Horror Society Crowns “Teddy” Best Horror Short of 2012

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We have been so busy with preproduction on our first slasher feature, Don’t Go to the Reunion, we haven’t had a chance to announce our exciting Teddy news until now. We are proud to announce that our very first slasher short Teddy has been crowned BEST HORROR SHORT OF 2012 from Horror Society!! A huge thank you to everyone who voted for our beary scary hit and a big thanks Horror Society as well for supporting indie horror! If you haven’t yet had a chance to check out Teddy, make sure to click on the link below and order your copy today.

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To order a Special Edition copy of Teddy:


Teddy/Combo Pack DVD Options




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Striking Cinematography Makes “Slasher House” A Tale To Remember

Slasher House, directed by MJ Dixon, is one film that must be SEEN to be appreciated. The visuals in this are unique in such a way, that first you will be taken back, then you will sink right in and enjoy.

Red, a naked girl with the brightest of red hair, wakes up inside an old and cold abandoned prison. Red has no recollection of how she arrived inside the prison and sooner than later, she realizes that she is not alone. She finds herself being preyed upon by a pack of serial killers. She does however find a young man who seems to be in the same situation…

Ok, so now back to the look of this film. The overwhelming green tint, enhanced by the standout red hair, took me by surprise at first. I was not sure what to think and was very standoffish about the color pallet. Lucky, it grew on me and the breathtaking cinematography only helped to secure this film as one to look out for. The shot selection, along with the composition, made with film easy on the eyes. A lot of camera movement is one aspect within films that I always not only look for, but enjoy. The dolly shots were flawlessly executed and as smooth as can be. Wanna see the odd, but uniquely enjoyable color tones and high end camera work? Check out trailer below!

http://www.youtube.com/watch?v=0UJt9Z1AHIw

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Not Quite Horror: “White Water Summer” (1987)

Not Quite Horror contains reviews of films not traditionally considered horror films. By analyzing them as horror films (identifying the monster, discussing the shared worry for the audience and the main characters, and understanding the depth of horror available to the viewer), who knows? There more than one way to watch a movie.

White Water Summer (1987)

The Monster: Vic (Kevin Bacon) is the worst kind of monster; he’s a man who means well. He convinces Alan’s (Sean Astin’s) parents to send their son with him some other kids on a hiking and white water rafting adventure.

Once the trip begins, Vic’s efforts to toughen up the city kids quickly reveal themselves as being dangerous and out of control. He takes a special sadistic joy in tormenting Alan, in an effort to break his spirit. When Vic is severely injured along the way, Alan proves his courage to Vic by saving his life.

The Horror: Kevin Bacon’s most famous work in the field of horror is undoubtedly Friday the 13th, but his performance as Vic is menacing enough to make the outdoorsman seem like a slasher killer, even though he never murders a single person during the course of White Water Summer.

Vic is introduced to the audience as he walks the median of a busy city street. Clearly out of place, hauling his hiking gear on his back, he has the look of a man without fear. When he is finally in his element, hiking with the boys, he pitilessly demands they face their fears and do as told. He makes them cross an unsafe rope bridge despite their protests. Complain about Vic and he’s likely to appear behind you.

The Shared Fate: Vic is a slight exaggeration of real-life figures like camp counselors, baby sitters, and older siblings. As teens or young adults, these people represent authority. However, they often lack the experience and emotional maturity to make the best decisions.

White Water Summer is an almost-slasher. Vic, the would-be killer, is motivated by ego, not revenge. The campers are younger, and they are punished for weakness instead of sexual promiscuity. In the end, everyone lives. Still, it doesn’t take much to stop the movie before Vic’s injury and imagine a body count even Jason Voorhees could be proud of.

— I am indebted to Noel Carroll’s The Philosophy of Horror for his ideas on defining horror, as well as John Skipp and Craig Spector’s article “Death’s Rich Pageantry, or Skipp & Spector’s Handy-Dandy Splatterpunk Guide to the Horrors of Non-horror Film” in Cut! Horror Writers on Horror Film for a similar idea.–

–Axel Kohagen

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Kevin & Steve’s Horror Movies: “The Last Slumber Party” (1988)

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Kevin: “You’re invited to a party … the Last Slumber Party … where the girls are dying for a good time.” Ladies and gentlemen, I present to you “The Last Slumber Party.”

Steve: If you haven’t seen this one yet, then be prepared to be wowed! Wowed as in, “Wow this movie looks like crap.” And then “Wow, worst line delivery ever.” And lastly, “Wow! That was amazing! Let’s watch it again!” This film needs to be seen to be believed. It has a workable plot in the making, but for no good reason, the story takes a few weird turns along the way. And along the way we meet some very memorable characters, a bucket full of laugh-out-loud lines and even a vintage Sesame Street poster.

Kevin: On their last day of high school, Linda, Tracy and Chris celebrate by having a slumber party at Linda’s house. The girls invite some boys over to have the time of their lives. Little do they know, the girls have another visitor. Hiding in the house is a homicidal maniac who has just escaped from a mental hospital dressed like a doctor. Armed with a scalpel, the doctor slashes gets ready for the night by slashing up Chris
and her dimwitted friends. Are Chris and company smart enough to survive the night?

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Steve: I would kill to know more about the production of this film. How many days was this shot over? What was the budget? Was there a food poisoning outbreak on set and they had to recast every role at last minute? So many unanswered questions revolving around this movie, it makes my head hurt. I really want to know what the actors are doing today and if they keep this film a dirty little secret or if they even know it exists. There is a cult out there that deserves to know these answers!

Kevin: There are bad movies and then there is “The Last Slumber Party”. The film looks like it was made for about $20, features “actors” who wouldn’t be able to get extra roles in community theater, and has the audacity to be neither gory OR show nudity. The film claims it was made in 1988 but looks like it was probably filmed in 1982 or 1983 tops. The film looks wretched, shots go on and on to the point of boredom, and the sound switches from not being able to hear a damn thing to shouting in your ear. Sound like your cup of tea? Well dig in and enjoy the bad horror movie you are soaking in.

Steve: The Last Slumber Party does everything wrong, but in a weird way, that is why this movie feels so right. Please, do you part as a horror fan and spread the word about this movie. You definitely have to have a sense of humor while watching this and many of you out there may even need a drink or two. But try it out and who knows, maybe this will catch on and be the next Shout! Factory release on Blu-ray with some awesome cover art…well, I can dream can’t I?

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The Slasher Stop Interview: Lori Lethin (The Prey, Bloody Birthday, and Return to Horror High)

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Today, the awesome The Slasher Stop is back as they chat with the very talented Lori Lethin (The Prey, Bloody Birthday, and Return to Horror High).

Can you tell me a little about your early life? Was acting something you always wanted to do?
I grew up in Long Beach in California . I was a beach baby. I loved to be outside and play act! I would go to all the neighbors houses on my own and perform for them… Usually bad singing but they got a kick out of it… And, by the way, I was usually in my bathing suit. I can’t remember wanting to act, I just loved to pretend.

How did you first get into acting?
We have a summer home over on Catalina island. I was working at my parents burger joint and one day I decided as the summer was coming to a close to go to Hollywood … There was no well thought out plan, no training or high School plays. I was basically flying by the seat of my pants. I picked up, joined an acting class and got a manager. Everything just fell into place.

Just simply because I’m a Charlie’s Angels nerd, can you talk a little about the episode you guest starred in in 1978?
Charlie’s Angels was my first acting gig. It was a real eye opener. It was one of the first interviews I went on and I had barely been in acting class a couple of months. Now mind you, I was a bit of a tomboy… So being on the set with 3 women who were divas in their own right.. Was , well lets say, a real introduction to Hollywood. Thank god I was working with three other young actresses like myself. I learned a lot ! The Angel’s were glamorous but distant. I was grateful for the opportunity to see how things operated behind the scenes.

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Can you tell us how you got the substantial role in The Prey? Did you audition?
I did audition for The Prey. Again, I was new in the business. The producers body of work was in the porn industry so this was their first venture into horror films. I simply went on the audition … Had a callback and was cast. I guess I was convincing at looking scared..lol!

What was shooting The Prey like, was it a difficult shoot being on location?
The great thing about shooting the prey was it was like being at summer camp. The film was shot in 12 days and we were up in the mountains. I had a blast. The cast members were fun and I got to run around and look scared…. And I got paid! The film was an enjoyable experience .

What was your relationship with your co-stars like? Are you still in touch with them?
My relationships with my co stars was great. We are no longer in touch but I hope all of them are doing well.

Can you tell us when the film was shot and clear up the mystery, as I’m sure you know the film wasn’t released until 1984.
Gosh… I have to be honest… I don’t remember the timeline of when the film was made and when it was released.

Lastly, what was your final impression of the film?
My impression of the film is that it was one of those fabulous low budget 80’s horror films that found an audience. It was before all the high tech special effects… Which makes it more fun.

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How did you get the starring role in Bloody Birthday?
I auditioned for the role in Bloody Birthday.

Can you tell us a little about the shoot in general?
Again, Bloody Birthday was a low budget film and was shot in about a month. The hours were long but it was fun and time passed quickly.

I’m sure some fans would kill me if I didn’t ask, what was it like working with Julie Brown?
Julie Brown was great. She was a real sport. You have to remember .. This was before she became famous. We were all thrilled to be working.

What are your recollections of working with the kids in the film?
I loved working with the kids… Especially Casey who played my younger brother. I think we laughed through the whole shoot. The kids were fun and down to earth. It was all fantasy for them… Kinda like play acting because after they killed someone ,after the take the person got up

Lastly, what were your thoughts on the finished film?
I liked the finished Product….Again another low budget classic with bad special effects, so bad that it actually made the film good.

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How did Return To Horror High come about for you?
My manager at the time was producing the film. I think I went along with the package.

Fans really want to know, what was George Clooney like pre-fame?
George Clooney was a doll… Funny and sweet. Absolutely no ego. Not bad to look at either!

In general how was shooting Return to Horror High?
Shooting Return To Horror High was fun. I laughed more during that film then I think I did any other. Alex Rocco who played the producer was particularly entertaining.

Do you look back on this movie fondly? Personally I think your comedic skills are brilliant.
I do look back on this movie fondly… I loved playing my character . There was a lot if me in there.. Feisty comes to mind and I have a wicked sense of humor. Hopefully that all came through.

How do you feel knowing you have this scream queen legacy and hordes of fans?
I love being known as a scream queen. It’s so much fun and the fans are the best.

Fans are dying to know, will you ever make a return to acting?
You never know about me returning to the screen only this time I would like to be the hunter instead of the hunted… What do you think?

We definitely think she should! Another big thank you to both The Slasher Stop as well as the ever talented Lori Lethin for the fantastic interview.

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The Slasher Stop Interviews the Wonderful Lesleh Donaldson (Funeral Home, Curtains, Happy Birthday to Me)

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The Slasher Stop sat down recently with Lesleh Donaldson and she fielded a few questions about her slasher legacy!

SS: Start with the obvious; growing up did you always want to be an actress or a performer? Or was it something that came later?

LD: No I wanted to be a teacher like my mother. It wasn’t until I saw her modelling pics that I wanted to be a model. I think all girls want to be their mother and mine was kinda spectacular, haven’t lived up to her yet!

SS: I know your mother and I can see why you’d want to be like her, awesome woman! So how did acting come about? Did you model for a while first?

LD: Yes I took modelling lessons and I was good at it. i posed in the Sears catalogue etc but then commercials came my way so I went in that direction!

SS: I know you were very young when feature film came your way, but just before we get into your slasher legacy, I have to ask, was Funeral Home your first experience with features?

LD: No I did running first.

SS: I didn’t know that! I’m a bad fan! I’ve been dying to ask, how did you land the lead in Funeral Home? And just in general, cuz I don’t want to take up too much of your time, what was it like working on your first lead?

LD: I landed the role because of running I think and because I had the right look at the time. It was incredible working on Funeral Home, everyone made me feel very comfortable I think they were instructed to but nevertheless it was phenomenal!

SS: How did you feel when you saw the film? Did people treat you differently, your family or such?

LD: I saw it at a drive inn, no, no one treated me differently it was all normal!

SS: And wrapping up Funeral Home, were you happy with your performance?

LD: Well no one is ever happy with their performance but it was so long ago who can complain!

SS: Awesome, of course next you were cast in the classic Happy Birthday to Me. How did that come about?

LD: I got an audition!

SS:And what was that set like? Was it different now that you were working with stars? Like Glen Ford, Melissa Sue Anderson and J. Lee Thompson?

LD: I never met Glen, but Melissa was real nice and the other actors I knew from the audition scene. J. Lee was great! And cute

SS:And we all wanna know about your Janet Leigh style death scene.

LD: It was fun as recall. I wish I had a more descriptive recall for you but it was as you see.

SS: How do you feel about Happy Birthday to me as a final product, and its lasting legacy?

LD: I Saw Happy Birthday To Me not to long ago and I have to say I thought it held up well. It was a good little film for that time and you can’t deny the chemistry between the cast, you can’t force that it has to be organic and it was because we all knew each other and had mutual respect!

SS: Curtains, your final slasher of the trio, can you tell us how you got that role?

LD: I auditioned for Peter Simpson I believe and he knew me from previous auditions. He liked me and not in a sleazy way in a professional way I think he just thought I’d be the best Christie so I was offered the part!

SS: Can you give us ANY insight you have on Curtains troubled production and how long you worked on the film?

LD: The production was plagued with professional disagreements between Peter and Richard, Richard wanted art house and Peter knew what was selling strictly slasher, he had a hit with Prom Night and he knew the medium. Not sure why there were delays in production perhaps they really were trying to work it out or Peter was looking for another director before taking over the helm. Nonetheless it went on for a while and has the rep to boot!

SS: How did you find your Curtains co-stars? I.e. the gorgeous Lynne Griffin and Samantha Eggar.

LD: Everyone was fantastic, as I’ve said before Lynne Griffin I idolize she is a true professional in every way. Samantha was a bit more aloof but that was to be expected as her character warranted such. I got along really well with Sandee Currie and Ann Ditchburn!

SS: How do you feel about Curtains as a whole? It has to be my favourite out of the three you’ve done

LD: It’s very disjointed but perhaps that’s the charm of the film. I never thought anyone would ever see it so it having the Cult status it does blows me away and I’m grateful for that!

A huge thank you to both The Slasher Stop as well as one of our favorite underrated Scream Queens, Lesleh Donaldson, for the fantastic interview.

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Slasher Studios Tournament: The Best Horror Movie Director (Round 1)

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We are at it again horror fans. YOU chose your favorite horror villain (that honor went to Freddy Krueger), you picked your favorite final girl (that honor went to Heather Langenkamp, you guys LOVE your Nightmare on Elm Street!), and know YOU decide who should be crowed Best Horror Movie Director. We have 8 selections to chose from in 4 different matchups to start. You can vote once per day. Round 1 will end on February 28th when 4 horror directors will be cut from the list. Vote and encourage all of your horror friends to vote as well!

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The Slasher Stop Chats With Legendary Actress Rutanya Alda (When a Stranger Calls, Amityville II: The Possession)

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There is a brand new stop for slasher films on Facebook and that stop is The Slasher Stop. The creator of The Slasher Stop, Reece Donnell, shares with Slasher Studios an interview with the beautiful and extremely talented Rutanya Alda.

Can you tell us a little bit about your early life and how you got into acting? Was it something you always wanted to do?

My early life was spent in displaced persons camps – or DP camps as they were called for the people that fled the soviets after the war. There were millions of us, mostly starving, without anything but the clothes on our backs. i was in the camps for about 8 years. Luckily for me i was in the American zone, because people in the soviet zone got sent back and sent to the gulags – which were death camps really. But still it was very hard to get into a country legally and we had to wait for 8 years. We lived in conditions that were primitive. It was 4 to a small room the size of a big closet and a communal bath in the basement. I write about the is a play I am working on now, my one woman show, that I hope to next year bring to the Edinburgh fringe festival – forgive the spelling- I know I didn’t get it right. i wanted to get into acting at age 5 when I saw a play in the camps and then about a year later I saw my first film. I decided right then and there that this was a special world that i wanted to be part of. And it was a lot better than the world I was living in.

You’re first credited horror is in When A Stranger Calls, can you tell us about how you got that role and your experience working on the film?

I auditioned for When A Stranger Calls and got cast as Mrs Mandrakis. I had a wonderful experience working on the film even though it was a sad part. There was another scene in the film that got cut, which shows my character several months later, and zombie like with grief and unable to talk.

You’ve mentioned to me in the past that some of your material was cut from the final film, can you tell us about that?

I think a lot of things get cut in films. For one reason or another, the film may be too long and they have to cut somewhere, or they decide that the scene may not work or it takes away from the thrust of the story. It is always a disappointment to the actor.

Shortly after When a Stranger Calls you did a small role in a Christmas slasher movie called You Better Watch Out! Can you tell us anything about that?

I barely remember the Christmas slasher movie, it was cold and icy and I fell and hit my head on the ice and did my scene but really don’t remember it very well. I should have gone to the hospital. I know I had a concussion.

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Can you tell us a little about how you got the role of the matriarch in Amityville II: The Possession? Did you audition?

On Amityville 2 the casting director Ricardo Bertoni had seen my work in some other films and a play I was doing on 42nd Street and had me in to meet Mr. De Laurentis. There were a lot of people being seen by him. When I walked in he spoke to Ricardo in Italian, looked at me, and I left. Ricardo called me afterwards and said they wanted to screen test me. I did and I was offered the part.

What was your experience like working on Amityville II?

I loved working on Amityville2. I loved the other actors and the director Damiano Damiani was Italian with an Italian crew. They were terrific.

Can you tell us a little about your cast mates, such as Burt Young, who was a huge star, and Diane Franklin who was on the rise?

Burt was fun, he always jokes around. Diane was the sweetest and still is.

I’m dying to know, do you believe in the paranormal or supernatural?

I think I do believe in the spirits or angels really. I think there are angels that watch over us and guide us. But I believe we have to ask them. I don’t think they do anything that we don’t want.

Tell us a little about Girls Nite Out, how did you get that role and what do recall from the set?

On Girls Nite Out, the producer and director had seen me in Mommie Dearest and loved me. So they had me in to meet them, and in spite of my work and resume, they still had me audition. The film was shot in one long weekend from Friday through Sunday. I think I got some sleep in between my shots. It was a one take experience. I am not thrilled that they promised to pay me $5000 and never did. That I think is not moral and it cheats the one person they can cheat – the actor.

There are rumors abound that Girls Nite Out was shot long before it was actually released in 1984, can you clear any of this up?

I think they released the film fairly soon. I don’t think they waited a long time, but I’m not sure.

How did it feel to play the villain in a slasher movie?

I liked my character. Revenge characters are always fun to do. I think I can relate – like wanting to get paid for my work – and fantasising the revenge.

Lastly, you were in the film The Dark Half which wasn’t released until 1993, can you tell us how you got that part?

The Dark Half – I met with George Romero, the casting director had me in as she was a strong supporter of my work, Terry Liebling, who is no longer alive unfortunately. She was a great casting director and person. I met George and just spoke with him and was offered the part.

I think we all want to know, what was George Romero like to work with?

George was great to work with, a real gentleman, kind and considerate. My scene with Timothy Hutton where he tortures me and slashes my throat and kills me was a lot longer that what is in the film. George told me that that scene really scared him so much and he just had to keep cutting it down. Isn’t that interesting? I would never have expected to hear that from George Romero of all people. But I think it is because the scene is so real.

Finally, what’s next for Rutanya Alda? Would you like to do more horror features in the future?

I just finished a comedy, Murder at the Howard Johnson’s, at theatre row on 42nd Street. It was so much fun to do. We sold out the last two weeks. The audiences had a great time. Also i just finished 2 short films. One is headed for film festivals; the director is just finishing it up. I don’t know what they will call it yet. The other short is called Kid, and it was fun to do. Now I have to really finish my book The Mommie Dearest Diary. I don’t have much more to do, but I have to sit down next month and just spend that month writing and i think it will be done, how to publish it, I don’t know yet. But I think there is an audience out there that will enjoy the book.

A huge thank you to both Rutanya Alda and Reece Donnell for the terrific interview. Make sure to like The Slasher Stop on Facebook for all the slasher goodness you can handle.

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