Cohort Pictures Announce Dark Horror Short, VANITY

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Manchester-based production company, Cohort Pictures are proud to announce that production is set to begin on their latest short horror film, entitled Vanity, with filming set to begin in April 2014.

Written by Patrick O’Brien, Vanity will be directed by award-winning director Courtney Edwards (Clench) and produced by Maxwell Jones.

Vanity is only one chapter in the life of an enigmatic young man named Julius Crowley and follows the story of a young woman, Elizabeth, who has accepted an invitation to join him for dinner at his manor house, despite only meeting the day before. However, it isn’t long before her night in the company of the charming stranger takes a most unexpected turn.

Writer Patrick O’Brien will take on the role of Julius, while casting continues for the remaining roles. O’Brien had the following to say, “My hope is that, with Vanity, we are able to offer horror fans a fresh take on a tired horror mainstay. However, we can only do it with your help and every penny raised will be put to good use and visible onscreen”.

A crowd-funding campaign is currently underway at Indiegogo to raise funds for the project which promises to be a “sinister and unconventional horror film for fans of American Psycho, Hannibal and Dorian Gray”.

A link to the campaign can be found HERE.
For more information, LIKE Vanity on Facebook or Twitter

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Women In Horror Month: Katharine Isabelle

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When I decided to write something up for Women In Horror Month, a bunch of names ran through my head. Amy Steel, Barbara Crampton, Kelly Jo Minter but I decided to go with Katharine Isabelle. The main reason being is I was on IMDB a while back and someone had started a “Favorite Scream Queen” thread. So, I went in and said Katharine Isabelle. Within 10 minutes, I had a reply from someone who had previously said Scout Taylor Compton, Katie Cassidy and Mary Elizabeth Winstead. ” I don’t think she’s been in enough horror to be a Scream Queen.” I was in shock.

She started doing horror themed projects as a teen with roles in The X-Files, Goosebumps and Disturbing Behavior but it wasn’t until 2000 that she really made her first mark in the genre.

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Ginger Snaps was a little Canadian werewolf movie that surprised critics and most horror fans. It was a clever take on the genre and Katharine received great reviews as Ginger. Playing a rebellious teen who is stuck in suburban hell who is then attacked by a werewolf on the eve of her first period, Katharine is electric. As she further evolves into the wolf, you see all humanity slip away from her but even at her worst, she’s still a fascinating character. Both Katharine, Emily Perkins (who plays her sister Bridgette) and Mimi Rogers (who plays their clueless mom) make this movie a darkly comedic horror gem.

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Post Ginger Snaps, she did roles in Bones, Insomnia and the 2002 TV remake of Carrie but it wasn’t until 2003’s Freddy VS Jason that she made another mark in the genre. Originally auditioning for the lead Lori, Katharine ended up playing party girl Gibb. In what could have been a throwaway role, she ends up out-acting most of the leads and is one of the few characters I had sympathy for. She also serves as the catalyst to which Freddy and Jason start their battles. As she’s about to be killed in her dream by Freddy, Jason impales her sleeping corpse.

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After FvJ, she dabbled a lot in tv shows (having a memorable guest stint on season 2 of Supernatural and a homage to Freddy in an episode of Smallville) and direct to DVD horror (Hard Ride To Hell, 30 Days of Night 2, 13 Eerie). Some entertaining and some not so much. I will say no matter how bad the movie may have ended up, she always gives 100% in her role.

Then came 2012’s American Mary, Playing the tragic anti-hero Mary Mason, once again you witness a character’s descent into dark places. This time though, it’s not a werewolf that causes it but a traumatic incident at a party throw by her teacher. She not only gets her revenge but finds she has a knack for “alternate” surgeries. It’s another memorable character in the horror genre for Katharine Isabelle.

Now, she just wrapped See No Evil 2 and is finishing up a run on Syfy’s successful Being Human before headed to the amazingly dark and twisted Hannibal. A tragically under-watched series that trumps The Following in almost every way.

So, why is she so underrated?

I feel a lot of it has to do with the fact that she’s prefers to stay in Canada. She’s not an LA girl nor does she turn up in a bunch of horror remakes. She works when she wants to. She’s not a big “scene” queen nor does she promote herself endlessly on social media. But she has a loyal fan-base, myself included, that will hopefully keep growing.

–Andrew Beirl

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Women in Horror Month: Jocelin Donahue (The House of the Devil)

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One of my favorite women in horror is not from an 80’s film, but one that just happens to be set during that time. I’m talking about Jocelin Donahue, who played Samantha in Ti West’s House of the Devil. Samantha is a character that seems very genuine and really makes you root for her in the film. The character is struggling with money problems, as many of us can relate to. There are several red flags about the babysitting job that would ordinarily make most people decide against it, but Samantha’s desperation to improve her living situation makes her decision to take the job much more believable (to her best friend’s dismay).

The majority of the film’s scenes feature Samantha alone in the house. You can feel her curiosity as she explores the rooms, and also her ever rising uneasiness as she begins to realize that something isn’t quite right. Donahue plays the character well, and is able to carry the movie on her shoulders without losing the audience. By the end, you really get invested with her character, which makes the climax even more intense. You want Samantha to overcome the evil forces out to get her and just hope she makes it out alive. The House of the Devil is one of my favorite horror movies, and a good part of that is because of Jocelin Donahue’s performance.

-Miles Wilson

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Women in Horror Month: Neve Campbell (Sidney Prescott)

Throughout the years of horror, we have grown familiar with names such as Sally, Laurie, Alice, Ginny, and Nancy. These final girls from early slasher history left such a huge impression in the horror community that they are familiar by just first name basis. For a while it almost seemed that we’d never get another Final or Lead Girl to live up to these standards or become that legendary. That is until 1996 when a certain Wes Craven film opened in cinemas and soon became the most successful slasher film in horror to this day. Yes, ladies and gentlemen, I am referring to none other than Sidney Prescott, brilliantly played by Neve Campbell.

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When we first meet Sidney in the original film, she is scarred after the brutal death of her mother one year prior. It is only when she and friends become the targets of a maniacal serial killer that she must stand up to the plate. When Sidney is first attacked by the killer, she immediately fights back and uses her smarts to try and escape, which she does. By the end, even when she is revealed to gut-punching truth about who the killer is and who is actually responsible for her mother’s death, she always manages to stay strong, and ultimately take down BOTH of the killers who have been tormenting her and reap her of her once happy family.

Randy: “Careful, this is the moment when the supposedly dead killer comes back to life…for one last scare.”
Sidney: *after shooting Billy in the head*: “Not in my movie.”

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In Scream 2 we find Sidney at college, hoping to start anew, she has a close group of friends and a loving boyfriend with “no apparent psychotic tendencies.” It isn’t too long before Sid experiences déjà vu when murders start taking place, and once again Sidney and her friends become the initial targets. It is at this point Sid is conflicted her where her trust lies and is wondering if history will repeat itself. Despite all of this, she continues to still keep her strength as well as her guard up. This time she is not afraid of running, she willing to confront her “ghost” head on, from talking back to the killer during their calls, having the perfect chance to run, but chooses to see who the monster under the mask is, and once again giving one hell of a showdown when confronted by the killers. She doesn’t break once.

Sidney: “You’re forgetting one thing about Billy Loomis…I fucking killed him!”

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In Scream 3 we find Sidney now in seclusion, she’s not so much afraid of the world, but more so she is extremely careful and alert. Her home is fully secured and locked, she goes by a new name, and works from home. But yet again, the killer finds her and Sidney knows that her friends are in danger. Without even a second thought, she flies to Hollywood to help Dewey and Gale solve the murders and bring this new killer down. But this time it’s different. This killer is a real ghost from the past, and this means Sidney must confront all of her demons in order to fully rise to victory and bring the killer down. When it’s revealed the killer is Sidney’s long lost brother that her mother abandoned, and he is the reason why all of the horror in Sidney’s life happened, it becomes and all-out brawl. Sidney is at her most fierce and most cunning, all the way to the killer’s death, and she feels she can live at ease.

Sidney: “It’s your turn to scream asshole!”

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It is ten years after the original Woodsboro murders, and Sidney is now able to
return home to promote her book entitled “Out of Darkness” about her journey through the turmoil she went through. But with Sidney’s return, so do the murders. Someone is trying to remake the events of the events ten years ago. But now, Sidney finds her younger cousin Jill, her aunt, and Jill’s friends added to the list of targets. With a new decade, come the new rules, and Sid must put together the pieces as the bodies pile up. After all she has been through, Sidney is now no longer afraid. She does whatever she can to protect those around her, including racing to Jill’s friend’s house to protect her from her doom, throws herself in harm’s path to save Jill, as well as others. By the final showdown, Sidney shows that even when the enemy is family, she refuses to be weak, she stands her ground, fearless, stealth, and out of darkness.


Sidney: “You forgot the first rule of remakes Jill. Don’t fuck with the original.”

Throughout those ten years, Sidney has never once faltered in her actions. She always used her smarts, always stayed strong, and always confronted her internal and external conflicts head on. She also showed that she was always willing to put her life ahead of others to save them. In the moments where the average person would feel at a loss, Sidney kept on going. But what makes her the most special and unique is that she’s the one recurring Final/Lead Girl in a slasher series to never be killed off. To me, that makes her the ultimate Final Girl in slasher history.

–Cody Landman

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Slasher Studios Celebrates Women in Horror Month

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ATTENTION HORROR FANS! February is Women in Horror month. To celebrate at Slasher Studios we want to feature YOUR write-ups of your favorite women in horror. Whether they be powerful Final Girls, fantastic Scream Queens, or triumphant female horror filmmakers…we want to hear about your favorites. Send us your write ups either as a PM or to our email at [email protected]. We want to feature as many as we can in the month of February, so have fun with it and let’s celebrate!

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Don’t Go to the Reunion Nominated For Six Horror Society Awards

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Our very first slasher feature Don’t Go to the Reunion has been nominated for SIX Horror Society Awards including Best Director (Steve Goltz), Best Scream Queen (Stephanie Leigh Rose), Best Scream King (Spencer Harlan), Best Death/Use of FX (Hannah Herdt), and Best Movie. We need you awesome slasher fans to vote as many times as you would like at the link below and let’s show them that slashers will never die!! Voting is logged automatically and will end on Feb 28th. at 10am and the winners will be announced that same night.

Horror Society Awards: http://www.horrorsociety.com/awards/

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Three Year Anniversary for Slasher Studios!

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Today makes three years since Slasher Studios became Slasher Studios. In those three short years, we have produced three short films, a slasher feature, and have another slasher in the pipeline. It has been an absolute blast and we can’t wait to continue our love of slashers with each and everyone of you guys. To our friends and fellow filmmakers: thank you all of your incredible support. We couldn’t have done ANY of this without you and you guys mean the world to us. It has been a fantastic ride and it is only just beginning! Slashers will never die!!

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Satan’s Snooze: “Devil’s Due” (2014) Review

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During their honeymoon, newlyweds Samantha and Zach couldn’t be happier, however upon waking up one morning, they have no recollection of what happened the night before. It isn’t too long after returning home that the happy couple find out they are having a child. But during a time of what should be pure happiness soon turns into a nightmare as the couple find themselves being watched and Samantha begins exhibiting strange behavior.

Devil’s Due is yet another entry in the found-footage genre. The film can be considered an almost younger generation and found-footage version of Rosemary’s Baby. However, this film has no chance in hell (no pun intended) of reaching the status of the classic horror film. It doesn’t even stand a chance of reaching Paranormal Activity status. The story may be interesting, but the film itself is just plain boring. There is no intensity and no atmosphere whatsoever. Throughout the film we just see Samantha becoming more and more hostile with random and clichéd jump scares thrown in. And a lot of the creepy moments end up being humorous than anything. By the time we reach the climax of the film where (as usual) all of the real action occurs, it’s over before it even begins.

Despite the film’s boring outer layer, we are given some pretty good performances by our two leads. Zach Gilford brings a lot of charm to the role of Zach, at the first of the film he’s the goofball husband that everyone will seem to adore. But when things start getting serious we see Gilford switch gears into the concerned husband and he does a fairly good job of it. Allison Miller plays Zach’s wife Samantha. Like Gilford, Miller shows the sweet and innocent side of her character and we ultimately love her too, but when she needs to show Samantha’s gradual change of behavior, she has a few moments where she could have gave it more of a boost, but otherwise she gives it what she can and it’s satisfactory enough. The two also have great chemistry together, which also helps the audience care for and root for the two characters.

Devil’s Due may be a huge snooze fest and won’t leave a mark on the found-footage genre, but it at least has two decent lead actors to keep it from being a total disaster.

–Cody Landman

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VHS Forever: “Rewind This!” (2013) Review

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Growing up as a child of the 1980’s. VHS was my life. Every Friday night I would hop on my bike after school and head down to the local video store with the largest selection of horror movies. I’d run to the back of the store where the “really good” horror movies were and enjoy the bloody feast of gory eye candy. It was a rush of adrenaline that every horror fan should experience regularly. The painted covers, the delicious puns, the bonanza of blood! Ohhh, they were some good times.

Watching the new documentary Rewind This! brought back these incredible memories with a glorious gory grin on my face through the entire 92 minute running time. Directed by Josh Johnson, Rewind This! tells the story of the 80’s VHS boom, the collectors today that are still holding on to their VHS collection, and the future for the medium. Filled with interviews from collectors as well as filmmakers from the era, the documentary has a lot of fun showing the power VHS has over fans even today. Want some vintage VCR commercials? Oh, believe me, they are all here. I especially loved the commercials that feature the state of the art “cordless remote feature” as well as the cutting edge “rewind option.” It’s a nostalgia lovers wet dream as is some of the rare VHS tapes featured.

As the doc moves on to the world of today’s cinema and the advent of streaming video, it plays as a bit of a heartbreak for horror fans. One film professor mentions how her students have no desire today to start a video collection as anything they could ever want to see is available on streaming. How sad is that? Early VHS was an artform in and of itself and film lovers of the new generation are surely missing something with the lack of a physical medium. This film understands that and celebrates the great years with great enthusiasm. This is a fantastic documentary for the film lover in all of us. Check it out!

To order on Amazon: Rewind This!

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