Horror Poster Friday: “The Evil Dead” Trilogy

Last week I did a write-up on how much I love the fan art for the 1968 classic Night of the Living Dead, one of my all-time favorite horror films. This week, I’m taking a look at the immortal 1981 Sam Raimi classic The Evil Dead and its sequels. 1981 was a big year for horror, arguably one of the biggest. Lots of films were made that year but not many from that year can say they spawned two sequels, a remake, and an upcoming TV show. Shot on a budget of around $350,000, The Evil Dead is the kind of classic every indie filmmaker wishes to create.

Without further ado, our first poster.

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Art credit: Mark Welser

Stunning. Beautifully psychadelic and macabre and I love the stained texture and vibrancy. It’s simple, it’s creative, and it works.

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Art credit: Adam Juresko

I’m a sucker for posters like this. I love all the contrast and it’s very cleanly edited with the worn edges of Ash perfectly executed.

Now on to the first sequel, Evil Dead II.

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Art credit: Jason Edmiston
My personal favorite of this list. All of the colors are layered perfectly and there’s so much detail in the drawing. Hollywood horror really needs to take notes from this artist and hire him for some pieces.

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Art credit: Randy Ortiz

Another clean, detailed drawing. Simple, elegant, and disturbing. The simple choice of font is breathtaking and the minimal use in color adds to the unique and unsettling feel.

Closing out this list, Army of Darkness.

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Art credit: Jeff Boyles

I can’t get over how many small details are put in this. The red background contrasts with the
black and white Ash beautifully and all of the little lines and the tiniest of details aren’t forgotten.

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Art credit: Richey Beckett

Yet another highly detailed drawing. Another which keeps color to a minimum but still manages to grab your attention immediately. Absolutely gorgeous.

Three classic films, six gorgeous posters. Check back next Friday for the next Horror Poster Friday.

–Noah Nicholas Nelson

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Made For TV Horror: “Finders Keepers” (2015) Review

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Finders Keepers is a SyFy original TV Movie starring Jamie Presley. The story follows a young mother and her 6 years old daughter who, after separating from her husband, move into a new house which unknown to her holds a deadly past. After her daughter Clair finds a doll hidden under the floor, Alison (Presley) begins to notice some very disturbing changes in her daughters behavior. After some very strange and random deaths occur, she begins to question the dolls and the houses history.

Finders Keepers is a made for TV movie and it certainly shows. Although the performances were decent, it was typical of a low budget TV movie. The acting from the main actress was good at times but still felt flat. The surprising performance was actually the daughter. Although the actress is only 11 years old, I found her to be the life of the film. For someone her age, she really was the star of the show.

Although it was not the best in its genre, I found myself somewhat enjoying the film. It lacked much of a plot and didn’t give us much character development, especially by way of the daughter. However with a few genuinely creepy moments and a jump scary that was half decent, Finders Keepers is a film I wouldn’t exactly say I recommend. However, if you are looking for a film to pass the time and want a quick watch, as the film only runs for 88 minutes, then this is the film for you.

–Ross Wilcock

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Very Limited Quantities Remain For “Dismembering Christmas” T-Shirts

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Dismembering Christmas t-shirts are now shipping! We have VERY limited quantities left. These are soft and comfy Anvil shirts and we think the kelly green with look perfect as you slasher up the night! Thanks for the slasher support everyone!! Ships worldwide!!

SIZE UPDATE:
Small – 2 left
Medium – 2 left
Large – 3 left
X-Large – 2 left
XX-Large – 2 left
Get yours before they are sold out FOREVER!


Artwork by the awesome Garreth Gibson Illustrations.


Sizes




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Joel Amat Güell to Make Acting Debut in “Man Kills, Jesus Saves”

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The acclaimed artist behind such works as The Extractor, who’s done art for notable musicians like Chris Cornell and Bring me the Horizon will officially be making his acting debut in Man Kills, Jesus Saves as a mysterious refugee named Jesús. Not much has been revealed about the role, but it is said to be a notable part in the film.

Set in 1988 West Virginia, ‘Man Kills, Jesus Saves’ centers around a Bible Studies camp for children led by the ever ‘hip’ youth pastor Duane Sheppard Jr. As he and his collective of Christ-loving youth counselors begin setting up camp for the season, a series of strange happenings occur that rattle the members of the site and, in turn, lead to several murders committed by an unidentified killer.

In the midst of this, Duane and the camp itself face the potential of scandal and condemnation due to long held rumors of inhumane treatment and ‘gay correction’ therapies surfacing in The Village Voice. Duane struggles to cover up the murders to avoid further bad publicity and attempts find the killer before things escalate to the point of no return.

Written and directed by Practice Makes Perfect’s Jayme Karales and produced by Joel Amat Güell, Kevin Sommerfield (Don’t Go to the Reunion, Dismembering Christmas), Zach Benard (Somewhere Else), and Gregg Golding (Battle Cosplay Fetish Drones), Man Kills, Jesus Saves will enter production this August, pending the success of a Kickstarter campaign set to begin June 15th.

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Lea Ruwaldt & Gary Miller Slash Up ‘Man Kills, Jesus Saves’

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Actress Lea Ruwaldt (Mobius, Inked) and Gary Miller (The Hutchcast, Practice Makes Perfect) have officially signed on for the upcoming UnHollywood/Slasher Studios horror film Man Kills, Jesus Saves.

Neither of their parts have been disclosed at this time but Ruwaldt is slated to play one of the youth counselors in the film and Miller will likely be playing someone a lot nastier.

Set in 1988 West Virginia, ‘Man Kills, Jesus Saves’ centers around a Bible Studies camp for children led by the ever ‘hip’ youth pastor Duane Sheppard Jr. As he and his collective of Christ-loving youth counselors begin setting up camp for the season, a series of strange happenings occur that rattle the members of the site and, in turn, lead to several murders committed by an unidentified killer.

In the midst of this, Duane and the camp itself face the potential of scandal and condemnation due to long held rumors of inhumane treatment and ‘gay correction’ therapies surfacing in The Village Voice. Duane struggles to cover up the murders to avoid further bad publicity and attempts find the killer before things escalate to the point of no return.

Written and directed by Practice Makes Perfect’s Jayme Karales and produced by Joel Amat Güell, Kevin Sommerfield (Don’t Go to the Reunion, Dismembering Christmas), Zach Benard (Somewhere Else), and Gregg Golding (Battle Cosplay Fetish Drones), Man Kills, Jesus Saves will enter production this August, pending the success of a Kickstarter campaign set to begin June 15th.

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The Beginning of the End: “Insidious: Chapter 3” (2015) Review

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Following the death of her mother, Quinn (Stefanie Scott) pays a visit to psychic Elise (Lin Shaye). When her attempt to contact her mother fails, she still believes her mother is trying to contact her. But after an accident that almost resulted in Quinn’s death, she wakes up and is now bed-ridden with two broken legs, Quinn begins to have terrifying experiences and vicious attacks. It isn’t too long before Quinn’s father Sean (Dermot Mulroney) enlists the help of Elise to rid the spirit trying to take over Quinn’s spirit.

This chapter of Insidious takes place before the first two films and follows Elise prior to the Lambert haunting. The first I found genuinely freaky, it had great jump scares, an excellent concept, and great atmosphere. The sequel I can’t say the same for. As a matter of fact, I severely dislike it. When news of a new film being released came about, I was skeptical, but the idea of it being a new story reassured me a little bit. When the trailers came out my thoughts changed instantly. It looked like it could easily be better than the second, but also had potential to be better than the first. The result ended up being extremely positive. I found this to be my favorite of the trilogy so far. The first one was a great intro to the story and The Further, as well as Elise. This prequel however, has everything I could look for in a supernatural film.

While the first film has a very creepy atmosphere and solid story, there was something really simplistic about this film. The first film takes time to get into, and upon repeated viewings it seems to drag more and more. This one gives us enough time to know and like the characters before the terror begins. It also doesn’t throw in too many plot lines like the first two did and way too many moments explaining things. Although seeing the first two informs you enough about The Further to where no explanations are really needed, they still explain a little bit of it here, and that was how it should have been done in the first place. In all honesty, this easily could have been a great standalone film. There were some connections to the first film, but even if you hadn’t seen them, you wouldn’t feel like you were missing something. To me that’s how well-written this film was. While the atmosphere wasn’t as creepy as the first film, it still made The Further chilling enough, and didn’t get too crazy with the set up and all of the creepy spirits walking around. It also features some great jump scares that even the ones shown in the trailer work. Not only that but there is some good build up during the suspenseful scenes. One being Elise in her dark basement, and several moments where she journeys into The Further. The story also gives us likable characters to root for, whereas the characters in the original two films I really didn’t care too much for. The new spirit this time around (The Man Who Can’t Breathe) is just about as creepy as the Bride in Black from the first two, if not slightly more terrifying. Another major plus is that the ghost hunters Tucker and Specks, while unfortunately present, are in it for a short amount of time, and aren’t as annoying as they were in the first two films.

As far as acting goes, this one also has the most solid performances. Lin Shaye is better than ever, we finally follow her character throughout the whole film and get to see her more as her own person. Not only does Shaye provide her fearful scenes perfectly, she also shows off her more emotional side in some scenes which really sells her character and performance more. Best of all, Shaye really knows how to play a bad ass in this chapter and makes Elise one of the best characters in horror officially. Dermot Mulroney does a fine job with his role, as basic as it is, but he does extremely well with it despite that, and by the end we can really see the care and love his character has for his daughter. Finally, we are given an amazing breakout performance from Stefanie Scott. Scott plays the very likable Quinn with such ease that it appears as if she could be playing herself, she is that easy to buy. When she needs to get into scared mode, she does this perfectly without being over-the-top and annoying. The way she acted in these scenes seemed a believable reaction unlike most young actresses who try to act scared. The same is said for her own emotional scenes, nothing too over-dramatic, but just right. She is definitely one that I look forward to seeing in more horror films with the great talent she gives off here.

Overall, Insidious: Chapter 3, in my opinion, is as perfect of a prequel/sequel that I could ask for. Which is very rare in horror land. Strong writing and directing by Leigh Whannell, excellent performances by the cast, and great use of scares and atmosphere.

–Cody Landman

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Horror Movie Poster Friday: “Night of the Living Dead” (1968)

Last week, I did a write-up on Tobe Hooper’s Poltergeist, which many people say scared them as a child. This week, I’m doing what I personally think is the scariest horror film. George Romero’s Night of the Living Dead. I remember seeing this movie around three years old and being scared of the opening music right away. To this day, I haven’t seen a movie that has sent as big of a chill down my spine even from the first act. A must-see for any horror fan.

I’m breaking down some beautiful posters of a beautiful film. Let’s start with the official poster.

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I’ve always been in love with this poster. The green really constrasts with the black background and the (long) tagline is perfection. It’s the type of classic poster you would never see today.

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Art credit: Grzegorz Domaradzki
my personal favorite on this list. Breathtaking. The simple use of color is stunning and the drawings are perfect. I’m normally not a fan of fonts like this but it goes well with the image. I want to buy this and hang it on my wall immediately.

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Art credit: Timothy Pittides
I had never seen this poster before until I was gathering these images and I had to include it. It captures the feel of the film extremely well and the black and white immediately catches the eye. The moon skull is beautiful and I love the hands and drawing of Ben at the door.

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While I couldn’t find the artist who designed this poster, I have to say that it is absolutely gorgeous. So much attention to detail and I love that they kept the original font. If you know who designed this poster, leave a comment and let me know and I’ll credit them.

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Art credit: Killian Eng
Simple, to the point, and extremely scary. Another one that kept the original font which is a brilliant choice. The claustrophobic feel of this movie is captured perfectly in this piece: they’re always coming.

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This list wouldn’t be complete without this glorious foreign poster. While I’m not sure who designed this one either, I couldn’t leave it out. I’m a sucker for hand-painted posters.

Those are just a few of the many beautiful posters this film has. Truly a classic that will continue to make history. Check back next week where I’ll review even more stunning artwork.

–Noah Nicholas Nelson

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Peter Stickles & Latin For Truth Frontman Charles Ray Hastings Join Killer “Man Kills, Jesus Saves” Cast

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Peter Stickles (Evil Bong 3-D, Strangers with Candy) and Latin for Truth frontman Charles Ray Hastings Jr. have officially boarded the cast of the upcoming UnHollywood/Slasher Studios feature Man Kills, Jesus Saves.

Set in 1988 West Virginia, ‘Man Kills, Jesus Saves’ centers around a Bible Studies camp for children led by the ever ‘hip’ youth pastor Duane Sheppard Jr. As he and his collective of Christ-loving youth counselors begin setting up camp for the season, a series of strange happenings occur that rattle the members of the site and, in turn, lead to several murders committed by an unidentified killer.

In the midst of this, Duane and the camp itself face the potential of scandal and condemnation due to long held rumors of inhumane treatment and ‘gay correction’ therapies surfacing in The Village Voice. Duane struggles to cover up the murders to avoid further bad publicity and attempts find the killer before things escalate to the point of no return.

Stickles is slated to play a drug-hunting entrepreneur by the name of Aras and Hastings will take on the role of Bobby Jon Reinhold, previously announced to be played by Practice Makes Perfect star Michael Malkiewicz. Malkiewicz and Practice Makes Perfect co-star Alex Hand left the project in May due to scheduling conflicts.

Written and helmed by Practice Makes Perfect director Jayme Karales, Man Kills, Jesus Saves will enter production this August, pending the success of a Kickstarter campaign set to begin June 10th.

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Horror Movie Poster Friday: “Poltergeist” (1982)

Tobe Hooper’s Poltergeist is the rare horror film that gets everything right. The chilling moments are extremely terrifying, the heartfelt moments are truly touching, and the acting is as close to perfect as you can get. The late Heather O’Rourke gives a beautiful performance as the youngest Freeling child, Carol Anne and JoBeth Williams knocks it out of the park as the mother, Diane. The family bond feels genuine and holds this film together.

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For such a great film, I’ve always felt a little underwhelmed by the official poster. That may be an unpopular opinion and while I feel it’s ominous, creepy, and describes the film well, I think there’s a lot more creativity that could’ve been put into it.

With a remake just released, I thought it was fitting to revisit the original classic and break down three of the countless beautiful fan posters that have came along over the years.

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Art credit: Jairo Guerrero

I can’t say enough about this poster. So much attention to detail and the drawing of Tangina is perfect. I’d love to see this art on a VHS release. This is exactly the type of poster I’d proudly display on my wall.

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Art credit: Ken Taylor

This poster made my jaw drop the first time I saw it. The perfect way to be ominous and subtle while still capturing the creepy quality the film has. A beautiful, haunting foreshadowing of the events of the movie.

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Art credit: We Buy Your Kids

Ah, Tangina. One of my favorite characters in cinema. While I’m not the biggest fan of minimalist posters, this is one that I feel completely nails it. It feels very psychadelic and eye-catching. The choice of font is stunning and the orbs of light around her and closet doors reflected in her glasses are a very clever way to hint to the events of the film without giving away important scares if you haven’t seen it.

Those are just three of the many gorgeous fan posters this film has and I think it’s great that so many artists show their love for this horror gem. Check back next Friday for the next Horror Poster Friday.

–Noah Nicholas Nelson

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They Know What Scares You or Do They?: “Poltergeist” (2015) Review

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When the Bowen family moves into a welcoming house in the suburbs, they think it’s the start of a new chapter in their lives. Eric (Sam Rockwell) is on a mission to find a new job and his wife Amy (Rosemarie Dewitt) is a stay-at-home mom, who also happens to be a writer. Eric and Amy along with their three children love the house immediately. But it isn’t too long before their paranoid young son Griffin (Kyle Catlett) begins to develop a fear of the house that his parents brush off, thinking it’s just another one of his fears. But it isn’t until their youngest daughter Maddie (Kennedy Clements) starts talking to people that aren’t there and starts making contact with presences through the television, and from her closet. When Maddie is taken by these forces, the family enlists the help of Carrigan Burke (Jared Harris), a well-known paranormal investigator with his own t.v. show, to help get her back. They learn that what they are dealing with is no ordinary haunting, and that Maddie’s life is in danger.

Poltergeist is a remake of the 1982 horror film of the same name directed by Tobe Hooper. I admit I am not too crazy about the original film. It had some very good aspects to it, but in the end it didn’t really cut it for me. For me I felt it dragged on a bit too much and lacked any real tension or scares. So going into the remake I wasn’t sure how the result would end up being. During the first portion of the film, I found myself thinking it was going to be a borefest. However, it isn’t until the events begin that it caught my attention. However, unlike the original which took its sweet time to build up, this one jumps into the events much too quickly. The big scene in which the eldest daughter is babysitting, she and the other two children are attacked, was fairly intense and well-constructed, but at the same time, it felt like they were trying to cram too much activity into one scene. The taking of Maddie, not going to lie was rather chilling unlike the scene in the original.

When Harris’ character is brought in, it’s also when it begins to slow down and drag on a bit before it picks back up. That said, when it comes to the final act, it definitely makes up for the slower moments. The final act is actually pretty intense and it also put a new twist into the story making it different from the original, but not much. The final scene involving the poltergeist and the attack on the family actually gave me the chills and made my jaw drop a little bit. Throughout the film I can tell the writers wanted to stay really faithful to the original film and capture some of its key moments, but at the same time wanted to make it fresh. As a result it feels like many things are so crammed together it prevents the viewer from really getting to know the characters. We don’t really know the family too well, on the outside they seem like a typical family, but at the same time, they are certain things revealed about them that they don’t go into much detail with. For example, why Rockwell can afford an expensive house when he’s laid off, and the wife hasn’t been doing much, or really how bad the son’s phobias are. That is one thing the original definitely had on this is that we really get to know the family before things happen. There is also the factor of the Carol Anne character (this time Maddie), this version focuses way to much on the son and not enough on Maddie who is supposed to be the central character. We also don’t get to know the investigator, just brief snippets of his past.

As far as the acting goes, the cast does a fine job with what they have. Kennedy Clements brings cuteness and innocence to the role of Maddie, but takes a bit a too over-the-top, whereas Heather O’Rourke in the original film played Carol Anne with great poise. Rockwell and Dewitt are likable as the parents, but they don’t really shine much. Rockwell only stands out a bit more because of his humorous moments. If anyone in the cast did well with their role it’s Jared Harris, but sadly he doesn’t get a whole lot to work with either, I wanted to see more of his character. As far as effects go, they weren’t that bad. They didn’t get too carried away with the CGI, but used just enough to satisfy the audience and bring on this paranormal world. Although the tree attack scene was MASSIVELY disappointing compared to the original and came of as not scary at all. Another weak aspect is that there was a lot of forced and unnecessary humor that detached me from the mood it was trying to accomplish in those scenes.

With all of this being said, I thought this remake wasn’t bad for what it was. It certainly did everything it could to capture the original film, but with a somewhat lengthier script, they would have accomplished this much more than they did. It’s one that will definitely divide horror audiences. It doesn’t use any cheap scares, but it lacks the atmosphere the original had, as well as the character development. However, the finale packs a much stronger punch and we do get some good acting from our cast. I assume fans of the original won’t be thrilled about this remake, but for those who either didn’t like the original or thought it was okay, they mind something a bit more to like here, but nothing vastly greater. Overall it is at least a remake worth checking out.

–Cody Landman

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