Kevin & Steve’s Horror Movies: “Flesh Eating Mothers” (1988)

flesh-eating-mothers

Kevin: Flesh Eating Mothers is the kind of horror movie that takes more chances than just about any horror movie released in the last year. In this 1988 cult hit, the woman of a small town are all turning into…well, flesh eating mothers. A sexually transmitted disease is taking over the neighborhood and all the women who have slept with the town “stud” are now infected. How’s THAT for a premise? Let’s just say, you haven’t seen anything yet.

Steve: The overall story is quite intriguing. These everyday suburban woman are in need of a little extra lovin’, but unfortunately get more then what they were looking for. Telling his wife he is going for a run, the town stud takes off in his sweats and meets up with the mothers. Leaving them with something a little extra, the mothers soon develop the taste and desire for human flesh.

Kevin: The effects are surprisingly well done and the makeup on the mothers after they have turned into the flesh eating beings is creepy as hell! This is a fun and cheesy flick, but with a darker script this could have been a very scary watch. If for no other reason, the face transformations of these murderous mothers is worth the watch.

Steve:
With body parts gnawed off, faces ripped off, and lots of blood & gore, Flesh Eating Mothers is a like a buffet for the horror fan. With laughably bad dialogue and some of the worst acting to come out of the 1980’s (yes, that is saying a LOT right there), the movie is an instant camp classic. While it does run out of steam in the last act, the first hour is filled with some great delights of overacting and overeating. Dig in!

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Party Like It Is 1980: “New Year’s Evil” Review

Released in 1980, New Year’s Evil is yet another holiday themed slasher movie and back in the 80s it seemed to holiday, or event was safe from Halloween to Christmas, Valentine’s Day, Prom, Graduation and hell even slumber parties weren’t safe. New Year’s Evil is still early into the slasher cycle when the clichés were still in the early stages and while this is a slasher flick it’s also a little different from the norm in the 80s.

During a New Year’s Eve party broadcast on TV the host Diane (Roz Kelly) receives a call from an unknown killer (Kip Niven) stating he will kill somebody in each time zone; his voice is disguised (however we see his face so no spoiler there and the calls are hysterical I am EVILLL). He records each killing on cassette tape (blast from the past) and then after each murder he calls the show and plays the tape back.

The screenplay by Leonard Neubauer is the typical of its time with faceless victims with zero depth; we know who the killer is from the start at least in terms of looks and I think anyone with even half a brain should figure out his connection to Diane so the mystery angle assuming that was the plan is a failure and I have to think that was the point by Neubauer I can’t see him writing this as any kind of mystery. New Year’s Evil takes a different approach with the script in regards to the killer isn’t wearing a mask or disfigured and in many ways, Neubauer seems to also try and mix in more thriller aspects; while the screenplay has some entertaining moments and some decent comedy and a decent touch of family drama, which does add a little bit of depth to an otherwise sloppy screenplay, but in the end it’s brought down by the fact we know who the killer is and again its painfully obvious his connection to Diane so therefore the cops trying to figure things out doesn’t work as well it could have if the killer was kept hidden.

Director Emmett Alston delivers the standard slasher flick just without the gore and nudity these movies became known for; the direction is rather flat with very little in the way of suspense and tension and the production has much more of a TV movie feel rather than theatrical. The death scenes are decently staged, but they lack any real flair or any blood. New Year’s Evil is a little sloppy and at times not very well made, but it’s not a complete hack job either. New Year’s Evil has built up a nice cult following so I suppose Alston did something correct and despite the many flaws of the movie even I have to say I enjoyed the movie even if nothing really stands out.

The one thing interesting about New Year’s Evil are the primary characters are adults in their late 30s to early 40s; most slasher movies feature teen characters or characters in their early 20s so this for me stands out due to that, but older characters doesn’t mean they’re any smarter as Diane is a rather useless final girl and while the performance by Roz Kelly (best known from Happy Days) was fairly good, but again she was rather useless as the final girl and towards the end with the showdown with the killer she seems more than content with being a victim rather than fighting back.

Overall New Year’s Evil while in no ways one of the better slasher flicks of the 80s does work in that 80s slasher sort of way and fans of these films will totally understand. Everything here is rather pedestrian and the villain and his disguising of his voice is hysterical and you gotta love the way the guy is the master of disguises going from a worker at an insane asylum and even a priest.

–Dave Kaye

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Black Christmas (2006) Decks the Halls With Lots of Bodies

The film tells the story of a group of sorority sisters; Kelli (Katie Cassidy), Melissa (Michelle Trachtenberg), Lauren (Crystal Lowe), Heather (Mary Elizabeth Winstead), Dana (Lacey Chabert), and their house mother Ms. Mac (Andrea Martin), who find themselves being stalked by an escaped psycho killer named Billy. It all begins with them receiving creepy phone calls, but as the sisters begin to notice that their other sisters are going missing, they realize that something is really wrong. When one of the missing girls’ sister (Kristen Cloke) appears to pick her up, she joins the girls in hopes of surviving the night. Merry Christmas Delta Kappa.

Let me start by saying that this remake is extremely bad and in no way comes close to being as good and amazing as the original. However, that doesn’t leave this viewer with a few positive things to say. The remake does try to follow the original, but what really ruins it is giving the killer a backstory, but also throwing an inbred daughter/sister in the mix. To me that’s what really prevented it from being good. The film is bad, but there is a lot of fun to be had here. It has blood/gore, hot girls, laughs, and a high body count. What more could you ask for with a mindless slasher? I will admit that it has some nice acting from its hot cast. Especially from Michelle Trachtenberg, Crystal Lowe, and Lacey Chabert. The film also has a surprisingly great atmosphere. It really sells the fact that it’s taking place on a stormy Christmas night, and it has that creepy empty house feeling with all the creepy noises an old house would make. The set design also throws it all together well. One other thing I felt this was really lacking a chase scene. Melissa does get one, but it is way too short, but I guess it’s better than nothing.

Despite what you may hear about this movie, I still highly recommend it. As long as you turn your brain off and just enjoy the great cast, kills, fun characters, and the atmosphere, you may just hate it much less. The original will always be amazing and a classic, but there is nothing wrong with a bad horror movie that will still provide some fun. Another note, forget everything you’ve seen in the theatrical trailer, because at least half of the footage does not exist in the film. Which is a huge disappointment.

–Cody Landman

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Not Quite Horror: A Christmas Carol

Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

A Christmas Carol (Various)

The Monster: Ebenezer Scrooge and all the evils inside of him. The cranky bastard endures visits from three spirits. They take him from his past, through his present, and into his future. With each visit, Scrooge faces the rottenness in his own soul.


The Horror:
Few people grow as cold and callous as Ebenezer Scrooge, but even he cannot withstand repeated exposure to his failed humanity. The spirits tear him apart systematically, like an autopsy. They cut into him with images of his youthful innocence and first love, re-sensitize him to the human suffering all around him, and strip the last of his soul away by confronting him with his own death. Hellraiser’s Cenobites would be proud.

The Shared Fate: A Christmas Carol is as firmly entrenched in holiday culture as candy canes. More than this, the story (in book, play, film, or homage) is horrific as anything more traditionally associated with this genre.

Like Scrooges, horror fans explore the upsetting parts of their reality. The horror genre serves as spirits of Christmas past, present, and future. It also underlines the failures within humanity.

Genre fans can also experience the same joy Scrooge does when he wakes on Christmas morning and reconnects with humanity. Could Scrooge have experienced so much communal happiness without walking with horrors for a night? Perhaps Christmas is best experienced with a scare the night before.

–Axel Kohagen

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Five Christmas Horrors To Watch This Bloody Season

Merry Christmas from those of us at Slasher Studios. To celebrate we are bringing you five Christmas style horror movies to watch this holiday season. Movies with blood and gore and just enough of the Christmas spirit to make you appreciate having a blood red Christmas Day.

5. Silent Night Deadly Night 5-The Toymaker

Ohh the joys of the “Silent Night, Deadly Night” series. One of the few horror franchises that never really hit the mainstream but, of course, that didn’t stop them from making four (fairly unrelated) sequels. While many horror purists believe that the first one is the only “good” entry in the series, I have always had a bit of a fondness for the joys and the awfulness of the fifth installment: “Silent Night Deadly Night 5: The Toymaker.”

A sequel by name only, “The Toymaker” is one of the strangest sequels I’ve ever seen. A young boy sees his father killed by a toy that was anonymously delivered to his house. After that, he is too traumatized to speak, and his mother must deal with both him and the loss of her husband. Meanwhile, a toy maker named Joe Peto (a name that is just too damn funny to be unintentionally hilarious) builds some suspicious-looking toys, and a mysterious man creeps around both the toy store and the boy’s house…but who is responsible for the killer toys? The twist at the end needs to be seen to be believed (shades of “Sleepaway Camp”), “The Toymaker” is fun with a capital F. I can’t in all honesty say this is a “good” film but I can say that you’ve never seen anything like it. Besides who DOESN’T want to see a horror movie version of Pinocchio?

Have yourself a bloody merry Christmas and give “Silent Night Deadly Night 5: The Toymaker” a chance. It is 80′s horror at its cheesy finest. Yes, yes I know this movie was made in 1991 but I refuse to believe that. The early 90′s was a time of horror blandness and this is anything but. I can’t say that this movie is for everyone but it doesn’t deserve the reputation it has received. Have a few drinks and enjoy!

4. Santa’s Slay
On Christmas Eve of 2005, the Mason family is enjoying Christmas dinner when Santa Claus (Bill Goldberg) comes down the chimney and kills them all. Some of the deaths include Santa stabbing someones hands to the table with steak knives, causing a girl to faint and fall back into a sharp pole that impales through her head, Virginia’s head is set on fire and is then drowned in eggnog, a man tries to fight Santa and gets pushed into a glass case and dies, Santa then grabs a leg from the table and smashes in a woman’s head as she pleads, “I’ve been good!”, the last girl tries to escape but Santa throws a star into her back, and lastly the man who got stabbed in the hands get a chicken leg lodged down his throat. This opening scene includes bit roles from several famous Jewish actors, including James Caan, Fran Drescher, Chris Kattan, and Rebecca Gayheart.

Riding on his sleigh driven by his “hell-deer”, Santa arrives at Hell Township and proceeds to kill the locals in various holiday-themed ways. In one of his slaughters, Santa kills the occupants of a local strip club frequented by Pastor Timmons (Dave Thomas), a crooked minister who manages to survive the massacre. Later, Santa murders the local Jewish deli owner Mr. Green (Saul Rubinek) using his own menorah.

Meanwhile, teenager Nicholas Yuleson (Douglas Smith) is living with his crazy grandfather (Robert Culp), a crackpot inventor who has created a bunker in their basement to survive Christmas. When Nicholas asks Grandpa why he hates Christmas, he is shown “The Book of Klaus”, which reveals the origins of Santa Claus. Apparently, Santa was the result of a virgin birth produced by Satan (just as Jesus was the result of a virgin birth produced by God- meaning that Santa is somewhat of an Antichrist). Christmas was “The Day of Slaying” for Santa until, in 1005 AD, an angel defeated Santa in a curling match and sentenced Santa to deliver presents on Christmas for 1000 years. This means that Santa is free to kill again in 2005. As goofy as it sounds and just as fun.

3. Christmas Evil
Suburban New Jersey, Christmas Eve – 1947: A Christmas Eve experience traumatizes Harry. He catches his mother being sexually groped by Santa Claus (actually Harry’s dad). The child then goes up to the attic and cuts his hand with a shard of glass from a shattered snow globe.

Thirty-three years later, an adult Harry now works in “a lousy position” at the Jolly Dreams toy factory. At home, he has taken it upon himself to become the next true Santa; he sleeps in costume, and his apartment is resplendent with Christmas toys and décor. From the roof of his building, he uses binoculars to spy on neighborhood children to see if they have been ‘bad or good’ (two children are doing household chores and playing with their doll, the third child, Moss Garcia, is shown rifling through a Penthouse magazine and cutting out a nude photograph). Harry runs back home and writes Moss’ name in his “Bad Boys & Girls” book. He is now fully ready to take on the role of Santa.

A sincere stab at a psychological horror that may leave some slasher fans cold but I found this movie to be rich in original characters. Make sure to watch this one with the John Waters commentary. Priceless.

2. Silent Night Deadly Night
Described as “The ULTIMATE Killer Santa Movie”, where would Christmas be without a deranged, batshit crazy Santa? After his parents are murdered by a scalpel-wielding Santa, a young boy is sent to an orphanage. He ends up spying on two people having sex, and learns sex is a very naughty thing. A few years later, in a little, old fashioned department store, the kid is given the ultimate job: SANTA CLAUS. After seeing two people having sex in the storage room, he has flashbacks of his parents’ murder, and ends up killing them both. He then sets off on a massive killing spree. Can he be stopped? Or will Santa deliver new presents to all the little kids? This film is a hell of a lot of fun and the protests behind the film only add to the enjoyment. Well, kind of….

“Silent Night Deadly Night” is the kind of movie that makes you want to take a shower immediately after watching it. The entire experience just kind of makes you feel a little bit “icky”. Seriously, how else do you describe a movie in which a mother is raped in front of her children, a Santa Claus is shot down in cold blood in front of a bunch of orphaned children, or a scene in which a young girl is given a murder weapon by Santa immediately after he has killed her babysitter and the babysitter’s boyfriend? “Silent Night, Deadly Night” is not exactly the kind of feel good holiday movie that is sure to put a smile on your face.

I cannot in good faith recommend “Silent Night Deadly Night” to everyone. The acting is quite poor, the direction is flat, and the story has too many loose ends (don’t even get me started on the worthless sequel). But, those going into this film will know exactly what to expect. It is fun, for what it is. Just don’t expect much. That being said, I cannot ignore the fact that it is a slasher movie classic.

1. Black Christmas
Forget about the 2006 version, THIS movie is where the terror really started. It’s time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don’t express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem?

“Black Christmas” is that rare horror movie that gets everything right. This is a movie that just oozes atmosphere. Every frame is dripping with dread and setting the film on the Christmas just adds to the excitement of it all. Not only this but the film is also scary as hell with some excellent performances and an ending that is sure to give every horror fan chills. What is the most incredible aspect of this groundbreaking slasher film? Throughout the entire film, we see various sorority girls getting hacked to death and receiving strange telephone calls. What we don’t see is our psycho, Billy. No motive, no reason, no face, no man..Billy could be anyone of us. If that doesn’t make a true psycho, I really don’t know what does.

“Black Christmas” is quite simply the best horror movie I’ve ever seen. Some give the credit to “Halloween” to being the first real American slasher film but that simply is not fair. “Black Christmas” did it first and did it better. It is the grandmother of the slasher film, four years before “Halloween”. “Black Christmas’” power is impossible to deny; its characters are compelling, the imagery poignant, and the acting top-notch. If you haven’t seen it yet, you are in for one scary “Christmas” treat.

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The 2013 Fright Meter Awards Nominations Are In

Come awards time, most horror movies (read: ALL horror movies) are shut out from the major awards circuit. What do horror fans have to look forward to? The Fright Meter Awards of course! We here at Slasher Studios are part of the awards committee and some of our selections for the very best in the year of horror are displayed in the selections below (though boo…no Stitches). Here are the nominees for the best of the best in the horror genre for the year 2013. What are your picks?

BEST HORROR MOVIE
American Mary
The Conjuring
Evil Dead
Maniac
You’re Next

BEST DIRECTOR
Fede Alvarez (Evil Dead)
Chan-wook Park (Stoker)
Jen Soska & Sylvia Soska (American Mary)
James Wan (The Conjuring)
James Wan (Insidious: Chapter 2)

BEST ACTOR IN A LEADING ROLE
Jeffrey Combs (Would You Rather)
Matthew Goode (Stoker)
Patrick Wilson (The Conjuring)
Patrick Wilson (Insidious: Chapter 2)
Elijah Wood (Maniac)

BEST ACTRESS IN A LEADING ROLE
Vera Farmiga (The Conjuring)
Katherine Isabelle (American Mary)
Jane Levy (Evil Dead)
Sharni Vinson (You’re Next)
Mia Wasikowska (Stoker)

BEST ACTOR IN A SUPPORTING ROLE
Rob Corddy (Warm Bodies)
Epy Kusnandar (V/H/S/2)
Ron Livingston (The Conjuring)
Lou Taylor Pucci (Evil Dead)
Rhys Wakefield (The Purge)

BEST ACTRESS IN A SUPPORTING ROLE
Nicole Kidman (Stoker)
Julianne Moore (Carrie)
Isabelle Nelisse (Mama)
Tristan Risk (American Mary)
Lili Taylor (The Conjuring)

BEST ENSEMBLE CAST PERFORMANCE
American Mary
The Conjuring
Evil Dead
Insidious Chapter 2
Stoker

BEST SCREENPLAY
American Mary
The Conjuring
Insidious Chapter 2
John Dies At The End
Stoker

BEST MAKEUP
American Mary
The Conjuring
Evil Dead
Frankenstein’s Army
V/H/S/2

BEST SPECIAL EFFECTS
Carrie
The Conjuring
Evil Dead
Insidious Chapter 2
World War Z

BEST SCORE
The Conjuring
Evil Dead
Insidious Chapter 2
The Lords Of Salem
Maniac

BEST EDITING
The Conjuring
Evil Dead
Maniac
Stoker
V/H/S/2

BEST CINEMATOGRAPHY
The Conjuring
Insidious Chapter 2
The Lords Of Salem
Maniac
Stoker

BEST HORROR SHORT FILM
Baby-Sitting
The Captured Bird
Familiar
Girl At The Door
Seance

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