki finds an old trunk containing Mary Lou’s prom queen accessories (her cape, sash, ring and crown) and takes them, releasing Mary Lou’s Hell-bound spirit. After Vicki leaves Mary Lou’s clothes in the art room after school, Vicki’s friend Jess Browning (Beth Gondek) finds them and, after wedging a jewel out of the crown, is attacked by an unseen force. Hung from a light by Mary Lou’s cape, Jess is subsequently defenestrated. Jess’s death is deemed a suicide caused by her despair over her recent discovery that she was pregnant.

After Jess’s death, Vicki finds herself plagued by nightmarish hallucinations caused by Mary Lou and she confides in Buddy Cooper (Richard Monette), who is now a priest and, after hearing Vicki’s stories, believes Mary Lou may be back. Going to Mary Lou’s grave, where his bible bursts into flames, Buddy afterwards tries to warn Billy (now played by Michael Ironside), who is now the principal of Hamilton High and the father of Vicki’s boyfriend Craig (a bland Justin Louis); Buddy’s warnings fall on deaf ears, with Billy refusing to believe that Mary Lou has returned to reclaim her title as prom queen and to take revenge on those who wronged her. Hell is about to break loose.

“Hello Mary Lou: Prom Night II” is everything the original “Prom Night” film wasn’t….entertaining, fun, and just an all around good time. Shades of “Nightmare on Elm Street” here and “Carrie” there do nothing to diminish the enjoyment of this guilty pleasure. This is one of my finest memories of watching Saturday Nightmares on USA Network. If “Prom Night II” was on, you knew that you were going to be having a good night. Throw in a bitchy girl played by Sailor Moon (yes, you read that right) and you have a pretty perfect supernatural slasher.

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“Pin” Review: A Plastic Nightmare

Dr. Frank Linden (Terry O’Quinn, one step away from going “Stepfather” on his family) has a life-size anatomically correct medical dummy in his office which he calls “Pin.” Via ventriloquism, Pin explains to Dr. Linden’s children Leon (David Hewlett) and Ursula (Cynthia Preston) bodily functions and how the body works in a way children can relate to, without it being awkward. Unknown to Dr. Linden, Leon, an undiagnosed schizophrenic with traits of disassociative personality disorder, begins to believe the dummy is alive. Since Leon doesn’t have any real friends (thanks in part to his mother’s obsessive compulsive disorder, who discourages Leon from playing outdoors or bringing anyone home), he believes Pin to be alive, since he’s the only thing closest to a friend. He’s further traumatized when he secretly witnesses his father’s nurse use Pin as a sex toy.

When Leon turns 18, Dr. Linden, having come back to retrieve case studies for a speech, catches him having a conversation with Pin (via ventriloquism, which Leon had learned). Realizing the extent of Leon’s psychosis, Dr. Linden takes Pin away to use as a visual aid for a speech with the intention of leaving Pin at the medical school. As Dr. and Mrs. Linden speed to the hall (Dr. Linden hating being late), they get into a car crash caused by either Dr. Linden’s recklessness or Pin (it’s left to interpretation). Leon retrieves Pin from the scene of the crash.

Leon and Ursula, though grieving, enjoy their newfound freedom until Mrs. Linden’s sister, Aunt Dorothy moves in. She encourages Ursula to take a job at the library, which Leon is against. Believing that she is influencing Ursula and after talking it over with Pin, Leon causes Aunt Dorothy to die from a heart attack by using Pin to frighten her. However, Ursula continues to work at the library, where she meets handsome jock Stan Fraker and falls in love. Meanwhile, Leon takes his fixation with Pin to pathological extremes, first by dressing him in Dr. Linden’s clothes and finally fitting him with latex skin and a wig. After this, all hell breaks loose.

Sometimes you sit through a film and aren’t sure how you feel about it and why you feel that strange way. “Pin” is such a movie. From a technical level, the film is pretty much flawless. The actors deliver great performances, the script is pretty air tight, the cinematography is beautifully restrictive. The ending is tragically brilliant. Dear viewer I did indeed shed a tear when I realized the fate/outcome of one of its lead characters. But…at the same time..is this a movie that I can recommend? Hmmm…that’s actually a very good question. I have no desire to every sit through this depressing heart wrenching movie again and I’m still not 100% sold on who this movie thinks it’s audience is. Nonetheless, if a movie effective me to the point of tears, it’s definitely doing something right. Take that however you want to.

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Slasher Studios Presents: The Top 5 Best Wes Craven Movies

5) The Last House on the Left (1972)
wes Craven’s original masterpiece “Last House on the Left” is probably one of the hardest movies that I have ever had to review. Let me warn you first and foremost, those expecting a teenybopper horror flick like “Scream” are going to be in for a surprise. The plot? Two teenage girls go into the big city for a concert when they are kidnapped, rapped, taken out to the woods, and murdered.

Extremely graphic and brutally raw would still be downplaying how disturbing this is. Well, after these two girls are murdered, under strange circumstances, the gang that did it are forced to spend the night at one of the young girl’s parents home. All of this is shot and filmed with a dark, dreary look that perfectly fits the sick tone of the movie. It’s raw and powerful but don’t say I didn’t warn you. Let’s just say, they don’t make movies like this anymore.

4) The People Under the Stairs (1991)
Some movies are a little bit out there. Some movies are a little on the strange side. Some movies can be a put off putting to others. And some movies are “The People Under the Stairs.” I can honestly say that I have never seen another movie like it. It is weird, over-the-top, and quite frequently crazy. You have a husband and wife (or mother and son or brother and sister, the movie really doesn’t make it very clear) that kidnap children to raise as their perfect offspring. However, when the child in question “hears, speaks, or sees evil” they are banished to the basement with the other neglected children. Sound fucked up?

Well, that’s only the start of it. The movie begins with a thirteen year old boy nicknamed Fool. Fools lives in the ghetto and has just found out his family is going to get evicted from their run down apartment. Fool is persuaded by family friend, Leroy, to sneak into the landlords’ home (the husband/wife, etc) to steal a prized coin collection rumored to be in their home. Desperate to help save his Mother’s life and the family from being thrown into the streets, Fool goes with Leroy and Leroy’s friend, Spenser, to the house.

Once they force their way into the house, they realize they got a lot more than they were looking for. After Spenser and Leroy are tragically killed, Fool tries to escape. Running for his life, he bumps into the landlords’ daughter, Alice, a young abused girl full of nothing but scars and fear. Fool feels sympathy towards Alice and persuades her to escape with him.

The movie works as a social parable about the rich and the poor but works even better as a balls-to-the-wall action/horror comedy that is just about as weird and crazy as you would imagine. I can’t recommend this movie to everyone but for those looking for a little leather gimp action, a crazy incest plot, and lots of hillbilly kids. Well, you’ve come to the right place.

3) Scream (1996)

Growing up in a small town with not a lot of friends, you have to do what you can to make the time pass. For me, my friend past-time was horror movies. I devoured them as a kid. I remember going to the local video store with my mom and running to the horror aisle to see what new releases might be in stock. But even more than the new releases, it was the 80′s style horror movies that really caught my eye. The box art was normally quite grotesque with a naked girl here and a body part here. I always thought to myself, “This is awesome!” Hell, the Nightmare on Elm Street 3: Dream Warriors back box art (Kristen in the “Freddy snake”) scared me so much that it would take me years to watch it. Of course, I would always check out the back cover art just to freak myself out.

My view of horror as an art form all changed on one cold winter day in 1996. December 20th, 1996 to be exact (and no, dear viewers, I didn’t need to look that date up). A little movie called “Scream” opened and terrified moviegoers everywhere. It was the first film of its kind. A horror movie in which the characters in the movie had seen other horror movies. It could have been confusing and overly meta but it was all part of the fun.

“Scream” made horror movies scary again with a brilliantly constructed plot. One year after the death of Sidney Prescott’s (Campbell) mother, two students turn up gutted. When a serial killer appears, Sidney begins to suspect whether her mother’s death and the two new deaths are related. No one is safe, as the killer begins to pick everyone off one by one. Finally, something the horror genre was missing: a good old fashioned murder mystery. The performances all around are first rate from Neve Campbell as the vulnerable to Courteney Cox as the bitchy journalist willing to do whatever it takes to get a story Gale Weathers to David Arquette as the sweet, slightly dimwitted Deputy Dewey to Drew Barrymore’s doomed Casey Becker.

2) A Nightmare on Elm Street (1984)

A Nightmare on Elm Street is an unbelievably original, terrifingly realistic, and overall terrifying that, despite a weak ending, is one of the best horror flicks of the quarter of a century. The film deals with a deceased child molester who now lives only through the dreams of the children of those who burned him alive. Robert Englund is truly frightening as Freddy Krueger. Wes Craven delivers a surprising amount of tension that still holds up today.

Nancy is having nightmares about a frightening, badly-scarred figure who wears a glove with razor-sharp “finger knives”. She soon discovers that her friends are having similar dreams. When the kids begin to die, Nancy realizes that she must stay awake to survive. Uncovering the secret identity of the dream killer and his connection with the children of Elm Street, the girl plots to draw him out into the real world.

The film goes for suspense, drama, and gore and delivers for the most part. Heather Langenkamp gives a very solid performance as Nancy Thompson, the young woman is the “leader” among her friends and the only one who may get out alive. Forget about Jamie Lee Curtis’ whimpering performance in “Halloween”. Here Langenkamp is the real deal and she kicks ass. A great horror film that still delivers today. Look for a young Johnny Depp who, arguably, has the best death scene in the flick.

1) Wes Craven’s New Nightmare (1994)

After the dismal “Freddy’s Dead”, Freddy seemed to be dead and buried for at least a few years. It, however, was in 1994 that Wes Craven came up with the radical idea of bringing Freddy back for another nightmare…a “New Nightmare”. Gone was funny Freddy and the fresh looking 80′s MTV teenagers and in was a concept so unique and groundbreaking that it just couldn’t work? Or could it…

But..let us start back at the beginning. In 1984, horror director Wes Craven created “A Nightmare on Elm Street.” It was acclaimed as one of the scariest movies ever made and made unknowns like Robert Englund, Johnny Depp, and Heather Langenkamp huge stars. Ten years later, Heather is living happily with her husband, Chase, and her son, Dylan. But her life has now been turned upside down because she is being stalked by a person who sounds like Nightmare villain Freddy Krueger. Chase has just been killed in a car accident after he accidentally fell asleep behind the wheel. Dylan refuses to sleep any more, and New Line Cinema has just offered her a part in “the ultimate Nightmare.” But some other strange things have been happening, including earthquakes and Craven being tight-lipped about the script. The ultimate truth is that Freddy Krueger is actually an ancient demon breaking out into our world, but in order to do that, he must go through Heather. And he knows he can get out by harming those near her.

Sound convoluted? Pretentious? Overly meta? Shockingly, no. “New Nightmare” is that rare horror film in which everything works. The performances are pitch perfect, lead by a tour-de-force performance by the amazing Langenkamp. The script is full of twists and turns and the movie is quite possibly the best looking of the entire series. What starts out as a maze of mirrors becomes something much more than your typical nightmare. The film examines the role film plays on those who watch it. Something that Wes Craven’s “Scream” would play out to great effect two years later. I really can’t say enough about this film and homages to the original are expertly placed. It is one of my all time favorite horror films and a modern classic.

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90’s Slasher Throwback: “Halloween: H20” Review

Remember the glut of teenage slashers that hit cinemas everywhere after “Scream” made over $100 million at the US box office? Hard to believe that it has been over 15 years since this event took place. I saw them all in theaters. From the good knockoffs (“I Know What You Did Last Summer”) to the dreadfully boring (“Valentine”), if there was a horror movie that opened from 1996 to 2003, I made sure to see it. One of the more interesting developments was the rebirth of the beloved “Halloween” series which gave us one of the best sequels in the series (“H20”) as well as one of the worst (“Resurrection”). Today, I decided to take it easy on you slasher fans and review the better one. Without further ado…”Halloween H20.”

“Halloween: H20” begins on Thursday, October 29, 1998. Marion Chambers (a nice little cameo by Nancy Stephens), Dr. Sam Loomis’s colleague, returns to her house to find it has been broken into. Before entering, she runs next door and lets her two teenage neighbors know that someone has ransacked her house. When arriving, Marion gets shaken up when she gets scared by one of the teens, Jimmy Howell (played in one his first screen appearances by an angelic looking Joseph Gordon-Levitt) for he pops out in front of her wearing a Jason Voorhees mask. Jimmy searches Marion’s house, but finds nothing and Marion decides to wait for the police in her house alone. While in her house, Marion discovers her file on Laurie Strode (Michael Myers’ sister who escaped the attacks 20 years earlier) missing and finds someone is still in her house and immediately rushes over to her neighbors house. When she arrives, she finds both teenagers murdered. The killer, Michael Myers, (Chris Durand), attacks her. After a brief confrontation with Marion, he manages to kill her. The police arrive as Michael leaves the house with the file on Laurie Strode.

The film then moves to Northern California, on October 31, 1998 – Halloween. Laurie Strode (Jamie Lee Curtis) has faked her death and is living under the assumed name “Keri Tate”. As Tate, Laurie has a seemingly perfect life with a son, John (Josh Hartnett), a boyfriend, Will (Adam Arkin), and a great career as headmistress at Hillcrest Academy High School, a private boarding school. However, Laurie/Keri is far from happy. The tragic events from 20 years previous still haunt her and adversely affect her parental capabilities. To everyone, including Laurie’s school secretary Norma Watson (Janet Leigh) this is “just another Halloween”, however, Laurie still lives in constant fear from the attacks from 20 years ago, and partially believes that her brother is still alive and will one day return. And sure enough…he does.

“Halloween: H20” plays more like a slick, Hollywoodized remake of the original “Halloween” than an actual sequel. Believe it or not, that’s actually a good thing. Laurie has become a neurotic mess after her two encounters with Michael. She is a little older but not necessarily a little wiser. She has turned into a functioning alcoholic whose only saving grace is her son John. This all works thanks to a great performance by Curtis who honestly has never been better. She knows this character better than anyone and plays her believably close to home. She isn’t a hero..she’s merely a survivor. When it does come down to the final showdown with Michael, she is willing to do whatever it takes to get this nightmare out of her life. Too bad the sequel fucked that all up…

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