Tim’s Slasher Tweet Reviews: “Scream” (1996)

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This week our tweet by tweet Twitter reviewer Tim Schilling is back to cut in the “Scream” franchise. Here is his review for the original ground breaking classic.

Thoughts before watching:
How do I introduce a movie like this? #Scream

Thoughts while watching:
0:02 This opening scene made me run and cry when I first saw it. Not even joking. I was like 10.
0:03 Because I want to know who I’m looking at.
0:10 I really wish I could go back to the first time I saw this movie. I was TERRIFIED.
0:13 Casey just hanging there is so creepy.
0:20 You see so many different things each time you watch this movie no matter what.
0:28 This is the Mean Girls of horror movies. (It’s so damn quoteable.)
0:33 Did everyone really have a cell phone in 1996..?
0:35 I love Dewey and Tatum’s constant arguing.
0:37 POW right in the kisser. Bam bitch went down, Sid super bitch!
0:47 Maybe she’s a sluuuut just like her mother.
0:48 Sidney had the perfect chance right there to catch the killer.
0:50 I was so upset when I heard those two broke up in real life. They are so good for each other.
1:07 I spit on your garage.
1:08 Nooooo tatum! It gets me every time.
1:10 I’ve never really noticed this before, but does Craven use a different lens for some shots?
1:27 I love Gale, but she’s such a bitch in the first one that she deserved to crash.
1:33 I was in shock the first time I found out who the killers were. They got me gooooood.
1:43 Love the ending to this. Gale almost dies and still needs to report.

Overall: Well, #Scream is one of my all time favorites and it always will be. The countless references, great acting, awesome characters and actually creepy scenes make it one of the best horror movies ever made in my opinion.

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

4

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Not Quite Horror: “Safe” (1995)

Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There more than one way to watch a movie.

Safe (1995)

The Monster: Safe draws a line between protagonist Carol White (Julianne Moore) and the rest of the world. In this film, everything that isn’t Carol White is the monster.

The Horror: Carol’s problems begin with health problems dealing with allergic reactions to the world around her. Carol becomes more sensitive and her symptoms become more severe. Before long, Carol is an alien to the world she used to live in. Her only relief comes from complete isolation in a sterile, clinical world.

The Shared Fate: Allergies themselves are common, and who hasn’t gotten sick from something they’ve eaten or been exposed to in the world outside of their comfort zone? It’s hard to watch Safe without memories of past nauseas creeping into your body.

Psychologically, the anxiety and fear Carol experiences are just as common. Who isn’t scared of the world around them at least some of the time?

When Carol accepts her sterilized cell as a home at the end of the film it is a sad and horrifying conclusion to her trip. So why is it also somewhat appealing?

Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Tim’s Slasher Tweet Reviews: “Friday the 13th” (2009)

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Tim Schilling is back to slice into the Friday the 13th remake. Does it hold up to the original or is it simply dead in the water?

Thoughts before watching:
Finishing the whoooole thing off with the remake of the original that started it all! By the way, I’m watching the “killer cut” edition, so I’m not sure if that makes any difference.

Thoughts while watching:
0:09 Something happen already.
0:10 Those aren’t real.
0:13 I love that song, but they played it for 20 seconds for no reason at all!
0:14 What a convenient time for a cop to drive by.
0:17 Hahahah gross.
0:24 I completely forgot that they didn’t show the title till just now. 24 minutes in.
0:27 First Asian character for this series? I mean it’s only 2009.
0:34 I wish something would happen already.
0:43 What a lame way he got his mask.
0:47 The scene on the lake is actually kind of cool only because she gets hit in the head with a boat.
0:55 Keeping that one girl alive contradicts everything the old Jason did.
1:02 What a snoozefest.
1:17 End.
1:24 I cannot wait for this guy to die.
1:27 Some parts remind me so much of the Texas Chainsaw Massacre remake. But not in the good way.
1:33 Oh no, a barn. Please don’t fuck up one of my favorite scenes in the series
1:40 The ending was typical but that was one of the few things I liked about this.

Overall: Production wise, #FridayThe13th (2009) actually wasn’t that bad. Story wise, it was painfully boring. I wanted it to end 45 minutes in and the actors looked like they had absolutely no chemistry together on screen, something even the older movies in the series had.

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

1.5

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Tim’s Slasher Tweet Reviews: “Freddy Vs. Jason” (2003)

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Tim Schilling is back to join Freddy AND Jason in a brand new tweet by tweet review, now looking at the film from “Jason’s” side.

Thoughts before watching:
Yes, I realize I already did a review for this movie. But this time I’ll be looking at it in the ‘Jason perspective.’

Thoughts while watching:
0:04 Just don’t question how Jason is alive and it all makes sense!
0:09 I think this is the first Friday the 13th/Nightmare on Elm Street movie I’ve ever seen actually.
0:13 The bed folding death is so gross.
0:14 What a convenient time for a cop to drive by.
0:28 This guy was trying to stop Freddy from coming back, but he goes and tells this in front of everyone. Good job.
0:33 Raaaaaaaveeeeee.
0:35 I love when that guy calls out Kia.
0:41 The dream part at the rave scene used to scare me so much.
0:54 Now that I think about it, this entire movie scared the shit outta me when I was a kid.
0:55 Legend has it? Jason killed hundreds of people!
1:05 Why are cops always useless?
1:06 Freddy pulled a Jason Goes to Hell.
1:07 Pinball Jason made me lol.
1:14 At least camp Crystal Lake is in driving distance from Elm Street.
1:18 His window fetish is back!
1:20 What is with the butter knifes? Kia is my favorite.

Overall: #FreddyVsJason is just awesome. The fight scenes are cool and it’s great to see these two guys in one movie.

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

2.5

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Slasher Studios Tournament: The Best Horror Movie Director (FINAL RESULTS)

You the slasher fan have voted and we are excited to announce your pick as part of the Slasher Studios Tournament: The Best Horror Movie Director and it goes to Wes Craven. From The Last House on the Left to Hills Have Eyes To A Nightmare on Elm Street to Scream, he came away the clear winner in the tournament scoring 59% to John Carpenter’s 41%. What Craven slasher are you going to watch to celebrate?

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Tim’s Slasher Tweet Reviews: “Jason X” (2001)

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Jason hits up space in “Jason X” and our resident Twitter reviewer Tim Schilling is there to join him with a brand new Tweet by Tweet review.

Thoughts while watching:
0:01 Shortest title sequence for a #FridayThe13th movie EVER!
0:04 If you don’t question how Jason survived the last movie, this makes total sense.
0:07 Just realized this is the first #FridayThe13th movie that was made when I was alive. Strange.
0:13 Hahahha hockey got outlawed.
0:15 I love that the entire earth isn’t even habitable anymore in this.
0:24 DVD isn’t even going to be a word in the year 2455.
0:27 EW stap it.
0:30 Honestly one of the best and nastiest deaths in this series right there.
0:38 The game sequence was so cool and actually pretty smart.
0:52 Jason just killed hundreds of people in seconds and no one ever talks about it.
1:05 Women can’t drive space ships.
1:10 No, he is not high. The first for this series.
1:13 New Jason is badass.
1:23 The second dream sequence is really cool too. It’s one of my earlier memories of this series.
1:27 There should have been a sequel. Because we all know Jason didn’t die.

Overall: #JasonX is too ridiculous to not like. Even so, I think it’s actually not that bad of a movie and really does work as a #FridayThe13th entry

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

2.5

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Gore, Reborn: “Evil Dead” (2013) Review

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Going into the new “Evil Dead” reboot/remake/sequel, my expectations couldn’t have been lower. If “Texas Chainsaw 2D” taught me one thing, it is to avoid all trailers, tv spots, and clips for upcoming horror movies. Who wants to spent $11-12 on a movie when they’ve already seen the “good” stuff for free? With that in mind, I went into “Evil Dead” having no clue as to what to expect besides hearing from a few internet bloggers that it was supposedly one of the “goriest movies ever made”. All I knew was that I loved Ash and I loved the original (I’m a bit less fond of the sequels). The original creators were on board with this remake, so how bad could it possibly be? Turns out, it is not bad at all. “Evil Dead” is in fact one of the very best horror movies of the last few years.

As the film begins, we watch as a teenage girl is kidnapped and tortured by a good of townspeople including her father. They accuse her of being evil, a charge she most certainly denies. Her father pours gasoline on her as he prepares to see his daughter light up in flames. She begs for him to take mercy before taking the form of a possessed demon. He lights the match and the demon promises that he will indeed return. So far, fairly interesting if nothing like the original film.

We flash forward to modern time as we meet five college aged students who are staying at an abandoned, dilapidated cabin the weekend. Their goal, is to get their best friend Mia (wonderfully played by Jane Levy in a role that had to be torture to endure) off the drugs once and for all. They make the pact that whatever they do, they won’t leave the house until she is cured. Something tells me they are going to regret that promise come morning, that is if they survive to tell the tale.

A look through the house reveals a strange basement sells with dead cats everywhere and a book wrapped in plastic and barbed wire. Of course, it doesn’t take long for one of the memories of the group (shockingly the smart one, Eric, nicely played by Lou Taylor Pucci) to read from the Book of the Dead to unleash the spirits once again on the group of five. Turns out if the demon is able to feast from five souls in a night, the dead will rule the world again? Five good looking college students, five souls, the spirits are going to be having a buffet tonight. It is up to the leader of the group David (the very handsome Shiloh Fernandez who is the heart and soul of this film) to save the day by destroying the book, the cabin, and possibly his sister Mia’s soul.

Words cannot simply describe the experience of watching “Evil Dead” (2013). For a remake, it feels more like a sequel than anything and I really mean that as a compliment. This is the rare movie that stays true to the original while adding a strong new story, likable characters, and more blood and gore than you will likely see all year. It is relentless in its terror and atmosphere and actually made me feel uneasy at several key moments. If this film had to be cut to receive an R rating, I can’t even imagine what the original NC-17 version looked like. Not everyone is going to come out of this film with the same admiration that I had for it. Those that like their horror “fun” may feel a bit drained by the entire experience but I left the theater shaking. Yes, I found it to be THAT good. If I see a better horror movie this year, it will be a damn good year for the genre as a whole.

4

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R.I.P. Roger Ebert (1942-2013)

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I’ve been trying to type this memorial to the life of Roger Ebert for the last two hours and haven’t been able to write down a single word through my tears. As many of you now know, Roger Ebert is no longer with us after a battle with cancer for the past decade. He did more for film criticism and the art of independent film than anyone else who came before him and anyone else that will likely ever live. Ebert was the kind of guy who loved films more than just about anything in life. The kind of guy who wasn’t afraid to love a trashy bad movie (he gave 3 1/2 out of 4 stars to the delightful B-movie Anaconda) and wasn’t afraid of going against the norm (check out his review for the original Last House on the Left).

I didn’t always agree with Ebert but there is no doubt in my mind that he truly loved film and loved his profession. How many of us can honestly say that about what we do? Not very many that’s for sure. I grew up watching Siskel & Ebert. Staying up late on Sunday nights was a joy for me to see two people I loved and truly respected talk about the new releases I was curious about seeing. They played an enormous role in my childhood and shaped me for the better as to how I approach film.

When Siskel passed away in 1999, I was devastated. When I found out that Ebert passed away this morning, I couldn’t stop thinking of the great memories I shared with him and that I will never be able to read another one of his “new” movie reviews again. His bad movie reviews were always entertaining and, without him, there are dozens of indie films that I probably would have never even heard of, let alone check it.

He changed the way the world looked at film and his importance to the medium cannot be understated. He will be forever missed.

Ebert Remembers Gene Siskel

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Not Quite Horror: “The Rock-afire Explosion” (2008)

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Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There’s more than one way to watch a movie.

The Rock-afire Explosion (2008)

The Monster: This documentary focuses on the rise and fall of The Rock-afire Explosion, the animatronic band Showbiz pizza used to bring in customers.

There are representations of demons and Hell less frightening than the dead-eyed humanoid animals of The Rock-afire Explosion. They are programmed to perform intricate gestures in time with the music. Even worse, the documentary shows these robots in various stages of assembly and disrepair. Furry zombie robots are nothing for the faint-hearted to gaze upon.

The Horror: Fans of the Rock-afire explosion bought up memorabilia from the robot band after they reached adulthood. One man bought an entire band and assembled them in a shed in his backyard.

Imagine entering a shed in someone’s backyard to find yourself staring at a row of mechanical monsters, waiting for the electric command to begin jolting about. Could a person ever walk past this shed again without shivering?

Can a human being live next to a cadre of electric metal mutants and still sleep at night?

The Shared Fate: Rock-afire Explosion fans may be rare, but there must be some sort of collector in every portion of town. Whether a person collects toys, plates, or dolls, seeing their collection in full bloom is proof of powerful desires brewing in that person’s skull.

There may not be a shed full of mechanized puppets in your neighborhood, but chances are a strange obsession is being cultivated in your neighborhood, possibly by someone you know. Just how committed are they to that collection, anyway?

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Tim’s Slasher Tweet Reviews: “Jason Goes to Hell: The Final Friday” (1993)

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Our twitter reviewer Tim Schilling is back taking a look at the black sheep of the Friday the 13th series: Jason Goes to Hell. Scorned by critics and fans alike, how does it stack up 20 years later?

Thoughts before the film:
Besides Part 7, #JasonGoesToHell is the only movie in this series I have never seen. I get the feeling I should have kept it that way

Thoughts while watching:
0:00 Pshh watch it rated or unrated what kinda question is that
0:05 Jason, how did you come back to life this time?
0:07 What just happened.
0:13 I don’t get why they didn’t nuke Jason 7 movies ago.
0:15 This guy sounds like a dinosaur. That’s what he gets for eating Jason guts.
0:20 That news scene stuff couldn’t have been any cornier.
0:33 Geez they aren’t shy with the sex in this one.
0:36 The deaths in this one are kind of ridiculous.
0:49 Breaking his finger for information? This is fuckin dumb.
0:57 No no no no. Having the necronomicon in this is an insult to The Evil Dead.
1:06 POW right in the kisser.
1:12 Jason can only get shot so many times until there’s nothing even left to him.
1:15 I’m not sure if this plot really does make no sense or if I don’t care enough to really try to figure it out.
1:19 Jason’s a pedo.
1:27 The last scene ALMOST makes up for the entire movie. Almost.

Overall: I give credit to #JasonGoesToHell for trying to be different (it really was “different”) but no. Just no. The last scene is awesome though!

To follow Tim on twitter: https://twitter.com/schillingt
To follow Slasher Studios on twitter: https://twitter.com/slasherstudios

1.5

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